Do Writers Read Their Own Books?

It’s an honest question. Do we read our own books after they’re out there in the wild? After spending all those hours slaving away at it, pulling it apart and putting it back together, wondering if anyone else out there is ever going to read it…do we want to pick it up again after we call it complete?

We most definitely do, for various reasons. I can’t say if other writers read their own books for the fun of it, but I would not be surprised if some of us do. After all, a good portion of us write these things because these are the kinds of stories we like to read.

Over this past weekend, inspired by finishing off my cleaning and sorting of the Mendaihu Universe papers, I uploaded an epub copy of A Division of Souls to my Nook and started reading it during our relaxing weekend down in Monterey. I haven’t picked up that particular book since I self-published it back in 2015.

I’ve distanced myself from the Bridgetown Trilogy since then, by choice. The major reason being that I had a few unrelated stories I wanted to write and release first. I also wanted that distance so I could look at it with a fresh viewpoint, that way I could reconnect with certain parts of it for the potential Book Four.

I’m already picking up things I’d like to change with it, of course. Perhaps a bit more editing. A few formatting issues that might have gotten missed. Quicken the pacing a bit more, especially in those first few chapters. But other than that, I’m surprised at how solid it all is despite that. Spending so many years on a single project can sometimes become a desperate fall into a rabbit hole, but I can see I managed to avoid that. It’s very heavy immersion, I’ll grant that. This was my Epic Urban Fantasy project and written that way on purpose. Just like Meet the Lidwells! and In My Blue World were written fast and compact on purpose. Just like Diwa and Kaffi was written in a deliberately even and relaxed pace.

And I’ve reread those books as well! I read MtL for the fun of it because it was such an enjoyable and quick project. I reread IMBW because I wanted to make sure I did a good job on it, a few months after I released it. And I’ve been rereading D&K over and over again lately for revision purposes. A common piece of advice that many authors (and agents and publishers) give is that you’ve got to be able to reread your own work countless times and not get sick of it, and I totally get that.

I’m not planning on doing a New and Improved Edition of the Bridgetown Trilogy because of this current reread. At least not yet, anyway. (I might eventually do one to fix the few very minor issues that I catch, but that’s not going to happen right away. Right now, all I want to do is reread the trilogy and see how it sits with me, and what I can glean from it for later books in the Universe.

Still, it is kind of fun to read these things and get that occasional feeling of pleasant surprise and pride: I wrote this? Daaang! Heh.

Cleaning Up Spare Oom and Revisiting the Mendaihu Universe

Continuing the Great KonMari Tidy-Up of Spare Oom…

As of Thursday, one major chapter in my ongoing Spare Oom Cleanup Project has finally come to a close with the final sorting and filing of my writing! Everything’s in binders (or in some case, boxes) now and and in its own specific place.

Early, finished and trunked projects are over on the bottom shelf of the (Formerly) Forgotten Bookshelf, with journals and poetry notebooks on the top shelf with easy access from Fancy New Chair. All my artwork, maps and Murph doodles are finally in one place. Numerous dead pens have been given a proper sendoff along with disintegrating manila folders and Crap I Really Don’t Need to Save.

And of course I saved the best for last, and it took me a few days to go through it: The Mendaihu Universe Library! Heh. This is every scrap of paper, every story idea I scribbled down during a day job, every character reference, every outtake (longhand and typed), every chapter printout with revision notes, and One Clean Full Printout of every related project, from its humble 1993 beginnings all the way to the 2015 prep for self-publication. And let me tell you, there’s a lot less of it than there used to be! Many clean printouts have been sent to the shredder over the years, and I’ve finally managed to get them down to one single box full of them.

I really enjoyed going through all those folders and documents and getting them into chronological order. For a project that lasted 22 years (!!), it was quite interesting to see how it evolved from one version to the next. It started off as a science fictional re-imagining of my Infamous War Novel (which in 1993 was already nine years old!) but quickly took on a life of its own with all kinds of detours, rewrites and re-imaginings along the way.

I even managed to get some clarity on how it evolved from 1997-8 with The Phoenix Effect to 2001 with the start of A Division of Souls. I knew I’d tried submitting TPE, attempted to rewrite it, and also write a sequel to it, but I couldn’t quite remember the path all that clearly. Come to find out, a lot of it lines up with my day jobs shifting — leaving HMV in September 2000, starting second shift at Yankee Candle, and moving to first shift in April 2001. That last date pretty much coincides with the time I’d decided to nuke TPE and start from scratch with ADoS.

But the best part is that I was able to recalibrate my thoughts on the Mendaihu Universe and future plans for a Book Four. There will be a Book Four, no doubt about it…I’ve been planning to write one for ages, I just had to finish off all the other projects first.

And now I finally have the time and the inspiration for it!

Granted, I still need to finish off the final revision for Diwa and Kaffi and get that one submitted; that of course comes first. But this also means I can start playing around with story ideas, character development, and more. (And yes, there will be more Songs from the Eden Cycle mix tapes. Volume 5 was created last October, with more on the way.)

Yeah, I should know better than to announce my next project, as inevitably it crashes and burns, I ragequit it a few times, and put it on the back burner for a few more years. I’m not promising anything…so let’s just say that I’m willing to push this one pretty hard to keep it active this time out.

On Giving Away My Books for Free

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First of all:  If you’re here visiting for the first time after downloading any of the books in the Bridgetown Trilogy from Smashwords during its July book sale, hello and thank you!  I’m thrilled that you wanted to check my books out!  I hope you enjoy them!  And by all means, if you like them, please post a review on GoodReads!  That will make this writer very happy indeed. 😀

SO!  I’m sure some of you out there are wondering…why did this weirdo, who spent far too many years writing this damn trilogy, give it away in e-book form for free a few years after he FINALLY released it?

Good question indeed.  I have a few answers for you:

  1. Some time ago I put A Division of Souls up for free and kept it free, as a way to bring people into the Mendaihu Universe.  This by far has been my most regular seller, for obvious reasons.  It’s the enticement product.  It’s the register endcap.  It’s the book that says ‘hey, check this out’ and ‘if you like this, there’s two more sequels’.  I regularly get at least a few downloads a month for this one.
  2. The Persistence of Memories and The Balance of Light are at an already reasonably low price of $2.99 each.  I think of this as an analogue to mid-price cds you find at record stores…back catalog titles that are no longer consistent sellers, but are consistently available at an affordable price.  Again, this is part of the ‘long game’ process, and it’s actually worked to my expectations.  I might not get a big payout, but I’ll get at least one or two purchases every month or so.
  3. The sale is only for one month, and I know there are readers out there who, like me, get involved in a series and want to either buy the entire thing in one go, or at least be able to find and download them easily.  And everyone loves free things, right?
  4. It introduces new readers to my work.  Though I only got a few purchases since it was released, I did get a bit of interest in Meet the Lidwells, with a few sample downloads.  That right there is a learning experience; perhaps it’s that they weren’t interested in the story I had to say there, or perhaps the formatting wasn’t to their liking, or maybe it’s just not a book that many are interested in.  I’m okay with that; it’s not a science fiction novel, but a straight fiction novel in the format of a music biography.  It’s up to me to work on new promotional avenues for that one.

I haven’t yet looked at the stats for July as a whole, but from the email notifications I’ve received, between all three books I’ve gotten a good few dozen downloads and even more sample downloads.  Not bad at all.

In the meantime, I’ve put the url for this blog both on the books and on the freebie cards I’ve made.  [That’s the front of the freebie card for the trilogy above.]  I’ve been doing my best keeping this particular blog on a timely and expected schedule — and crossposted to Twitter and Facebook at that — and that has helped me gain new readers as well.  I spread out my freebie cards at all the conventions I’ve gone to as well.  All in all, from what little I’ve done so far for promotion, I’ve gotten a hell of a lot more response than I ever thought I would, so that’s saying something.  I can only imagine what the response would be once I restart the email list and start upping my promotion game!

So yeah, I’d say even though I didn’t earn a single penny this month, I got a lot of new readers, and I think that’s pretty damn cool.

On DIY: More on the Long Game

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I feel the same way when I get a Smashwords Purchase Notification in my Inbox.

It’s been a little over a year since I released The Balance of Light, the third book in the Bridgetown Trilogy, and about three months since I released Meet the Lidwells.  The sales for all of them have been rather slow and dribbling, but I’m okay with that.  They’re still out there, available to anyone who wants them, and they’re not going anywhere anytime soon.

In fact, since I’ve registered all the books into a month-long summer sale over at Smashwords (If you haven’t gotten them, WELL WHAT ARE YOU WAITING FOR?), I’ve gotten an uptick of downloads, especially for the entire trilogy.  Which makes me quite happy indeed!  {If you just recently bought them and are visiting my blog for the first time, thank you and Hi There!)

As I’ve mentioned before, I’m playing the Long Game with my books.  By this, I mean that I’m not looking for or expecting a large wave of purchases in a short amount of time, but a small but consistent wave over a much longer period.  This makes more sense to me, because my aim as a self-published writer was never to become a Huge Bestselling Author (although let’s be honest, that would be nice).  It’s about having a nice long and varied backlist that people can check out whenever they like.  By the end of this year I’ll have five books on that backlist, with one, possibly two more coming in 2019.  I figure in ten years I’ll have a nice fat catalog that potential readers can check out.

Granted, I’ve essentially traded a big payout for longevity, but I’m down with that.  In my own fanciful imagination, I’d like to think that ten years down the road I’ll still be getting the occasional purchase notification on A Division of Souls, especially once the next book(s) in the Mendaihu Universe surface.

And it doesn’t hurt that I’ll have a nice lift in sales every few months or so when I hand my postcards out at conventions or sign up for a sales event at Smashwords.  And whenever I give myself a bit of a sales nudge online now and again, I’ll get a brief lift there as well.  I admit I’d like to do better at the self-promotion, but I’m glad to say what I’ve done so far does work for me.

It’s still a learning process, but I’m glad that it’s going in the right direction!

#atozchallenge: P is for Alec Poe

Alec Poe - Keifer Sutherland

Q: What’s Alec’s origin?

A: Alec arrived the same day as Caren, on that very first day I started writing The Phoenix Effect.  I always make sure he and Caren are always standing on equal ground in whatever they do.  I based their work relationship a bit on Mulder and Scully from The X-Files, but more of it came from Kusanagi and Batou from Ghost in the Shell, as well as Deunan and Briareos from Appleseed.  They work extremely well together and are very close, and yet their personalities are quite different.
As for his name, I wanted one that sounded slightly out of fashion from everyone else’s.  He’s almost always referred to as “Poe” by Caren and his fellow agents.

Q: He’s got a Mendaihu name as well.  What’s that origin?

A: Alix Eiyashné [ey-YASH-ney] is not just a Mendaihu name, it’s his given birth name.  Alec was given up for adoption almost immediately after he was born.  His adoptive parents, Angela and Daniel Poe, are both academics and gave him a very robust education growing up.  He chose not to follow up with his birth parents and never met them, though his adoptive parents did keep in loose touch with them, if just to trade information on health issues and whatnot.  He finds out more about them, and himself, in The Persistence of Memories, much of it quite unexpected.
He very rarely uses his Mendaihu name, for very personal reasons.

Q: That’s Kiefer Sutherland in that picture.  Is Alec based on him?

A: Almost from the start, I envisioned him playing the role.  Strong but soft-spoken, good-looking but weathered by life.  Out of all the characters, Alec is the one that’s changed the least physically throughout the various drafts.  Whenever I wrote a scene with him, I pictured Sutherland acting it out so I’d be able to get the mannerisms down correctly.

Q: He certainly does seem to smoke a lot, doesn’t he?  People still smoke in the far future?

A: I’ll totally cop to the fact that I wrote most of Poe’s scenes for the first two books while I was a smoker back in the late 90s-early 00s.  I needed to give him a nervous twitch, and that was the first thing that came to mind.  He’s extremely aware of his habit and how it may bother some characters, so he’ll only light up if others around him don’t mind.  Caren isn’t the biggest fan of it, but she lets him do it anyway because it’s a release for him.

And yes, that’s a very good question!  You don’t see smokers as much as you did fifteen or so years ago, thanks to state laws forbidding it in certain public places, but back when I first wrote many of these scenes, it was rarely frowned upon.  It’s a habit/pastime that has evolved over the centuries but never quite went away.  Even now, vaping already has fans and detractors.  I chose to keep it in the Mendaihu Universe, having it still a thing.  It’s still not that healthy, but it’s not a taboo either.  It just is.

Q: He has a unique relationship with Akaina Shalei, the Mendaihu agent.  What’s with that?

A: This was a relationship that took me some time to figure out.  At first I was worried that I was forcing a match on him (after all, I’d put Caren and Anando together not that long before), but there was something about his first meeting with her that stuck with me, so I chose to play it out.  He’s quite the moody guy, and I wanted someone other than Caren to give him some kind of mental/spiritual stability and balance.  Kai is full of patience and positivity, and she immediately noticed Poe’s startling lack of it.  She willingly opened herself to him almost from the start, and he wasn’t used to that, at least not outside his immediate friends, which intrigued him and attracted him to her.  In the process, Kai learns calm her sometimes overexcitable spirit by learning to slow herself down when he’s around.  Poe changes the most in the trilogy, mainly because of Kai.

Q: Anything else?

A: He still lives in the same apartment that he grew up in with his adoptive family; he bought it from them when they moved north to New Boston Province.  His demeanor can be off-putting sometimes, especially when he’s distracted by his thoughts.  [His habit of not finishing a sentence is totally me, which drives my wife nuts!]  Like Christine Gorecki, he feels more comfortable being on the periphery than being the center of attention.  He’s a voracious reader, thanks to his adoptive parents.  He has an older brother in that family, David; he also had a blood-relation sister from his birth family but she died during the last Embodiment.  He’s quite the cook at home, when he has the time for it.  He might be a smokestack, but he rarely touches alcohol.  He loves both Caren and Denni like family, and will do anything for them.  Despite his gruff outer shell, he’s a big ol’ softy.

#atozchallenge: O is for the One of All Sacred

Writing a character trope such as a Chosen One can be tricky, because there are so many ways you can fall into the trap of being predictable.  Too often they end up as the reluctant hero (Neo in The Matrix, Katniss in The Hunger Games) or the easily distracted and imperfect person who needs to learn how to ascend in status (Daniel in The Karate Kid, Karou in Daughter of Smoke and Bone).  But they sell, and readers love them, so I won’t say it’s necessarily a bad thing.

With Denni Johnson, I wanted her to be all of that — a reluctant hero, easily distracted and imperfect.  But I also wanted her to be aware that she was being put into that situation as well.  That’s part of her role as the One of All Sacred: she’s aware.  Which ups the ante with internal and external conflict, doesn’t it?  How do you play the role of deity without being pigeonholed into the role of savior or superhero?  That was one of Denni’s first pronouncements, even as she was entering Moulding Warehouse for the first time: she was a deity, but she was a human, just like everyone else there.  Don’t expect miracles.

The role of the One of All Sacred within the Mendaihu Universe is that of overseer, really.  They don’t necessarily have to change the world or make it a better place…their role is really just to make sure its problems don’t spiral out of control.  The spirit of the One is resurrected every twenty to twenty-five years (roughly once a generation or so) to keep an eye on things, gauge where we are in our evolution, and make a few changes or tweaks if necessary.

Denni Johnson is the Ninth Embodiment on Earth.  [There were many embodiments prior to Earth’s, both on Mannaka and Meraladh, but that’s another storyline entirely.]  Right away she’d decided that instead of trying to play the expected role, she’d change it to something that made more sense to her.  That in turn changed the expectations of all the parties involved.  Her personal choices affected everyone else in the process.  Instead of turning off Nehalé Usarai’s awakening ritual, she kept it going.  She saw it as a way to start with a bit of a clean slate; no one was prepared for this move, so everyone’s on the same page and fumbling a bit, including her.

Giving her the awareness of her situation was quite the trick; in essence, she’s in a constant state of paying attention to what’s going on and having the ability to change events if necessary.  She needed to be able to think on the fly, accept that she may make mistakes, and know when to let nature and/or fate take its course instead.

On a more spiritual level, I had to make sure that she wasn’t exactly seen as The Goddess That Is (an analog to the main gods and goddesses of current religions, and who pretty much runs — not rulesthe known universes).  The One is more of an Earth Goddess, the one in charge of the planet.  The position has been held by all kinds of people; young, old, man, woman, Meraladian, Earther, and so on.  Each Embodiment had their own strengths and weaknesses, successes and failures.  What makes Denni different?  Well…you’ll need to read the books to find out!

 

And then there’s Saisshalé.

As I’d said previously, there’s a yin-yang to everything in the Mendaihu Universe.  Yes, even the Dearest One has an opposing force, one who embraces chaos just as the One of All Sacred embraces order.  More about him on Friday.

#atozchallenge: k is for kiralla

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Creator unknown, borrowed from fanpop.com

The kiralla was the answer to the question:  what does someone’s soul look like?

Or more to the point, what is the aspect of someone whose soul has achieved a divine level and balance of both Mendaihu and Shenaihu spirit?  The ultimate ascension, where they are able to control both sides of themselves without inner turmoil.  In the context of the Mendaihu Universe, the kiralla aspect is in ancestral memory: it’s what the purest Trisandi spirit looks like.  So in essence, if one is kiralla, either naturally or awakened through ritual, then they are considered to have truly returned to their spiritual roots.

[Yeah, I know, pretty heavy stuff there.]

The idea of the kiralla came to me during the 1995-6 season of me reading all kinds of New Age books.  I’d borrowed the idea of reptilians in fantasy and conspiracy (thank you David Icke) and the Pleiadians (thank you Barbara Marciniak) and played around with it for a while.  What if aliens were a normal and integral part of human reality?  I’d chosen dragons as the physical embodiment, aware of their mythical and mystical history.  I took out the conspiracy and the trope of aliens-as-villains (as well as its overused cousin, aliens-as-overlords-because-us-humans-are-ignorant-and-weak-insects) and re-introduced them as our long-forgotten ancestral kin.

Which ultimately means that we humans are also able to ascend enough to become kiralla as well.  This fact alone makes up quite an important part of the Bridgetown Trilogy and the Mendaihu Universe.

The strength of the kiralla is as fearsome as their presence.  Generally they are about thirty feet long from snout to tail tip, about ten to fifteen feet tall.  Their wingspan is about thirty to forty feet.  Their coloring, shape and physical attributes vary and are related to the Trisandi clan they come from.  They are social creatures, but they are just as fine being on their own for extended periods of time.  Their psionic abilities are unrivaled and immeasurable.  They are able to Lightwalk very long distances in a very short amount of time, either in kiralla or in human form.  The feel their highest responsibility is in keeping an unending, protective (yet rarely interactive) watch over humans and other spiritual kin.

And yes, we will be seeing a lot more of them in The Persistence of Memories and The Balance of Light!

* * * * * *

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Dragon by Honeck Sculpture

This little youngster here was my mascot for most of the writing of the trilogy, which I picked up at one of the Readercons I went to.  It was made by Honeck Sculpture. They make excellent statues of all sizes and are definitely worth checking out.

I named it after a character you’ll meet in The Persistence of Memories.

Returning Back to the Fold!

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My life over the last month and a half.

FINALLY!

Yes, I have returned from the shadows and back to the land of the living!  I’ve been so busy as of late, it took me a few days to realize that I didn’t have any pressing OMG deadlines weighing me down!

The last few days have been spent mostly doing project clean-up and getting everything back to some semblance of order.  This meant an often precarious balance of Day Jobbery-related fires to put out (and there were many), doing the post-production and release prep for The Persistence of Memories, and generally just taking time to BREATHE again.

So now that it’s midweek and my brain has stopped spinning some, what do I have on tap for the close future?

Glad you asked!  A partial list:

The Persistence of Memories to be released in ebook on 4/15!  WOO!  It’s available directly from Smashwords in all kinds of formats, including Kindle, for $4.99.  And for a brief time, you can buy the first book ABSOLUTELY FREE!  Two for the price of one!  [Note: As before, since the formatting of the physical book takes more time, I’ll let you know as soon as I can when it’ll be available through CreateSpace/Amazon.]

— I shall be taking part in the Blogging from A to Z April Challenge this year, here at WtBT!  It’s a fun blogging exercise that I’ve done a few years in the past on my LJ, and thought I’d give it a go here.  I was thinking of doing an A-to-Z of the Mendaihu Universe, partly to get me to talk about it more (as I’m sure you’re all wondering, what the hells is he talking about in these books?), and partly to get me back into the blogging habit.  Hope you enjoy what I have in store!

— And speaking of blogging, I’m still planning making good with my ‘alternate plan’ for the Walk in Silence project by turning it into an ongoing series over at the WiS blog.  This series will start the third full week of April (around the 20th or so).  Stay tuned!

— Returning to the whiteboard schedule.  I purposely put it aside a few months ago when I chose to focus solely on the TPoM revision/edit/remaster/release, and now it’s high time to return to it.  Which means more practice words at 750 Words, more WiS entries, and maybe even some words and music elsewhere.  Truly looking forward to that.

 

So yes!  Definitely looking forward to returning back to the writing and the other projects.  It’s going to be a fun and creative summer, that’s for sure!

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Ahh…now that everything’s back to nor–

TPoM: Cover Revealed! Coming Soon!

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It’ll look a bit better when I redo it with the real non-watermarked picture I just downloaded from Shutterstock not that long ago. The picture creator is Marcel Clemens, whose collection on that website is full of lovely spacey images.

The Persistence of Memories will be released mid-April! Stay tuned for more info as we get closer to the release date! 🙂

Year-End: Looking Back, Looking Ahead

2015 was definitely a banner year for me.  One of my best writing years in a long time.

I trunked a majority of dead story ideas and created a number of new ones to work on in the future.  That was a big move for me; finally letting go of stories that no longer sang to me, and making the decision not to revive them.  That’s always a tough move for a writer, but it has to be done to clean house, so to speak, to make way for newer and more robust ideas.  By retiring many of these stories, I’ve given myself more room to focus on the new Mendaihu Universe story, as well as others not in that universe.

I was more consistent with my other creative endeavors that aren’t exactly for public consumption (yet):  writing daily journal entries, photography, poetry, artwork, and playing guitar.  Are these ever going to be shared elsewhere?  Who knows…I’m not aiming to be a semipro poet, artist, photographer or musician for the moment, as these are personal and not professional projects.  Things I do purely for selfish enjoyment.  I’m able to push myself and get better at them without having an expected plateau to hit.

I hit one of my highest goals of seeing the trilogy out in the wild by self-releasing A Division of Souls as an e-book (and soon to be available as a trade paperback).   I was also included in Uniquely North Quabbin, a collection of essays about the area of Massachusetts where I grew up.   The trilogy was an extremely long term project for me (spanning over a decade, technically over two), so releasing it has very much given me a sense of closure.  I can finally move on to new projects, both within the MU and elsewhere.

 

So what does 2016 hold for me?

On the professional end of things, I’ve already made the choice to have at least three books to be self-released next year:  the second and third book of the trilogy, The Persistence of Memories and The Balance of Light; and my memoir/music book Walk in Silence.  I’ve been working on all three since October, just after I released A Division of Souls, so I’m still on schedule to see these come to fruition.  TPoM should arrive early next year, WiS sometime late spring or early summer, and TBoL by autumn.

After that, my writing calendar will be disturbingly, frighteningly clear for the first time in ages.

Which means that I should look for another project to focus on.  If I’ve learned anything from the trilogy project, it’s that I now understand the level of dedication and focus I should give to my writing.  Whatever project comes next will be given that same amount of dedication and focus.

Do I have ideas?  Yes I do!  There’s the new Mendaihu Universe novel that’s currently on pause while I get its related novels out.  This one probably won’t see the public eye until 2017.  Then there’s the musical family idea (aka The Lidwells Story) that’s also on the backburner.  That one’s a compact standalone, and a very rough draft has already been written via my daily words earlier this year, so this one could very well be another quick turnaround.

But other than that?  It’s wide open.  I’m as curious as you are about what I’ll write next.

Speaking of daily words, I’m hoping to return to writing them via the 750 Words website in the new year, especially now that I’ll have more time for them.  This is where many of my recent ideas have arrived on the scene, so I think I’d be remiss in passing it up.  The key is to not be stressed out about it.  The point is not to ensure I write 750 or more words on a daily basis, but to exercise my imagination and have fun with it.

I haven’t updated my whiteboard schedule yet, but I usually end up doing that on January 1, so you’ll see that post tomorrow.  Oh!  And speaking of updates…I plan to have a much tighter and more frequent schedule here at Welcome to Bridgetown as well as Walk in Silence.  Maybe one or two posts a week for starters, but I’d like to expand on that later on.  I’d like to expand on the subjects I write about as well.  As much as I love talking about college radio or how I write, I’d like to investigate different avenues related to writing and music.  Different genres, different processes, that sort of thing.

Other than that, I’m going to revel in the fact that the road looks much clearer than it has in years.  I want 2016 to be the Year of New Things.  I’m really looking forward to where it takes me.