Tag: New Projects

Into the new universe

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So I’m all caught up with the Queen Ophelia’s War spot-check edits and playing around with cover art, which means…I can finally start work on Theadia! WOOOO!

I figured I’d wait out the end of the month just to get a breather and relax a bit (especially since the Day Job has been a bit busy as of late). Why not start fresh on a new week, new day, new month? No real reason other than what the hell, yeah? Besides, it was great to have a few days off from creativity so I could catch up with real life and other things, but it’s time to get started once again.

I’ve been thinking a lot about making my writing sessions a little more stable as well. Not that they’re bad now, but I just want be a bit more dedicated to it than I’ve been over the last few years. I’m pretty good at working on something daily, but I think I’ve let myself have more than a few Don’t Wanna days than I really should have. I also miss getting stuck deep in on big projects, and it’s been quite a long time since I’ve really allowed myself to do that. Especially with a completely new project that has nothing to do with the Mendaihu Universe.

There’s a big world there in the Theadia Universe. Let’s go see what happens in it.

Stuff to listen to…?

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Not gonna lie, I’m totally looking forward to finding some new albums that could get some heavy rotation during my upcoming writing sessions for Theadia. Each project has had its own playlists and/or albums that become their de facto soundtrack, and I’m sure this one will be no different.

The only difference here, I think, is that I want these albums to have more staying power than the ones tied to my post-trilogy work. There are some records that will always be tied in with the trilogy (And You Think You Know What Life’s About, Sea Change, Fantastic Planet, and so on), and Diwa & Kaffi had The Sound of Arrows’ Stay Free, but that’s about it. I’m not trying to shoehorn any albums into this new project, mind you…I’m just wondering if there’s going to be any that will be as closely tied.

Which brings me to my wanting to pay a little more attention to the music I’ve been listening to. I’ve said previously that the last few years have felt more like I’d focused more on acquisition than connection, and I want to change that. And one of the ways to make that happen is to actively return to some of these albums. That’s what I did in the Belfry back in the day: I’d start off each session putting on a specific cd I wanted to hear to get myself in the mood. Sometimes it was a new release, other times it was an old classic. It really did depend (and still does) on the scene I was about to work on.

I have the music library, I just need to choose what I want to hear.

Getting away with it

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In Theadia, our two main characters are computer nerds. However, I’m trying to avoid as much techspeak infodumping as I can. Can it be done?

That’s a good question. I mean, I’m basing their work background on my own experience at the Former Day Job — basically working behind the scenes as code checkers to make sure system are working the way they’re supposed to work, and to figure out solutions when they’re not. And believe you me, I did a LOT of that over the fourteen years I was there. And if I learned anything, it’s that there are indeed code geeks out there who are not savants but instead kinda sorta know what they’re doing and hope for the best. That is what the leads in my novel are about: they’re good at it, but it really is all held together with sticky tape and dreams most of the time.

This upcoming project is very much like that: you’re probably not going to see the stock characters of the introvert genius who saves the day, but you’ll definitely see the common citizen who’s hoping it doesn’t all go kerflooey at the worst possible moment. I like the idea that the world is not just imperfect, it’s messy as hell, and we’re all pretending that we have it under control. Theadia is about people who aren’t in charge, but do know what they’re doing. Sort of.

Getting back to the question, I do in fact have a few techspeak infodumping scenes, but they’re not the kind you’re expecting. Again, I based it on my own experience: the most common reason for system failure at my FDJ was either someone making a really stupid mistake upstream (or just plain not knowing what they’re doing), or someone forgetting that what works on the shiny and clean test platform will trip up in the messy and chaotic live platform. I have a few scenes not just explaining this, but having my two mains exploit it. The trick isn’t so much hacking in, it’s not getting caught. And if you know how and where to go…

Travel

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[Image courtesy of aas587 on Dribbble]

I’ve noticed that several of my stories contain travel in one way or another, many of them to alternate realities and different galaxies and universes. It’s something I’d been fascinated by since I started the Mendaihu Universe back in the day. Sometimes the travel is metaphysical: the ‘stepping into Light’ of the trilogy is essentially the inversion of astral travel. Sometimes it’s magical, like the weave in In My Blue World, where special blades cut the lattice between universes and create a temporary connection. And in Queen Ophelia’s War, it’s good old fashioned fantasy magic powers weaving a connection between established portals. [You could say even Diwa & Kaffi focuses on travel, considering tintrite flight is a major theme.]

As for Theadia…? Well, I’m finally going for the gold and using the time-honored hard-sf subspace portal. And this time it’s not just a useful function within the story, it’s an important part of the story in and of itself: part of the conflict does indeed involve travel infrastructure! Because I AM A HUGE NERD. [Well, obviously it’s a lot more than that but I’m trying not to give too much away.] I’ll admit that I’m not going too deep into the physics and the theoreticals of space travel, because that way lies madness. I’m just going deep enough to make it believable, complete with red tape, mismanagement and all that ugly bureaucratic nonsense.

All I’ll say is this: when your giant and well-loved station uses a popular and heavily used subspace gate hub, orbits around its own cozy little ball of dirt that didn’t need terraforming and is a beloved tourist destination, and is celebrating its fiftieth year of independence from its former owners who still aren’t too happy about that, there’s going to be a lot of moving parts that are going to need people who know what they’re doing. Especially when said former owners have been thinking about taking it back by force.

Prep Work

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(Image courtesy of Starship Operators, a fun and unique anime I recommend.)

Whenever I have a spare moment and I’m not focusing on the final preparation of Queen Ophelia’s War, I’ve been preparing for my eventual restart/rewrite of Theadia. Why am I doing this when I have most of the original version written, you ask? Good question, that.

The easy answer is that I’m doing it the same way I wrote the Bridgetown Trilogy. Whatever is about to unfold in this restart/rewrite won’t be exactly the same as that version, just as the trilogy takes what I’d started in The Phoenix Effect and pushed it in a different and much better direction.

The more convoluted answer is that I’ve chosen to expand on several plot points, characters and situations that I’d laid out in the original Theadia. I’ve been finding moments during lulls in my work shift, just like back in the day, to write down my thoughts on how to do this. Certain secondary characters will have a much deeper and richer background and even their own plot lines. While it will still focus on the two main characters — after all, they are not just the instigators of the story but what drives the rest of the main cast — I want to know more about the rest of this universe.

Thus, I’m doing what I did with the trilogy: I’m doing a world building deep dive. Something I haven’t done for quite a number of years. It makes sense for me to do this, considering this is a subgenre I don’t have nearly as much experience writing. [It’s not that I’m a ‘never say no’ writer…I’m more of the ‘I wonder if I could pull this off, let’s try it’ kind.] And if I’m going to do it justice, I want to do my homework.

The current version does work…but there are worrying moments of Handwavium and This Happens Offscreen, and I’d rather not go that route. The best way to fix this, in my experience, is to do that deep dive. I’ll do a bit of research, sure, but I also want this story as believable as possible without getting lost in super-heavy hard-sf techspeak. While it exists, that’s not what the story is about; the project’s focus has always been about the people behind the tech, both the ones who create it and the ones who use it, who may not exactly understand all of it but might at least understand how it works to some degree. [I’ve often joked that this project is my anti-Cory Doctorow story, in which I try to avoid techspeak infodumps as much as I can and still get away with it.]

Will I pull it off? Well, I won’t know until I write it, will I?

Coming close to the end

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As of this week I am revising the most climactic scene in Act III of Queen Ophelia’s War, which means that one, I am coming close to the end of the book, and two, that I am on schedule to get this thing out into the world by late spring! Woohoo!

Finishing this one does feel a bit like how I felt when I finished Diwa & Kaffi…a sense of satisfied completion mixed with an eagerness to move ahead with the next project. In a way, QOW is a very personal book in that I’d written it during the pandemic and post-leaving the Former Day Job, but there’s also the fact that one of its themes is about the willingness to completely change one’s life, and how far one might go to achieve it. I kind of feel like this is my way of signing off many parts of my old life and embracing where I am now. I’m ready to move on to the next chapter now.

This is also one of the last standalones I’ll be working on for a while, and that’s something new to deal with as well. I’m eager, almost impatiently so, to jump back into an extensive created world again, this time with Theadia. I’m ready to move on to that style once again, to the point that I’ve been preparing myself for it over the last month or so.

We’ll see where this new universe takes me…!

Getting there

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Unfortunately I’m at the ‘Oh god this sucks why did I even write this drivel’ point in Queen Ophelia’s War, and I’m doing my best to ignore those lingering doubts. I know the reasons why I’m feeling that way, and it’s not because it is drivel…it’s because I’m twitching to get that rewrite of Theadia started. I just want to quit this project and jump into the next one.

So basically I’m tempering myself with a bit of patience and stubborn will to get this novel done first before I dedicate the bulk of my time to that one. [There’s also the fact that I really want to write the romcom as well, but I’ll get to that one soon enough. There’s less impatience felt in getting that one started.] Besides, I’m into Act III now, which means that I’m right on schedule and should hopefully be done by the end of the month.

I always seem to hit this point when I reach the final third of my projects, to be honest. I just want it done! And I’m quite sure there are other writers who feel the same way. All I need to do is see it through to the end and release it out into the world when I’m done.

I’m getting there…I just need to be patient.

Year End Review – Resolutions

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First things first: END OF YEAR BOOK SALE!

Want some free e-books? My novels are currently available as ‘name your price’ (yes, even free if you want!) over at Smashwords until the end of the year! That’s all three books in the Bridgetown Trilogy, Meet the Lidwells!, In My Blue World, and my newest, Diwa & Kaffi, available in all formats. Go on, you know you want them!

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Anyway! Resolutions.

I’ve looked at a few of my year-end posts from the last couple of Decembers, and I’d like to think that I’ve made good on quite a few of them over the last year or so. I’ve shaken off a lot of the lingering fears, fixed a lot of bad habits, and given myself a much healthier outlook mentally and emotionally. It was a long time in coming, but I’m glad I’ve finally gotten to where I wanted and needed to be.

Because this means I can move forward with a lot less fear and distraction now.

So what do I have planned for 2024?

Well, writingwise I plan to return to cons! I’ll be at BayCon in Santa Clara on July 4-7 and I hope to be on a few panels and maybe even a few readings. It’s been a good few years since I’ve put myself out there — partly for obvious health reasons, what with Covid and all — but mask in hand and multiple vaccinations, I’ll be ready for it.

I have one, maybe two novels I’d like to release as well, Queen Ophelia’s War and Theadia. Depending on which one gets done and ready first, I will let you all know as soon as they’re ready. And I have one or two entirely new projects I’d like to work on as well. It feels great to be working on projects again after the various delays and hiatuses, to be honest.

But what about the everyday, nonwriting stuff? Well, some of that will remain offline I suppose. I’m making a concerted effort not to be so terminally online via social media, as that’s been the biggest time-suck over the last several years. Most of 2023 was spent relearning how to balance my life both on and offline to a level I’m comfortable with. [It also helps that a certain social media site has been deteriorating at an increasingly rapid pace over the last several months. I’ll be locking down my feed there at the end of the month and hanging out mostly at BlueSky and Threads come 1 January.]

Anything else? Well, I still have a few more days to go before the end of the month here at Welcome to Bridgetown, so I’m sure I’ll be talking about it more soon enough.

End of year review – future inspiration

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[Image courtesy of Saekano]

If there’s one thing that always worries me about writer’s block, it’s that I’m terrified that I’ll lose interest and nothing will inspire me to write. Outside inspiration has often been a big driver for me: coming up with In My Blue World while listening to ELO, Meet the Lidwells! from reading a ton of music biographies, and so on. But sometimes I’ll go through a spell of nothing quite resonating with me, and I always find that worrying. It’s like I want to write, but I don’t know what to write about.

I mean, it’s not as if something has to completely inspire me, far from it. But the issue, I think, is that it would often tie in with my state of mind at that moment. I’ve had low points in my life where I just stopped writing for months at a time. I’ve had busy points in my life where I just didn’t have the time. I’ve had rebounds where I was ready to write again yet had to relearn how to do it to my own satisfaction.

In writing Diwa & Kaffi, however, I realized that waiting for inspiration to strike might be good if you’re surrounded by that well, but sometimes you just have to push through and find it for yourself. Allow yourself to latch onto something unexpected. Stretch out and get out of your comfort zone a bit and see what resonates. I never thought I’d write a space opera but here we are with a nearly-complete story entitled Theadia. I never thought I’d write a romcom but that seems to be on the docket for 2024.

And that’s what I’m planning to do in the new year: go some place I haven’t been before, just to see what happens.

Year End Review – positives

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[Picture source: Neon Stargzing by Zerahoc from DeviantArt]

Yes, even despite my newish PC being out of commission for a bit, things have been good here in Spare Oom and elsewhere. I’ve used this time to detox for a little bit; shutting things down, taking a breather, whatever it takes to be where I need to be.

I’ve received notice from Lenovo that said PC has been fixed and will be on its way back to me with a projected return of Just Before Christmas.

I’ve initiated the eventual closedown of my Twitter account (I won’t deactivate, but will merely have it in lockdown with the occasional ‘you can find me elsewhere’ post) and have started showing up on Threads and BlueSky with the commitment to being more vigilant about curating my feeds.

I haven’t obsessed over my music library — including these last few New Release Fridays — with the reminder that they’ll still be there when I get my PC back, and I don’t necessarily have to have it on drop date.

I’m still sliding into a few old distractions, but I’m doing so willingly, whether it’s watching a few goofy videos on YouTube or whatever, but I’m backing away at the first twitch of okay, that’s enough, time to get back to work. And that length of time is so much shorter than it used to be.

I’m actively not reading the internets during breaks at work, instead writing notes in a small notebook I carry around, or working through a few games in the crossword puzzle magazine I’d bought recently.

Today I tried an outtake of my future project Sheila Take a Bow that came out a hell of a lot better than I’d expected it to, so I don’t feel as tense about starting that at 750Words come the new year.

I’ve also chosen to to do a ‘soft restart’ of Queen Ophelia’s War because it’s better to attack these problem spots now instead of down the line, that way I’ll have less to worry about in the near future once it’s done and ready to see release.

So yeah, I’d like to think that things are positive for me right now while getting ready for 2024, so I’m happy about that.