Watching 90s Action Films

So A finally made me sit down and watch the original 1998 Blade film, and HOO BOY yeah that was certainly something. Definitely one of those “this is terrible” but in a fun popcorn flick kind of way if you’re into that sort of thing.

It reminded me of something that I’ve been thinking about over the last few weeks or so: man, the 90s were fucked up. I’m not just talking about world events here, which goes without saying. I’m talking about some of the films, books, music, art, pretty much any medium. It’s almost as if us Gen-Xers, realizing that we were essentially the Generation Nobody Paid Attention To, decided to see how far we could push our creativity. And then push it just that little bit more. See what we could get away with. And it usually paid off, because the Gen-X audience loved it when the boundaries were pushed like that. It’s part of our DNA.

Blade in particular is a ridiculous vampire action film with all the bingo spots that makes up 90s action films: badass martial arts battles, quote-worthy dialogue, insane weaponry, a secret rave in a bizarre location, a ridiculous car chase, a few insane how-the-hell-did-they-shoot-that sequences, and all of it edited to fast-bpm techno dialed up to 11. It also features quite a few ‘let’s see how far we can push this’ moments, one especially squicky scene within the first five minutes of the film.

I watched a hell of a lot of these in the 90s and 00s, from the Matrix films to the Underworld films and yes, even the Mortal Kombat films. They were all good fun on a stupidly hot Saturday afternoon during the summer.

They also feature some great whoa! moments, and I’m not talking the Keanu Reeves kind or the car-jumping-a-moving-train kind. I’m talking about the kind that a writer like me would love: the little seemingly inconsequential shots that make me perk up. There’s a shot in Blade that did it for me, when our heroes are being chased down a subway tunnel with way-too-fast trains zipping by every couple of seconds. Dr Karen Jenson somehow loses her balance and lands on the tracks, but at the last second reaches her arm over at an odd angle, thus keeping her face from landing on the electrified third rail by mere inches. It’s a three second shot that didn’t need to be in there, but for me it was definitely an ooh, nice detail! moment. A lot of 90s films are filled with those kinds of shots, and they add charm and reality to the moment.

These often inspired my writing at the time. The original version of the Bridgetown Trilogy (The Phoenix Effect, written 1997-98) features the same level of detail alongside some of the classic tropes. Some of them even show up in the final books. I had a rule for writing them: if I wanted to add a ‘this would look really cool’ moment, I had to give it a reason for being there. I realized the best way to do this was similar to that Blade moment I mentioned above: it had to tie in with the character’s personality. Dr Jenson’s purposely avoiding the third rail underlines a major point of her character: she’s smart and always thinks ahead, especially on the fly. Whenever the Mendaihu gang had one of those similar Hollywood moments, I made sure it had consequences.

While a number of more recent action films have dialed back the over-the-top ridiculousness somewhat, that’s not to say they’ve completely disappeared. See the still-going Fast and Furious series for a prime example of that. It’s even there with more recent stories: the John Wick series is just one over the top fight scene after another. Even there we have a nice attention to character detail: Wick hardly ever speaks in any of the movies. And when he does, he does so for a reason, and his words are important.

My point here? Well, let’s just say that watching 90s action films might be a fun and enjoyable way to waste an afternoon…but even these films have moments that inspire a writer like me.

Yes, They’ve Been Done, But They’re Still Fun

I’ll admit I haven’t been up on movie watching over the last few years for one reason or another.  It could be my tastes have morphed somewhat, being that we’ve mainly been hitting documentaries, Studio Ghibli movies, and imports.  I haven’t gone to see a good throwaway popcorn movie in ages.

That said, I’ve been hearing reviews on the Wachowskis’ Jupiter Ascending, and the takeaway so far has been “oh god it’s a hot mess but go see it!”  Here’s the trailer:

I finally got around to watching said trailer about a half hour ago, and found myself both concerned and amused that I saw a parallel between it and my Bridgetown Trilogy.  Both contain an alien Origin Story (i.e., where did humans come from?), a female Chosen One character (some kind of savior to keep Earth from going kaboom), and a War for World Control.

When you’re a writer who’s trying to sell a novel you’ve carefully crafted for years that you’re currently trying to sell, and you see a Hollywood movie with parallels like that, you tend to have a moment of oh crap, someone beat me to it!

And then I realize–those three points are everywhere.  I’m not the first, nor the last, to use the alien Origin Story, a Chosen One and/or a World Control plot.  Time to calm down a bit.

I mean, much of the Mendaihu Universe in its early days was influenced by 80s and 90s SF movies and anime anyway: the Gall Force series, Until the End of the World, Strange Days, The Fifth Element, Johnny MnemonicThe Matrix and its sequels, Akira, and so on.  They might not be for everyone–some people see these kinds of stories as over the top and ridiculous.  Sure, there’s an element of the fantastical in the Mendaihu Universe, but that’s often what these kinds of stories are about.  And besides–Jupiter Ascending might be over the top, but that doesn’t mean that it’s not entertaining.  Pacific Rim is ridiculous, but it’s also a hell of a lot of fun.

So that’s why I’m not exactly worried that Jupiter Ascending is getting sort-of-panned by the critics and the public.  I’m not going to pretend my Mendaihu Universe stories are superior or better executed…I’m pretty sure parts of my universe are a hot mess as well.  But my aim wasn’t to write a perfect story–it was to write an entertaining and thoughtful one.  That aim is more important to me.

Of course, now that I’ve seen the trailer for this movie, I definitely want to go see it. 🙂