Acceptable Terminology

One thing I’ve been doing with Theadia is playing around with the terminology of things. Considering it takes place at some unknown point in the far future, I’ve decided that I’m going to experiment with some technological terms so that perhaps some of it is anachronistic while other terms are more generalized.

Computers, for example will rarely be referred to as ‘computers’ (the term just feels so 80s in my head even though it’s universal these days) but rather as things like databases, tablets and monitors. The same with phones; the tech has changed just enough in my story that I don’t see them using cell phones as we know them, but more like mini-tablets as we do know them. They don’t take a call but answer hails. My terminology is supposed to hint at familiar devices that have slightly different names and appearances than what we’re normally familiar with. And to be more nerdy: the internets are less about websites and social media (though they do exist here) and more about useful connection points to what you want or need to do at that moment. And yes, that does in fact include reading social sites and reading news feeds. The same, just slightly different. [Part of this is to underscore the way our two heroes view their work and what will happen to them in this story; the tl;dr is that their jobs are such that they understand what’s under the hood here and see their tech in that way.]

Do I really need to do this? Well, not exactly, but it’s part of my worldbuilding that I enjoy playing around with. I did the same with the Bridgetown Trilogy — there were cars (‘transports’) but there were also driverless lorries and such. It’s just part of the background color that makes the story a bit more real and intriguing.

Hrrmm…

Yeah, I think I’m more than a bit out of practice when it comes to writing bigger stories. It’s been far too long since I’ve written in this style, I think. But I’m being patient and hoping that it all works out eventually. It’ll come back to me.

Over this past week I’ve been trying to write an all-new chapter for Theadia that introduces an important secondary character, but I know that this very rough draft is coming out a little, well…rough. I know I could do better, and I’m thinking I might need to give this another go-round before I move on to the next chapter. I think I’m more annoyed that my word count plummeted to about three hundred words a session when usually they’re an easy eight hundred or so. [It doesn’t help that I’ll find myself easily distracted by music and, er, blogging things like this.] But I’m not giving up.

I’m reminding myself that I’ve been in this situation several times in the past, where my word count can fluctuate at any point in time, where I might struggle to get a single scene done one day and breeze through another one the next. It’s just how the writing biz is. And no, I’m not going to use AI to help me, as this is actually my favorite part of writing! Heh.

I’ll get through it, one way or another.

I should be walking

For a while I was walking to and from work, but due to the winter weather here in SF, it gets super cold and sometimes rainy and I’d rather either drive in or take the bus. I always feel like I’m being lazy and wasteful because it’s only eight blocks. It’s not even worth turning on the radio as it’s only a three minute drive. But it’s spring now, it’s warming up, and the days are getting longer so I won’t always be walking there or home in the dark, depending on the shift. And the walk is only ten minutes. [I timed it when I first went for my initial interview.]

What do I do in that ten minutes? It’s not as if I really do all that much deep thinking about things. Sometimes I’ll think about what I’ll be doing for the rest of the day when I have a morning shift, and after midday shifts I’ll wonder what’s going on in the neighborhood now that everyone’s come home and had their dinner already. I might even stop into one of the three coffee shops I pass and grab a cup to go.

I do think about my writing. Not always, but sometimes. Just as in the past, if I’ll use the time to work out something that’s bothering me, or plan out something I’d like to try. Going for a walk these days is more about me not having to think, taking a mental break from what I’ve been doing all day, but if I’m in that creative mood, this is a perfect and peaceful time to let my mind wander a bit.

Either way, I need to start walking again. I definitely need the exercise!

More on not holding back

The last time I talked about this sort of thing was four years ago in this entry, but a lot of things have changed in my life since then. I wrote that entry in the first year of the pandemic, about a year after I’d been forced into heading thirty miles west into the office, ten months after I’d originally come up with the idea for Theadia, and six months after I quit that former day job.

Reason I bring it up is that I’ve been talking with some coworkers at the current Day Job about personal things and surprisingly they all say that I’m probably the most got-their-shit-together person they’d ever met. Which is kind of mind-blowing, considering my past. Ask me how I was four years ago, and I’d say that I was in a much better place than I’d been even a few years before that, but I still had a hell of a long way to go.

I’ve been thinking about this a lot as I work on the Theadia rewrite, because I’m once again at the point where I feel I’ve still been holding back. I’ve just gotten so used to doing it over the last couple of decades for varying reasons. Getting my emotions under control, ensuring my mental and emotional health (and in the process my physical health) was no longer going haywire because I’d just been reacting to everything for most of my life.

So now I’m thinking: yeah, maybe it’s time to trust myself a bit. Far past time.

What does this have to do with my writing? I think it’s that I’ve always felt that my payoffs weren’t as grand as I want them to be. I mean, other than the epic roundup at the end of The Balance of Light where the fate of everyone is held in the hands of two characters, Denni and Saisshalé. I love my books but there’s always this feeling that I could have gone so much further with them plot-wise. Raised the stakes more. Sometimes I feel my personal avoidance of conflict in real life infiltrated the conflict in my books to some degree.

But it’s here and now, and I’m definitely not as avoidant as I used to be. And that’s another reason I want to rewrite Theadia: I can make this story a lot bigger, grander and stronger than what it currently is.

I don’t want to hold back this time.

On being unconventional

I’ve said this before: Theadia is an unconventional hard-SF story. It’s not entirely about the spaceships or the combat or the high levels of tech intelligence. It’s more about the characters that are put into that world, whether they want to be there or not. I’ve also said this before as well: Theadia is about doing the right thing when no one else is bothering. But what it’s not is completely uber-serious or heavy on the military grimdark and the perils of deep space.

I love writing unconventional stories. They appeal to me and my mindset. I mean, come on: I’ve been listening to indie music since the mid 80s. My favorite stories are the ones that don’t go in the direction you expect. I’m a sucker for books and movies where you can tell the writers did their homework in weaving the plots in all sorts of unexpectedly creative ways. It only makes sense that my own writing leans the same way.

While I’ve been talking about how Theadia‘s sprawl is somewhat similar to the Mendaihu Universe, I’d say characterwise it’s more similar to the Meeks sisters in In My Blue World. There’s certainly a huge world out there (in this case a galaxy) but the story is mainly about these main characters I’m writing. I always love the idea of that dichotomy: a tight focus within a larger landscape. To me it gives the background life, and in the process our leads get to act or react accordingly to it.

I suppose this is partly why I’m still an indie author that’s self-publishing rather than going the pro route. I may have once had rose-tinted dreams about getting my novels released by a big name publisher, but the more I thought about it over the years, the more I realized that avenue felt more restrictive to my own creativity. I don’t know how to write commercial fiction, let alone genre fiction that would sell commercially, and I’m not sure if I’d be able to succeed if I managed to learn.

I just write what I enjoy the most, regardless as to whether it’s highly popular or not. And I’m quite happy with taking that unconventional route.

Gardening

One thing A and I like doing on Fridays is watching Gardeners’ World on BritBox. It’s a nice calming hour of watching Monty Don fiddle with the various sections of his land alongside the various cohosts showing their own gardens and visiting others across the British Isles. It’s a great way to unplug from work and the stresses of the world for a bit.

Recently A also finally acquired a plot at the nearby community garden. She has a background in horticulture, so this is a dream come true. And yes, I’m looking forward to assisting as well when I’m not at the Day Job. I’ve learned quite a bit both from her and from watching those gardening shows, but it’s been ages since I’ve actually done any kind of outside work like this. [I’m quite certain I’m going to get all sorts of blisters and back and knee pains, but in the end it’ll be worth it.]

What does this have to do with writing? Well, nothing much really. It’s just a nice little distraction from life and stress and whatever else is going on. And you know me — I’ll eventually find gardening time is a perfect time to do a bit of plotting in my head. Heh.

Into the new universe

So I’m all caught up with the Queen Ophelia’s War spot-check edits and playing around with cover art, which means…I can finally start work on Theadia! WOOOO!

I figured I’d wait out the end of the month just to get a breather and relax a bit (especially since the Day Job has been a bit busy as of late). Why not start fresh on a new week, new day, new month? No real reason other than what the hell, yeah? Besides, it was great to have a few days off from creativity so I could catch up with real life and other things, but it’s time to get started once again.

I’ve been thinking a lot about making my writing sessions a little more stable as well. Not that they’re bad now, but I just want be a bit more dedicated to it than I’ve been over the last few years. I’m pretty good at working on something daily, but I think I’ve let myself have more than a few Don’t Wanna days than I really should have. I also miss getting stuck deep in on big projects, and it’s been quite a long time since I’ve really allowed myself to do that. Especially with a completely new project that has nothing to do with the Mendaihu Universe.

There’s a big world there in the Theadia Universe. Let’s go see what happens in it.

Stuff to listen to…?

Not gonna lie, I’m totally looking forward to finding some new albums that could get some heavy rotation during my upcoming writing sessions for Theadia. Each project has had its own playlists and/or albums that become their de facto soundtrack, and I’m sure this one will be no different.

The only difference here, I think, is that I want these albums to have more staying power than the ones tied to my post-trilogy work. There are some records that will always be tied in with the trilogy (And You Think You Know What Life’s About, Sea Change, Fantastic Planet, and so on), and Diwa & Kaffi had The Sound of Arrows’ Stay Free, but that’s about it. I’m not trying to shoehorn any albums into this new project, mind you…I’m just wondering if there’s going to be any that will be as closely tied.

Which brings me to my wanting to pay a little more attention to the music I’ve been listening to. I’ve said previously that the last few years have felt more like I’d focused more on acquisition than connection, and I want to change that. And one of the ways to make that happen is to actively return to some of these albums. That’s what I did in the Belfry back in the day: I’d start off each session putting on a specific cd I wanted to hear to get myself in the mood. Sometimes it was a new release, other times it was an old classic. It really did depend (and still does) on the scene I was about to work on.

I have the music library, I just need to choose what I want to hear.