SO! The other night I finally finished the latest revision go-round for Diwa & Kaffi and I think I did a pretty good job. So now what?
Now I read it again.
Yeah, writing a novel and prepping it for submission or publication (self or otherwise) does in fact include multiple rereads of the same damn words you’ve been reading over the last few months. It’s no wonder some of us start questioning if our work is worth anything or just a pile of crap.
The last round was to fix some major prose issues I’d had (and to write that ‘scene goes here’ scene, natch) and anything that stood out that needed work. This current round is going to be the Nitpicky Grammar and Word Choice Round, and I’m hoping it’ll be much smoother and quicker. Things like verb tenses, pronouns, repetitions, and so on. Spot-fixes.
Oh — and I need to see if I can find someone to check my Tagalog. I use it sparingly and there’s about 25 or so phrases or sentences out of two hundred some-odd pages, so it’s more about just making sure I used the best word choice and didn’t just hazard a guess by using Google Translate. [Which, y’know, I actually did as a placeholder until I get someone to help.]
As I’ve mentioned before, I’ve been contemplating submitting Diwa and Kaffi to agents and/or publishers. I haven’t taken this route since probably 2013, when I submitted A Division of Souls out to a few publishers. I’ve self-published everything since then.
So why go the submission route this time out? Well, my first and most important reason is that I have high expectations for this particular novel. I’m quite proud of how it’s come out; it’s quite possibly my best work since I started self-releasing my work. And to be honest, I really don’t want this one to fall into a void like my other books have tended to do. [That’s partially my own fault, but that’s for another post.] I want Diwa and Kaffi to get the best cover, the best production, the best editing, the best everything. While I could find an artist to commission for a great cover, and while I could do my damnedest to get this book into the hands of as many people as possible, I also know that going the ‘pro’ route would provide me with better chances than I could ever give myself.
Which means I need to start researching for agents and publishers for the first time in ages. I’m aware that the process and the field has changed considerably over the last ten or so years since I last researched it, so I’m going in knowing full well that I may need to relearn it all. I’m totally down with that, considering I’ve been in this writing gig for pretty much my entire life. I’ve read all the Writer’s Digest articles. I’ve read the how-to books. I’ve talked to the panelists at conventions. I know where to look and who to ask.
So what’s different for me this time out? On a personal level, I’m going into the submission process with a bit of context and experience. I’m not mailing these printouts passively into the wind and hoping they graduate past the slush pile. I’m not looking at the process with rose-tinted glasses and getting my feelings hurt when I get rejection letters back. And most importantly: I understand why those past submissions failed as they did. I learned how to read my own work clinically so I could see why they were rejected. I was able to understand that changing my style or my process or whatever had no bearing on me personally; there’s going against the grain and then there’s just using that as an excuse for sloppy work.
Do I know who I want to submit to? I have a few ideas. I look at who’s published my favorite books in the last decade, who the editors were, who their agents are. I’ve met a few of them at cons, or know of them through some of my other writer friends (this is one of the reasons I do enjoy social media).
I know it’ll still be high-stakes. I know the turnaround will be significantly longer. I know it might still get published but not get any promotion whatsoever. I know it might still get rejected. I know it still depends on timing and luck. But I’m willing to try it anyway.
And if all else fails, I can still self-publish it.
That’s a very good question indeed, because I’d like to know myself. I’m kind of hovering at the moment, providing nearly all of my writing focus on the editing and revision of Diwa and Kaffi and doing very little in terms of anything new. I mean, I always want to have a new project going, but I’m purposely not doing that for the reason I just stated.
I’m not going to complain, I’m kind of enjoying this break from Writing All the Things. I’m forcing myself to try new creative avenues, which was part of my plan. I’m picking up my guitar more, thinking about songs to write…hell, I’ve even started noodling around on our keyboard after ages of ignoring it or using it as a temporary storage table! I’ve churned out so many words over the last five years that it’s time for me to give that a break and have some fun.
I don’t plan on making my music a professional thing, as I don’t see myself at that level. Maybe putting stuff out on Bandcamp if I ever get a full song down? Sure, why not? I’d essentially be self-publishing my music and I already have a background on that, so I think that would be groovy.
What about the other avenue, you ask? My art? Good question. I’m winding down a few small projects at the moment and will be finding more time to doodle. I’m not sure what — it could be my usual map drawing, perhaps my Murph comics, maybe trying out new styles. I have the sketchbook and the pens and pencils, I just need to start doing it. I’ve always found drawing to be quite calming, so I’m looking forward to doing that again.
But yeah, the writing, after D&K is out and away? Good question. I have plans there, but they’re not set in stone, and they’re not on any kind of schedule. For the first time in I don’t know how long, I’m just going to not think about it for a while…