This is the official blog for my writing and other creative endeavors.
I wrote few books I call The Bridgetown Trilogy, which are also under a larger umbrella called The Mendaihu Universe. I’ve also released a non-genre fiction novel (set in a music biography format) called Meet the Lidwells!: A Rock n’ Roll Family Memoir. They can be found in e-book form at Smashwords! Please check out the Buy Stuff tab above for links!
Welcome to Bridgetown is where I talk about writing for the most part. I’ve been learning the ropes as a self-published author, and I’m more than happy to Pay It Forward by sharing any knowledge I pick up along the way.
I also have another blog called Walk in Silence, which is where I talk about my other obsession: music. I might talk about anything from new releases to old records to goofy videos to college radio to internet radio and anything in between. You can find it here.
My blog schedule here at Welcome to Bridgetown is Monday and Friday, with the occasional fly-by or extra post. I try to post them first thing in the morning, but they may run a few hours later if there are scheduling issues.
I’ve been having a bit of fun for Inktober this year by drawing sketches of the characters that make up Diwa & Kaffi. I totally admit I’m going against the rules from the start by drawing in pencil and posting them as is (I plan on inking them at some future point), but I really like how they’re coming out! Hope you enjoy them!
First up is Diwa. His background is interesting in that I wanted him to be just a nice kid with an honest goal of taking over his dad’s position as co-landlord at their estate. He’s not looking for fame or glory…he just wants to give back to the community. My way of having him stand out is that he often seems like he’s too good to be true, so his personal moments are always about inner turmoil. I’d say his Ghibli analogue would most likely be Kiki from Kiki’s Delivery Service.
Next is Kaffi, a tintrite (a dragon-like character) and Diwa’s best friend since childhood. He’s very much someone who doesn’t try to make waves all that much, but once he’s up in the sky he becomes an amazing and breathtaking flier. And he LOVES to fly. He’s always honest with his emotions, sometimes to his own detriment, but he rarely lets anything get the best of him. He’s extremely loyal to Diwa and the first to realize just how deep their connection goes. His Ghibli analogue would be Jiro from The Wind Rises, in that he’s quiet but always driven to achieve his goals.
Anna-Nassi is one of my all-time favorite characters I’ve ever written. She’s so full of life and emotion that it’s hard not to be pulled in by it all! She’s a mandossi (a semi-avian, semi-dragon-like being with clairsentient abilities) and a very loud and extroverted one at that. She’s a big goofball and always ready to give anyone a big bone-crunching hug. She cheers Diwa and Kaffi on all the time. She’s also a sucker for anything cute and kawaii. She’s a mix of several Ghibli characters, from Ponyo to Chihiro (Spirited Away), with maybe even a bit of Porco Rosso in there as well.
Also, I just can’t get over how ridiculously awesome her sketch came out!
And last but not least, we have Cole, a hedraac (a humanoid vampire with clairsentient abilities). He’s often the Straight Man character to Anna-Nassi’s silliness, but he’ll also sneak out a devastating zinger when you least expect it. He can be quiet and nervous, partly due to his disability, but he’s exceptionally smart and is usually the first one in the room to understand the situation. He kind of reminds me of Howl (Howl’s Moving Castle) in that he seems a bit out of joint from everyone else and yet is a vital and integral part of the whole story.
Still here, still plugging away at the final revision pass-through for Diwa & Kaffi, so there’s not too much to report at the moment. However, I think I can safely say that I really haven’t written anything new for quite some time.
And I’m actually okay with that.
It’s not a dry spell, because I have a few projects that I can easily work on. I’ve been continuing to write in my journal and do a bit of small creative things here and there. This is different; this is a moment in my writing career where I can take a break from it and not worry that I’m losing my craft. I’ve proven to myself that I can get it back given time and inclination, I just chose to focus on personal things for a little while.
In retrospect, I think this is actually a good thing, because I haven’t given myself a real break since I started the Great Trilogy Revision back in…2011 or so? That’s a long time. Three years of revising those books, three more years of revising them again to prep them for self-publication, and a few more years of writing three more novels. It’s been an extremely creative and productive decade, that’s for sure.
I think can give myself a bit of a mental break.
What will I focus on? Oh, I have all sorts of things. Finally work on my music and my artwork a little more seriously, for starters. It feels good not to be at full acceleration mode on a daily basis. Get outside more. Get to know more people. See and explore new and different things. Focus a little more on life things instead of creative things.
I have no idea when this hiatus will end, but it sure feels good not to give myself a deadline for the first time in years!
I’ve been thinking a lot about expectations lately. Personal, professional, emotional, and so on. For years I always felt that I’d had high expectations put on my shoulders, but it’s only in the last decade or so that I’ve realized that most of them have been of my own doing.
When I sent out my first submissions — the short story in 1995 and The Phoenix Effect in 2000 — I wasn’t so much sending them out thinking I was hot shit and The Next Great SF Novelist (though I’ll admit that I let myself half-jokingly hope I had a chance), but thinking ‘OK…you’ve gotten this far in your writing career. That’s a pretty damn good goal to hit, considering.’ My expectations weren’t high, but they weren’t in the gutter either. As long as I did a decent job or at least learned from my mistakes, all was well.
The same thing goes for my Day Job: I certainly don’t expect to ever rise up to CEO level in any job I’ve held, as that’s not a position I want. I like being part of the team rather than its leader. That way my expectations are more realistic: I expect (and hope) that my teammates and I know what we’re doing and that we’re doing it the best we can under a normal deadline. I work so much better behind-the-scenes than I do as a performer, so to speak. The main reason being that it gives me the space to observe the processes, understand them, and maybe even upgrade them if need be.
But what about my own life? That’s a good question. Sometimes I expect too much of myself — that I need to be perfect every single moment, and become frustrated when I fail to hit that bar. Why do I set it so high? Who knows…it has to do with observing others’ actions, whatever they may be, and hoping to reach those same heights. Yes, I know, that way lies madness.
And pretty rich, coming from someone who spent most of his teenage years shouting that nonconformity was the way to go. Heh.
In the last year or so, I’ve been rethinking my expectations. Readjusting them when and where necessary. Part of this came out of my foray into self-publishing: I knew my novels weren’t going to be brilliant and popular and wildly successful, so I let my guard down a bit. I still tried to write the best book I could, I just stopped trying to reach Stephen King or Ray Bradbury heights of quantity and/or quality. The same goes with my personal life: I accepted that I’d fuck up every now and again. I let myself take some blind chances instead of building up Detailed Best Laid Plans.
And instead of trying to be Everything to Everyone, I realized, maybe it’s time for me to be happy on my own terms again. Sure, that sounds like I’ve hit my Midlife Crisis stage, but I really haven’t. This is the least stressed out I’ve ever felt in decades. I’m more proactive than reactive now. I feel no need to recapture my youth (my music collection does that for me). All in all, this is the most content I’ve been in a long time.
All I’m doing now is making needed changes, many of them overdue, to make things even better for myself.
Time was when I used to subscribe to a number of writing and genre magazines. I didn’t always get around to reading them in a timely manner, and I quite often had a large collection of them that collected dust somewhere for a few years, but I did my best. They kept me busy, informed and entertained.
I subscribed to all the ones you’d expect: The Writer, Poet & Writer, Writer’s Digest, Publisher’s Weekly, Locus, Asimov’s, Science Fiction & Fantasy, and so on. WD is probably the longest one I’ve stuck with, going back to high school.
Nowadays, however, I find myself never quite getting around to reading any of them, so I’ve let them all lapse. It’s not that I’ve gotten sick of reading them, or felt I’m no longer in need of them…just that I don’t have the time for them. I’ll end up with four or five issues piled up on my printer waiting to be read, and then I’ll spend a Sunday afternoon flying through them all at once. If I feel like resubscribing, I can certainly do so.
I will say that most of those writing magazines did help me tremendously over the years, especially in the 90s when I was learning the craft. I knew it wouldn’t teach me everything — a lot of this craft is about learning by experience and especially by finding what works for me in particular — but they always steered me in the right direction. And I still have a lot to learn, now that I’m making a concerted effort to return to the professional submission process rather than self-publishing. A lot of that is going to be learned via doing it rather than prepping for it with help from magazines.
I definitely suggest reading as many of these as you can, especially if you’re first starting out; they’ll become a stable anchor point for you while you figure out your style, your process, and your dedication level. And they’re also a great way to connect with other writers and readers too!
The downside to using 750Words for my daily* writing exercise platform is that I don’t always get around to making offline copies of them. And I’ve been using the site for quite a few years, so I’m not entirely sure what I have out there right now.
[* It hasn’t actually been daily for a while now due to other projects and responsibilities that I’ve been working on. But hopefully I can get back into the habit soon enough.]
Last night I read a temporary project I did save was something I’d called The Hurleys. It was an idea in the Mendaihu Universe that took place in the current day instead of far into the future; its central characters were three adult siblings living in midwestern Massachusetts (go with what you know) who are some of the very few who are awakened to the fact that they’re connected to the Mendaihu. I didn’t get too far with it other than maybe five or six entries, but I gave it enough life and detail that it’s something I could possibly expand on.
I know I’ve written quite a few of these over the years I’ve used 750Words. My last three novels all grew out of these. And now I’m curious as to how many others are out there on my account, just waiting to be picked up and expanded upon. Thankfully it’s an easy enough thing to do, as the site keeps everything no matter how old, and I’m the only one who can access it.
Perhaps within the next month or so I’ll take a bit of time and do a deep dive. Maybe I’ll find my next novel idea!
Just like anyone else here, I too read what’s going on in the world lately. I get frustrated. I get angry. I get riled up. I want to go on a long-winded Twitter rant. I want to start yelling and someone, anyone, about why the world sucks.
And then I step back and exhale. I delete the rant and close the app. I reconnect with what’s going on in front of me; the job search, my health, our upcoming trip to the UK, my pre-submission work for Diwa & Kaffi. I wind myself back down to a calm level and move forward again. I don’t ignore what’s out there; I just do what I can to keep it from consuming me.
I wrote Diwa & Kaffi in part because I wanted to write a story that was positive. That doesn’t necessarily mean that everyone is happy and cheerful and nothing bad happens and everyone’s okay in the end. In fact, the exact opposite of that happens. It’s just that this story could not be told in a dystopian way. This is about characters trying their best to be good people, and all the ups and downs that entails.
I used to read all kinds of dystopian novels, but now they exhaust me. Sure, I might return to them eventually, but right now it’s not the kind of book I want to read or write. I’ve got enough bringing me down; I need something that lifts me up and inspires me instead. If I’ve learned anything over the years, it’s that I’m much more productive, both creatively and in real life, if I use the positive as a goal rather than focusing on all the negatives I have to wade through.
It’s about going into battle knowing that I’ll win in the end.
I’ve been doing a rethink of a lot of things lately, both personal, creative and otherwise. And lately I’ve been thinking about changing up my blogs here a bit. They’ve both had the same theme and the same layout for years, and I think it’s time that I gave them a proper update. I’m totally fine with my current schedules for them, so that won’t change.
Does that mean a change in subject matter? Maybe…Welcome to Bridgetown will still be my official author blog and Walk in Silence will still be my music blog…but I think I’ve already said a lot of what I’d wanted to say here on the intertubes to the point where I’m repeating myself now. I’d like to expand my horizons a bit, as it were.
So — when is this going to take place? Good question. No idea, but you’ll know when I have a more solid and detailed plan for all this. Posting WIP snippets? Longer or multi-part entries? Personal entries? Book reviews? It’s all up in the air at the moment, but I’ll definitely let you know more as it comes.
As I’d mentioned earlier, I’d done a recent reread of the Bridgetown Trilogy for possible future Book 4 ideas. One of the unexpected things I’d noticed was a distinct difference in influences. These three books are definitely different from Meet the Lidwells and In My Blue World, and not just in mood and length. I knew that going in of course, given its long and rambling history.
One of its early influences was of course Stephen King. This was my ex’s doing, having suggested I read him to understand how to write a large ensemble piece. I read The Stand (the unedited version, which I actually find more enjoyable than the shorter original release) right about the same time the 1994 tv miniseries had been released. It made sense to read this particular story and study it a bit, because I already knew that my idea was going to be about an event that affects scores of people and not just the main characters. [I was big on the Big Idea plot at the time.]
While the trilogy changed and evolved in numerous ways over the two decades I worked on it, so did the influences. I’d started reading more fantasy and science fiction, starting with Holly Lisle and CJ Cherryh and moving then to Kate Elliott. [This was about the time I’d started making my frequent road trips to Toadstool Bookshop in Keene and Barnes & Noble in Leominster, with my book buying habits growing exponentially.] The rewrites in turn became less action-oriented and more character driven. The end result, so many years later, is a mishmash of all those years of influences.
Reading Meet the Lidwells so soon after, on the other hand, was quite the whiplash. That particular novel has one influence only: rock history books, many of which I’d been reading either for pleasure or for Walk in Silence reference and research. I’d also written it to prove to myself that I could write a book less than 100k words! I haven’t reread In My Blue World yet, but I already know that novel’s influences was the YA fantasy I’d been reading. And as I’ve mentioned many times before, Diwa & Kaffi‘s influence is Studio Ghibli. I knew I’d had to severely change my thought processes once I finished the Bridgetown Trilogy project…but seeing the change now, a few years later, it surprised me at how much it had changed.
I suppose in a way this is why I’ve left future possible projects up in the air this year…I’ve caught up with all the ideas I’d been wanting to work on, so once D&K is out and away, it will truly be a clean slate. Which means one thing:
SO! The other night I finally finished the latest revision go-round for Diwa & Kaffi and I think I did a pretty good job. So now what?
Now I read it again.
Yeah, writing a novel and prepping it for submission or publication (self or otherwise) does in fact include multiple rereads of the same damn words you’ve been reading over the last few months. It’s no wonder some of us start questioning if our work is worth anything or just a pile of crap.
The last round was to fix some major prose issues I’d had (and to write that ‘scene goes here’ scene, natch) and anything that stood out that needed work. This current round is going to be the Nitpicky Grammar and Word Choice Round, and I’m hoping it’ll be much smoother and quicker. Things like verb tenses, pronouns, repetitions, and so on. Spot-fixes.
Oh — and I need to see if I can find someone to check my Tagalog. I use it sparingly and there’s about 25 or so phrases or sentences out of two hundred some-odd pages, so it’s more about just making sure I used the best word choice and didn’t just hazard a guess by using Google Translate. [Which, y’know, I actually did as a placeholder until I get someone to help.]