Not always on schedule, but at least consistent

fma running
credit where it’s due: Full Metal Alchemist by Hiromu Arakawa

Oh hey!  I’d completely forgotten to write up a WtBt entry yesterday!  Sorry about that, folks.  Here you go.  Sometimes the weekend gets the best of me.

Or in this case, A. and I binged on the Star Wars movies this weekend, watching the original three and following it up with The Force Awakens (which we still hadn’t gotten around to watching).  We also bought Rogue One at the mall this weekend so we’re all good to go with that series for the moment.  [Not including the prequels — that’ll be for another time.]

I’ll be honest, I’m not used to taking days off from writing.  I get a nagging in the back of my brain that I shouldn’t be wasting time doing frivolous things when I should be working on a project.  It usually goes away with a good movie or television series (British TV is really good at that for me).  But it’s worth it, especially as I have to remind myself to watch and read new things that could give me insights on my own work.

In other news, I’ve been keeping busy with Meet the Lidwells, and I’m glad to report that the word count has been consistent.  I’ve been hitting between 500 and 1000 words a night, which is alright by me.  That’s my normal average on first drafts, so I’m happy with that.   And as first drafts go, this one’s going fine so far.  Room for improvement, but I’ll let myself worry about that on the first once-over later on.  To tie in with the music metaphors here, I’m laying down Take 1, where I’ll hit a few bum notes and flub a few of the verses, but at least I’ll know what to fix when it’s time for overdubs and mixing. 🙂

Meanwhile, it’s finally dawned on me that BayCon will be in a few weeks!!  It’s probably time for me to prepare myself for that considering.

Here’s my schedule for the con…if you happen to be there, stop by and say hi!

World building techniques and approaches
Saturday 11:30 – 13:00, Synergy 4 (San Mateo Marriott)
Specifically focused on pointers for attendees to attempt rather than history of what panelists did with X.
Panelists: Margaret McGaffey Fisk (M), Kevin Andrew Murphy, Ms. Jennifer L. Carson, Jon Chaisson, Katharine Kerr

Cover Me
Monday 10:00 – 11:30, Convene 1 (San Mateo Marriott)
How to put a good cover on your book.
Panelists: Ms. Jennifer L. Carson (M), Mr. Ezra Barany, Jon Chaisson, Daniel Dociu

You Want to Build Your Own Language?
Monday 13:00 – 14:30, Inspire 1 (San Mateo Marriott)
An intro course on how to build a language.
Panelists: Jon Chaisson, Kai MacTane (M), Juliette Wade

 

In the meantime, back to the mundy Day Job with the hopes that I can sneak in some Daily Words later on when things quiet down!

On Outlining: The Discography…?

anime piano

I’ve complained about outlining before, both here and elsewhere…even in high school I disliked outlining, if only because I knew even then that I was a pantser writer and that whatever outline I created would be thrown out within the first couple of pages.  It always felt like a waste of time.  So previously here, I talked about swallowing my pride and stubbornness (and working against my long-ingrained pantsing style) and giving Meet the Lidwells! a solid outline.  It’s working out well so far, I think.

Especially since I came to the conclusion that in order for me to have a solid story, I needed to give it a solid backbone.  And considering this story is about a band, what would be more solid a backbone than said band’s discography?

If you think about it, a band’s discography does tell an interesting story.  Take the Beatles, for instance.  From the prologue-worthy “Love Me Do” to the first peak point at “She Loves You” to the end of Act I with A Hard Day’s Night; the conflict of fame versus creative evolution in Act II (with plot peaks of Rubber Soul and Revolver) and climaxing at Sgt Pepper; the conflict of creative outlet versus personal evolution with The Beatles and the recording of Let It Be, climaxing with the creative peak of Abbey Road.  And finishing the story with a bittersweet denouement; the band breaking up but their legacy lasting far into the future.  [Hell, they even have a song called “The End” that works as a closing epigraph.]  It’s no wonder they have so many books written about them.

Read any music biography and you’ll see similar backbones.  Each band or performer has their own life story with climaxes and low points, successes and failures.  These are actually great books to read if you want to learn this sort of storytelling.  [Off the top of my head and looking at my nearby bookshelf, I would definitely suggest reading Johnny Marr’s Set the Boy Free, Bob Mould’s See a Little Light, or Carter Alan’s Radio Free Boston: The Rise and Fall of WBCN for a taste of a rock bio with a lot of plot peaks and valleys.  Those are but three of the numerous books out there; next time you’re at the local bookstore, take a peek at their music section and take your pick.]

These are also good books for how to tell a story in a format other than straight prose.  The current popular style of rock bio seems to be in the form of an ‘in their own words’ text; most if not all the dialogue is from recorded interviews, but without the interviewer’s words or point of view.  The flow of the story is usually chronological, from the band’s creation to their demise (or alternately to their present iteration); it behaves almost exactly like fiction does.  The only difference is how the story is presented.

Starting fresh

20170326_134449 (2)

In contrast to the previous post, where you got to see all the paperwork and whatnot that I accumulated during the writing of the trilogy, the above is pretty much everything I have for my new project, Meet the Lidwells!   A print out of the very rough draft I wrote two years ago using 750 Words, and a pile of index cards that I’ll be using to outline the next draft.

That’s it.  Well, okay, there’s a few MS Word files of an incomplete outline and a rewrite I wasn’t happy with, and an mp3 playlist I’m slowly building, but other than that…that’s all I have.

I’ve got a nifty idea for a cover in my head (which I’m hoping I can pull off, as I’m not sure if I’m able to do it in Photoshop).  I already know what the format’s going to be.  And if all works out, this will be one of my fastest project turnarounds ever.

But yeah.  Starting fresh.

I’m looking forward to it.