It’s time for another insane Smashwords sale! This time, I have…
HOT DANG, IT’S FREE E-BOOKS!!
From 7/1 to 7/31, all three e-books in the Bridgetown Trilogy will be ABSOLUTELY FREE!! If you haven’t gotten these yet, you have the entire month to snag them! I’m still quite proud of them, and I’d like to keep sharing them with you.
I’ve also decided that for the great month-long Smashwords sale I’m going to put Meet the Lidwells! up for 50% off. My latest release can be yours for only $1.50, kids! Can’t beat that with a drumstick!
Not gonna lie, one of my favorite parts of writing a novel is the ending. But it’s not necessarily because I’m FINALLY FINISHING a project that has gone on for far too long.
No, I love writing denouements. I know…I’m weird that way.
Some people see this as the post-climax ‘what happened to the characters’ sequence, or confuse it with the epilogue, and I can understand why some aren’t fond of these types of end scenes because of that. Like the occasional argument about prologues, this is a sequence that some people think is completely unnecessary. [A really good example of this not being done well is Tolkien’s The Return of the King, where the main story actually finishes up around three quarters of the way through, and ending with a post-adventure rambling about hobbit life that was much longer than it needed to be.]
Denouement done well, on the other hand, is always a joy. It’s where all the remaining strands of plot are brought together to complete the story and give it proper closure. In The Balance of Light, for instance, I used it as a final closure scene for all the main characters. Everything was as back to normal as it could be, and everyone was content in returning back to their daily lives. It was definitely needed there; I wrote it as a relaxing exhale (for both the characters and the reader) from the almost nonstop action in that third book in the trilogy.
The trick in writing a good denouement is to treat it as part of the story proper. Try to avoid the trap of writing a list of what happened post-climax to everyone; that will read like a dusty old classic, and it’s a style that’s very rarely used anymore. Instead, what you want to do is treat it as a proper coda to the entire story. Picture how you would react if you were the main character, having FINALLY just completed an intense ordeal; you’d want to take a break, right? You’d want to clean up all the loose ends, close the case, and then have a nice twelve-year vacation doing absolutely nothing. That’s the denouement right there: that cleaning up and putting away of everything.
I’m just about to start in on this segment of In My Blue World, in which our main characters have defeated evil and are now going back to their normal lives. They’ll need to return to their own time, come to terms with what they’ve gone through, and move on.
Why do I enjoy writing these? I think it’s partly because this is where I’m right near the finish line for the project, but it’s also because I get to do a little bit of last-minute character development. If they’ve gone through this ordeal, they’ve definitely been changed in some way, good or bad. I get to look at the characters one more time and decide precisely how they’ll act next. In The Balance of Light, Denni is relieved that her role as the One of All Sacred has ended, but she’s still worried whether or not her actions have actually made a difference. In Meet the Lidwells, the siblings and cousins interact with each other once more as adults, finally enjoying their lives the way they truly want to.
Think of it as a kind of poetic coda to a song. Perhaps like the “The End” off the Beatles’ Abbey Road: after the songs and long medleys, this track brings the band together one last time, with the three guitar styles playing off each other, followed by a final verse that ties it all together (“And in the end, the love you make…”), all brought to a close with a final melodic statement.
The denouement should always provide that final relaxing exhale. And if you’ve done it right, it’ll provide one for the writer as well.
As mentioned on Wednesday, the Apartment Complex project (and by extension, the College Campus story, as they’re both in the same universe) have been put on the back burner. Not trunked, just put aside for now. I’ll get back to them sooner or later.
So, what’s the difference between trunking a project and putting it on hiatus? Well, for me, anyway, trunking is when I’ve all but made my peace with it and given up. It can be for any reason, really: loss of interest, failure to find any kind of strong plot, or growing dissatisfaction with the project overall. I’m okay with those outtakes doing little more than just taking up space on the bookshelf next to my desk. Every now and again I’ll think about them, but I won’t do any more writing on it.
But what about putting projects on the back burner? There’s many reasons for that as well. I don’t want to give up on them, not just yet. They still show promise, they just need a hell of a lot more work than I’ve given them. More often than not I put them on hiatus because I’m stuck. I did this with The Balance of Light, and I’ve done it with a few other projects as well. I need to distance myself from the project for a bit so I can get a clearer head. Maybe I’m diving far too deep into the project and I’ve lost direction.
Or worse, maybe it’s that I’ve got some really cool ideas for it, with a lot of nothing in between. That’s the main problem with the AC project.
How does one make this decision, whether to put it aside or to put it away?
I suppose it’s different for every writer. Personally, if every moment feels more like a chore and I’ve lost all excitement about it, chances are I should trunk it. I’ve trunked stories that at one time I really wanted to write, but the spark just isn’t there anymore.
On the other hand, if every moment feels like a chore but I still think the idea is worth working on, I’ll put it aside. I’ve found over the years that these projects fall into one of two columns: either A) I just don’t have the emotional and/or intellectual energy to dedicate to it, or B) The story is far from coherent in my head. The Balance of Light was in column A, while AC is in column B.
If I’m at either point, it’s best for me to back away and get my shit together.
Either way, it’s moved to the ‘Backburner’ subfolder on my PC. I’ll get back to it soon enough. Sometimes it’ll take a few months, sometimes it’ll take years.
Hi all! It’s March 2017 and it’s a platinum anniversary. Of what, you ask? Well, it’s been twenty years since I started writing The Phoenix Effect out in the food court at Solomon Pond Mall before my day’s shift at the record store. It’s the anniversary of the Bridgetown Trilogy, after so many failed starts and misguided attempts to a solid story that evolved through multiple revisions and rewriting into the self-published e-books that are now available to the world.
It’s been twenty years since I went from okay, I’ll write something when I have the time or I’m in the mood to a much more productive outlook of I’m gonna write something every damn day even if it kills me, and made the decision to become a serious professional writer.
So! What do I have planned for this auspicious occasion? Well! Glad you asked! I’m going to have a bit of fun this month and provide you with fun behind-the-scenes stuff related to the Mendaihu Universe that I’ve accumulated over the years — outtakes, trivia, origin stories, pictures, music, drawings, and more. I may even write and post the ‘director’s cut’ ending of A Division of Souls, which has existed only in my head for at least three years!
And to top it off, I’ll also be releasing the trade paperback of Book 3, The Balance of Light! W00T!
This one was the culmination of a hell of a lot of years of writing, a nearly five-year hiatus, and close to five years of revision and rewriting. Ten years ago I wasn’t even sure I’d get this far, but here we are…three books released out into the wild, and all done DIY.
It’s been one hell of a ride, folks. Sure, I’m glad it’s over and I can now, finally, dedicate the majority of my time to new projects. But right now I’m just feeling a bit of pride that I believed in this project and saw it through to the end, however long it took. I learned a hell of a lot along the way — the writing and publishing knowledge that will stay with me throughout my writing career. I met a lot of cool friends and fellow writers as well.
Yeah, I think I’m gonna stick with this gig. It’s grown on me. 🙂
Heya! Been busy working on the formatting of The Balance of Light (which took a lot less time than expected) and the cover layout (which took a lot more time than expected). I still have the back cover/Smashwords site blurb to write…which is going to be a pain in the butt, but it’s gotta be done.
But LO! Check it out:
I already knew this was the picture I wanted and cropping it to size was quite easy; a simple 3:2 ratio (and yes, I may have once again physically used a ruler against my monitor to get it right, as I can’t be arsed to do the math in Ps). The original picture is a LOT brighter and yellower, so I had to use Photoshop to turn down the brightness and pump up the contrast a bit until I achieved that lovely golden color. The header and the author line are in the same placement and font, so no big there.
No, the big pain in the butt was the title.
You’d think four reasonably-sized words in Geo Sans Light would be relatively easy to lay out, yes? Well, the placement was simple enough. All three books have the same general text layout. The issue was the color. Originally my idea was to do the opposite of the cover of A Division of Souls by having a yellow cover with blue text. I posted it to my Twitter and Facebook for some input…
…and everyone said they LOVE the picture…but the title color needs work.
WELP. Chalk this up to another learning experience, File Under: Your Brilliant Ideas May Not Work IRL.
Thankfully an artist friend of mine had suggested to work with the main colors of the picture rather than against it, so after much faffing about with the various hues (including a light green, which didn’t work at all), I thought I’d try something daring: yellow on yellow! Well, more like the light yellow I used on book titles 1 and 2, against dark gold. Add a drop shadow effect just to make sure it pops out a bit more, and call it done.
Heya! I’m taking a few weeks off from blogging so I can get The Balance of Light completed and ready for self-publication!
I’m extremely excited to be within spitting distance of one of my biggest goals, to see my trilogy out in the wild like this. It took a hell of a lot of learning, hard work, and stubborn dedication to get to this point, and it was totally worth every minute.
I’ll post once more when the book is ready to drop, and then we’ll be back to our regular blogging schedule.
I’ve got seven chapters left before I’m done with the final edit of The Balance of Light. Once that’s done, it’ll be a week or two of formatting, processing, creating the cover, and releasing it out into the world. It’s looking like that may end up being the first or second week of February at this point.
And then I’m done with the Bridgetown Trilogy.
I mean, aside from my next project, Meet the Lidwells!, which I’ve been sneakily working on now and again during downtime.
Nearly everything I’ve ever worked on is more than five years old already; the Bridgetown story will officially turn twenty (!!) in March. My trunked vampire novel, Love Like Blood, was brainstormed around 2003, written over the course of four years, and finally trunked by 2008. Numerous other ideas, many of which I’ve also trunked or given up on, were created at our old apartment, which we moved out of in 2009. I’ve been focusing so much on the trilogy that I’ve only got maybe two or three solid ideas I could work on — if that.
So what do I have planned, anyway?
Well, the biggest plan I have is to try to see how quickly I can turn a project around. I know I can do it — I’ve written and revised past works in a very limited amount of time. I can definitely work to a deadline.
I also want to try writing something that’s not epic in length. Lidwells is partly an attempt at that. I’d like to write some standalone novels. Not everyone loves a good doorstopper novel, so I’d like to appeal to the quick-reader fans as well. This will not only teach me how to narrow my focus on the plot, it’ll also be a great exercise in concise writing.
I may even try a short story or two. Technically I’ve written only one, and it’s pretty bad. It was my ‘just to see if I could do it’ attempt during a very slow and broke-as-hell summer over twenty years ago.
But do I have any ideas rolling around right now?
That’s a good question. Technically, no. I only have the Lidwells project, maybe a reboot of Can’t Find My Way Home…and that’s it. As I’ve said, this is why I’m making myself do the daily practice words. I’ve already come up with snippets of scenes, snatches of bigger ideas, and random conversation that may be worth looking into later on.
It’s a bit daunting, to say the least. Yeah, my subconscious occasionally pops in and reminds me that the only thing I can ever write in this lifetime is more Mendaihu Universe tomes, and if I don’t write them, I won’t have anything at all. And that voice I usually ignore. I’ve been in this Clean Slate situation before. It’s completely natural to be nervous.
But hell, if Lidwells can pop up out of nowhere and take on a life of its own, I’m sure I can make that happen again.