Revising, rewriting, reworking…

Some days it seems I’m never going to finish Theadia. I still think it could be better, but I haven’t quite gotten there yet. Mind you, I know well enough never to fall prey to overworking it; I’ve always kept a keen eye on when my projects are veering towards that edge and knowing when to reel it back. It’s better than it previously was…but it’s still not at the level I’d like it to be at.

Part of it is that I know there are segments that are still missing. Situations and subplots that need to be beefed up so that our protagonists’ actions make more sense. Small patches of vague world building that need to be clarified to make the story more real. Things that could be improved upon. This is the level I’m at now…going through what I have so far and filling in all those blanks.

Part of it is also that I need it to have more emotion. I’m trying not to talk myself into thinking that I’m merely comparing it to the Bridgetown Trilogy (which had quite a lot of it), only that I know the story could be livelier. Making the characters more personal. Giving them lives that the reader could empathize with. It doesn’t need to be high drama, it just needs to have more of that active spirit that pulls the reader along.

My writer brain occasionally reminds me of the possible idea of doing a complete rewrite to make it more vibrant creatively and emotionally, just like the Trilogy, and though that is of course tempting, I’m not sure if that’s something this story needs. Then again…my creative instincts tell me that this is precisely what Theadia needs right now, and I’ve since relearned that following my creative instincts have rarely steered me wrong when it comes to projects I believe in. And if I choose to follow through, then I will need to dedicate as much time to it as I possibly can.

[That, of course, brings up my long-standing creative foe, Distraction. If I’m going to do a total rewrite, I’m going to need to manage my time a hell of a lot better than I have. But that’s another post entirely.]

I can see this with the last several projects I’ve been working on: MU4, Diwa & Kaffi, Queen Ophelia and Theadia. They’re all stories that I want to tell, and stories I believe in…but my instincts are telling me they’re not quite told to my satisfaction just yet. I can do better. I can write them better. I can give them more of my spirit to make them work the way they should.

Will this mean several more years of not releasing anything? I don’t think so…I’m hoping I’ll have something out later this year, though I’m not sure which one it will be. Maybe it’ll be something utterly different. Maybe it won’t be any of them. Who knows…?

Still. Whatever I do next, I’m going to need to start working on it, and very soon.

It’s Revision Time

Image courtesy of The Garden of Words

So for the most part, Queen Ophelia is done — in fact, I’d called it when I realized I’d been overwriting past the actual end for the last week or so — and I’m putting that one aside to simmer for a few weeks while I shift all my focus towards revising Theadia. That’s coming along quite nicely, by the way, as I’ve just started working on Chapter 13, in which our intrepid titular duo are about to embark on a flight from hell. (You know the kind: the delays, the lack of open gates, and the purgatory of waiting for your stuff at baggage claim. Some things never change.)

While I do love revising my work, especially when I’m working on something that excites me, the one side effect is the lack of new words. Right now I’m not worried because I’m actually inserting new scenes and things into the revision, but further down the line, I’m sure I’ll be itching to write something new. What that’ll be I’m not sure, but I’ll focus on that when its time comes.

Revision, at least for me, is kind of like putting the spackle on the nail holes and the grout between the tiles. I write complete rough first drafts to begin with, or as complete as I can get them at any rate. I’ll do most of the hard cleanup on the first couple of chapters — deleting the broken bits and inserting the information that will tie in with later scenes — but for most of the rest of the novel, I’ll be focusing more on spot-cleaning. That’s where I’ll fix wonky grammar, find/replace any changed names, give a bit more detail, and create smoother links between scenes. As I’d mentioned last month, I’m Filling In the Blanks.

Interestingly enough, it’s not until revision time where I finally question what the real theme of the book is. I mean, I kind of have a general idea while I’m writing it for the first time, but this is when I decide what its focus truly is. In Theadia, for instance, I knew the theme in vaguest terms was about personal and societal responsibility. But the real theme expands on that: it becomes a story about questioning who has this responsibility, and finding the strength and initiative to take it on yourself when it’s failing at every other level. I could go into even more detail here, but I think you get the point.

I do love revising, actually. The toughest part — the initial invention and telling of the story — is already over. It’s already a complete entity. I love revision because I’m familiar with the story now, and that gives me the ability to figure out how to make it even better. That’s where I start painting the walls pretty colors and hanging the artwork!

Post-Holiday Readjustment

Image courtesy of One Piece

The extended holiday weekend is over and, depending on how you look at it, things are either going back to normal or ramping up. It’s now officially the Christmas season. Local listen-at-work station KOIT has officially gone 24/7 Holiday Music, as they do every December until New Year’s Day. One of our neighbors got their Christmas tree on Sunday and I know this because there’s a trail of needles heading from the front door to the elevator. We’ve yet to put up our own tree (ours is fake and lives in the back closet most of the year), but I’ll most likely do that this week. And we are so well-stocked on turkey leftovers that we’ve been eating turkey wraps the last few days. (Not that I’m complaining.)

Also, I haven’t written any new words at all since last Tuesday, and I’m really itching to get back to it. I’ve been doing another read-through of Theadia (and will most likely do one of Queen Ophelia after I’m done with that one) the last few days and I can’t wait to get back to work. It’s also that time of year where I start thinking about my year-end music lists and mixtapes (I am woefully behind on mixtapes in general, so I may do a few of those this week as well). And it’s time for me to think about what I want and need to do come 2022, personally and professionally.

So it’s not so much post-holiday readjustment as it is mid-holiday readjustment, I suppose. I’m so used to my Decembers being busy as hell so I see no reason why I shouldn’t be busy creatively while I have the time and ability. With the old Former Day Jobs I’d survive them by hyperfocusing on whatever I need to do at that moment — get the new cd releases security-tagged and price-tagged, lay out the pallets for the 8,374,621 candle boxes that will come down only my lane in the next five minutes, figure out whose UrgentPLZHALP email needs to be looked at first, and so on — so I’ve done the same with my writing projects. That way I can start the new year fresh and already revved up and excited to get going.

Whatever is coming next, I’m ready for it.

Taking Notes

I’m at that point in both Theadia and Queen Ophelia that I’m going to need to start taking revision notes. I’ve come a long way on both of them, and after doing a few reread sessions, I think it’s time I started writing down what I’m going to need to fix/change/rework/etc. in both novels. This is a process I’ve done with all my books after I finish (or get close to finishing) the rough first draft.

My process for this takes place during the rereads. In particular, any moment where I react to the novel — any reaction, such as finding bad grammar or typos, or knowing a scene needs fixing because it affects something else further on, or anything in between — that’s when I take notes. It’s the longhand part of my process, where I use a small legal pad (because it’s easiest to use while reading in bed) to mark it all down.

I already know of several scenes in both books that will need revision; as always, these are the ‘flailing’ first chapters where I’m still trying to feel the book out. I find that it’s just easier to riff with whatever I come up with in the knowledge that something better will go there later. I know some writers completely skip these problem scenes with a trusty old ‘WRITE THIS LATER’ note, but that tends to be a bit too unwieldy for me. I’ll write a rough scene that I think is close to where I want it to go instead. For instance, I know I’m going to need to completely rewrite a scene early in Act I for Queen Ophelia, but I wrote that outtake scene anyway because it was pretty close to what I wanted, if not perfect. There are multiple early points in Theadia where I’ve changed how certain characters meet each other or how they react upon their first meeting.

And why do I write those rough outtakes anyway, even if I know I won’t use them? Because part of my process is about mapping out the flow and the pacing of the novel in my head. I’d rather write a filler to be replaced later so that I can maintain that pace. It works for me because when I finally return to replace it, I know a) exactly how the scene is supposed to flow, and b) I know exactly what I want to replace it with. In the end, the revision of that scene takes a hell of a lot less time. And who doesn’t love a speedy, painless revision session?