Starting off on a positive note

Wishes for 2021 courtesy of a sidewalk artist in our neighborhood.

I’ve been doing pretty good for the last few months, even despite the pandemic, the news, and everything else. I’ve learned to establish my own personal boundaries and stick to them, and know when to push myself when needed. It’s by no means a perfect setup, but it’s what works for me and keeps me sane.

I suppose I could post what my 2021 plans are here, but to be honest, I don’t have too many right now. At least none that I think are worth posting on Day One, at any rate; some of them can wait until I’m good and ready. What I do plan on doing in 2021 is to be more outwardly positive. It’s still far too easy for me to let the latest news affect me, still too easy for me to fall into cynicism. If it tires me to hear myself go on about it, I imagine it would annoy the hell out of everyone else even more.

I didn’t make any major updates on the whiteboard schedule, instead keeping with the one I’d created when I started writing again some months ago. It still works well for me, so there’s no need to change it up just yet:

Sunday: blog post for Dreamwidth, music practice
Monday: 750 Words, art practice, blog post for Welcome to Bridgetown
Tuesday: 750 Words, art practice, blog post for Walk in Silence
Wednesday: 750 Words, art practice, music practice
Thursday: 750 Words, art practice, Walk in Silence
Friday: 750 Words, art practice, Welcome to Bridgetown
Saturday: poetry, music practice

Right now the “music practice” and “art practice” consist of mere basics: guitar and bass noodling, and simple storyboarding for my novels. At this point it’s more about consistency and getting used to the processes again, and not worrying too much about perfection. I’ve ignored those two for far too long, so it’s time for me to pick them up again.

As for the 750, I don’t have any specific projects I’m working on with them, so instead I’m using it to get back into the habit of ‘writing for fun’. It’s been a while since I opened up that site to just write microfiction or expand on vague ideas, none of which happen to relate to any major project I might be working on. Besides, I sometimes come up with neat ideas for future projects that way!

Anyway…it’s a new year, I’m starting off on a positive note, and I plan on keeping it that way as much as I can.

Back to life, back to reality

Okay, I’ve goofed off enough. Vacation’s over. Time to get back to work. Well, it wasn’t exactly goofing off, but the point remains that I have things I need to do! Revision! New words! New novels! Blog posts! Artwork! Music practice! Errands! Plant watering! Etc!

Fine, maybe not all of them at once. One at a time, one after the other, is just fine. Put on some music, open up those documents, and close those social media browser tabs. Let’s get crackin’.

Plus, there’s only three weeks left of this crazy year, and I should probably think about my year-end playlists, retrospectives and 2021 plans. This past year may have been intensely weird, stressful and occasionally frightening, but it’s also been eye-opening, revealing and uplifting as well. Never a dull moment, at least.

In the next couple of weeks, I’ll be posting a few of those things: my favorite songs and albums of the year, my end of year mixtape, future plans. Working on where I am and where I’m going. In the new year, I’ll be working on getting Diwa & Kaffi out into the world one way or another. I’ll be working on new projects and finishing old ones. Getting better at my other creative outlets. Starting a new career. And maybe even changing up my lifestyle a bit.

Yeah, I know, time is relative and why wait until New Year’s Day to start a new life when I could just start it now? But one thing I’ve learned this year is that assigning dates and schedules to the things in my life actually serve to help me, not hinder me. It puts my life and my thoughts and emotions in order, and it keeps a clear path ahead. Works fine for me.

Besides, I like a bit of denouement at the end of the year, where the past gets a bit of well-paced closure once and for all.

Okay, now what?

Source: Beastars

I let myself have the rest of last week off to get used to the idea of being out of work (and to a larger extent, no longer tied to a company I’d been employed by since 2006), though I think it’s going to take a little more time than that for it to truly sink in. It’s been a very weird couple of weeks and the most I could do is just take each moment as it comes, with a calm and stable mind, and my eyes and thoughts already towards the future.

Right now I’m not even sure what my next writing projects will be, considering. I mean, I have a few possible ideas that I’ve been toying with, but this particular situation has given me a much larger playing field to work with. A much larger playing field. Some of these ideas seem a bit…small, in comparison. I’ve been given time to reach further. Go further. Be better. [Mind you, being successful, while up there on the list of things to achieve as a writer, it’s not the only thing on the list, and it’s certainly not on top. Being better, in my eyes, means being able to write stories that I’m proud of. Right now I feel I’m almost there, but not quite. There’s just a bit more to go.]

I don’t really know what I’m going to do next, other than do all I can to change this life and this writing career as much as I’d really like to.

Telling a visual story

Yesterday over at Walk in Silence I talked about using this free time I suddenly have to finally work on all those creative endeavors. You know, the “if I only had time to do (x)” things. Since that’s my music blog, I talked a bit out making more time for my guitar playing and getting better at it.

As for the writing side of things, I’ve been thinking a lot about artwork. I mean, a lot. Back in the pre-pandemic days when we went to the gym, I’d find myself listening to the same things over and over on my mp3 player, because I was working out specific scenes of my novels in my head. This is a super-old writing process that I used as a teenager, first starting out. It was how the Infamous War Novel was written.

One scene in particular that I’d work through during those gym sessions is the final scene/credits sequence of Diwa & Kaffi. The novel itself ends with the two taking off and flying towards home, with their two friends watching them, proud of what they’ve become. But there’s a bit more that follows, a purely visual segment, that’s not in the book. Set to The Sound of Arrows’ “Stay Free”, it starts with their liftoff and progresses through multiple shots of them feeling the pure joy and freedom of flying, interspersed with flashbacks and flashforwards of their lives at their apartment complex. There’s also a section of this where they fly alongside a train containing their tenants, returning back to the estate by land, showing that they are also bonded to their neighbors. [Picture credits flashing or rolling throughout, of course.]

Once I was free of the Day Job, I thought: you know, I have this film studies background that I’m not using…and I’ve been told by numerous people that I’m a very visual storyteller (“I can see this as a movie” is a common phrase — to which I secretly pump my fist, as that was my plan all along). And I also follow a lot of artists and animators on Twitter and elsewhere, so I can check out how they do their work. [Side note: Natalie Nourigat’s I Moved to Los Angeles to Work in Animation is a wonderful short graphic novel about exactly this, and I highly recommend it both for the information and the enjoyment.]

So. Why not learn how to storyboard?

I mean — why the hell not, right? I’m a visual storyteller, I have the general knowledge of film, the practice of screenwriting, and I understand how it all works as a whole. And thanks to the artists and animators I follow, I don’t feel too self-conscious that I’m not the best artist right now — it’s been repeated by many that it’s not the artistry that pushes storyboards but the way the format’s used. Knowledge of how to visualize a story well is more important than getting every sketch perfect.

I have no idea how this will pan out, but what the hell, right? It combines my love of writing and my love of drawing, and that’s certainly a start.

Let’s see what happens.