Category: inspiration

Driving past the pumpkin patches…

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For those familiar with the British mystery show Midsomer Murders, the always enjoyable series loves to occasionally set its whodunit episode at a church fair, a festival, or some kind of social gathering — one of my favorite episodes takes place at what is essentially a comic con. So of course when we drove up to Petaluma north of San Francisco, we drove past a few lots that have turned into pumpkin patches, complete with bouncy castles, haystack mazes, game stalls and all that fun autumnal stuff.

And of course, being who we are, I posited the question: okay, say that pumpkin patch was on Midsomer Murders. Which turned into a fun conversation about a farm owner down on their luck needing to run the patch to make extra money, the ne’er-do-well brother that hates that the owner is selling out, the inevitable death in the first act, and Barnaby (Tom or John, whichever one you choose) brought in to solve the case. [A little later on I switched it up by asking a follow-up: okay, say that pumpkin patch was teh setting for a romcom. Which went off in yet another fun direction.]

This is of course one of the most fun parts of being a writer, I’ll admit — taking something mundane in your surroundings and placing it in a different universe, just to see where it takes you. Sometimes it’ll be a simple trope story like that cozy mystery or romcom, other times it’ll just take off all on its own and drag you with it. Either way, it’s one of my favorite things to do when I can get away with it!

That time of year again

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It’s been a bit over three months since we moved into our New Digs, and things are finally settling and falling back into place. I might still have to remind myself that those month-end payments aren’t for rent anymore but mortgage, but other than that I’m happy that we’re here. We might be slightly further away from the shopping corridors but we’re two blocks from our community garden plot, a block away from a major bus route as well as a very large public park, and the neighborhood is thankfully much more peaceful. (Yes, even during recess for the kidlets at the school across the way.)

This is good timing, as it’s that time of year where I feel the need to change things up. And you know how I am in autumn: excited about the new music releases and contemplative about where I am and where I want to be. I’ve already made a lot of positive changes over the last few months — with room for improvement, of course — so it’s really just a matter of doing it at this point. Or not doing, depending on the situation. Some habits I find I just do not need nor want anymore. Some habits I’d like to revisit once more.

And what about writing? Well, the remaster of A Division of Souls is out and away, and I’m thinking of starting in on the remaster of The Persistence of Memories pretty soon. I’m also focusing on Theadia and it’s still looking good and on schedule for release sometime next year. But I can’t help but think: I’ve got a journal and a notebook gathering dust in my satchel right now, and my 750Words sign-in remains woefully ignored. I mean, I’ve worked on multiple stories at that same time before, so this is nothing new. I can certainly play around with writing extremely rough drafts of new ideas while spending most of my creative energies on the two main projects. And in the process, probably disconnect from a few IRL things that I don’t need to hyperfocus on.

And what better time to do it than during the season that works best for me?

A little night reading

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I know, I know…I really should be catching up with my To Be Read pile at night. It’s not even that big at the moment. Instead, I’ve been turning on my e-reader and reading a bunch of comics and manga on the Hoopla app. Yay for the SF Public Library for carrying a considerably large collection! And on top of all that, I’m working through all twenty-six volumes of Charles Schulz’s The Complete Peanuts (I’m currently on volume 11, the 1971-72 comics).

I figure what I’m doing here is not actually avoiding the TBR pile, but just allowing myself to purely enjoy reading, which I sometimes forget to do. I think part of this is due to having gone through a phase some years back where I just felt burnt out by reading only genre, or only music bio, or whatever, added to the fact that I was trying to reach a goal I’d set on GoodReads.

During all this pleasure reading, it occurred to me that this was what I did back in the Belfry days. I’d been hooked on comic books at the time and simply had to follow the monthly adventures of whatever titles I’d bought (including slogging through the last third of Dave Sim’s Cerebus, and you really need the fortitude and patience to slog through everything past the Flight trade, and especially after Rick’s Story). A lot of it I enjoyed, and a lot of it helped shape the kind of storytelling I enjoy writing. But I was also pushing myself to read comics and books that I wasn’t entirely enjoying. I bought a lot that I simply never got around to reading.

So I’m not too worried about those few titles gathering dust next to the bed, because I’ll get to them eventually. In the meantime I’m checking out things that capture my interest and are an easy and relaxing read. I’m trying out different genres and styles and soaking in the storytelling and the worldbuilding. Sometimes the comic’s a silly slice of life, sometimes it’s a quirky oddball fantasy, sometimes it’s a romance.

And in the end, I’m hoping some of this light night reading will inspire some new ideas!

The Matrix and the Mendaihu Universes

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The Matrix Resurrections, the fourth in the series, came out at the height of the pandemic, released both in theaters and streaming on HBO Max at the same time. It was kind of a weird time for all involved, of course, and while the film didn’t come close to being a financial success (mostly due to said dual release), it did feel like the start of a new chapter. And to be honest, it did kind of make me rethink how I was going to approach the fourth book in the Mendaihu Universe if I was going to write it.

We watched all four in order at that time, as A hadn’t seen movies two or three and I hadn’t seen any of them in ages, and one thing that stuck with me is that they were bigger and stronger influences on my trilogy than I’d remembered. It all lines up: the first movie opened in March of 1999, right about the time I’d been thinking about reworking The Phoenix Effect into what would become A Division of Souls. The second and third movies, The Matrix Reloaded and The Matrix Revolutions, would come out in May and November 2003, right about the time I was working on The Persistence of Memories. I especially appreciated that the side-story anthology The Animatrix came out between those two in June 2003, expanding the universe even more, creating more lore that didn’t exactly tie in with Neo’s story.

I think one of the biggest influences on the Bridgetown Trilogy is in fact the expansion of Neo’s story from the original film to its conclusion. I liked that the second and third movies took what had happened in the first — Neo’s awakening into a rebel fighter against the Matrix and its Agents — and expanded on that. Primarily, asking the question: now that you have the power, what are you going to do with it? That soon became Denni’s personal mantra throughout the Bridgetown Trilogy as well; she was well aware of what she could do, so her own conflict was deciding what she should do.

There are other moments, of course. Not gonna lie, the leather duster and the form-fitting uniform of the Mendaihu Elder is definitely a sly wink at Neo and Trinity’s get-up throughout their own series. Little things like levitation and the ability to wield Light came from direct influence as well. I made them my own by thinking about what this kind of action or ability would look like in my own created universe, and expanding from there.

Back to Resurrections, I would say that movie helped me think more about how to frame the fourth book in the Mendaihu Universe. Again, there’s direct inspiration: Resurrections explores life within the Matrix years later, when Neo has become a distorted myth and its believers have forgotten the true history. While the movie focuses on Neo’s rebirth and Trinity’s reawakening, I plan on having MU4 focus on the myth: what happens when belief in the One of All Sacred evolves and becomes a weapon itself. I had the beginnings of that particular idea after I’d released The Balance of Light, but watching Resurrections helped sharpen that idea into something I could expand upon.

Right now, I’m focusing mostly on Theadia, so this one might not arrive until maybe 2027, but we shall see. I’ve got time and I’ve still got the influences and inspirations to work with.

Going outside now and again

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It’s just about springtime here in the Bay Area, which means new plants will be blooming, the days will get brighter and longer, temperatures will rise, and the winter rains will be winding down. This means that we’ll have run out of decent excuses not to go out for a neighborhood walk after A gets off work and I happen to be at home. This also means that I really should start walking to and from work more often instead of taking the car.

As much as I love clocking in and getting a sizeable chunk of ‘remastering’ work done on A Division of Souls, sometimes I forget that I really should head outside and get some fresh air. I mean, sure, we own a treadmill now so we can always use that for exercise, but that’s no excuse when we’ve got an extremely walkable and visually interesting neighborhood. And besides, it’s a great way to clear our heads! It gives A a chance to not think about her inbox, and gives me a chance to step away from whatever I’m working on, providing us both with a bit of calm and clarity.

As an added bonus, it keeps me from doomscrolling, but that’s another post altogether. The point here is that I sometimes need to remind myself that the process of writing also includes not writing. This is the part I always forget: there’s a big ol’ world out there with several different kinds and flavors of experiences and sometimes it’s good just to witness it instead of reading about it. It’s a good habit, and it’s also far healthier.

Paying It Forward — Thanks to Holly Lisle

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Sad to hear about the passing of author Holly Lisle the other day. She was one of my first inspirations and influences within the SFF genre, having read The Secret Texts trilogy in the late 90s, right about the same time that I was writing and revising The Phoenix Effect, which of course morphed into the Bridgetown Trilogy.

I remember seeing something in the acknowledgement pages of those books that intrigued me: she’d created what was essentially a BBS forum called Forward Motion, a smallish but very active online writing community. They — including Holly — were extremely welcoming, and being a member helped me figure out what I was trying to do with the Mendaihu Universe. I even had a few people beta read some of it at the time. I spent a lot of time at the Forward Motion site during the Belfry years, especially on the days we had ‘word wars’ — we’d all say, okay, let’s see how many words we can hit starting NOW! as a way to get ourselves geared up and excited about the projects we were working on. I’d pop into chat rooms just to see who was around…and often there would be someone asking a question or needing help, and we’d all chip in and offer advice. I got some great advice on my trilogy; one in particular that I remember is that I’d been stuck on a name for a certain character, and a few people suggested his name sound sibilant and harsh to fit his personality. Together we came up with a rather interesting name, and some years later during revision, it was shortened to Saisshalé.

I’d moved away from the FM site when I moved out to San Francisco, though to this day I still talk with a few people I met there. We still talk online and I’ve even met a few in person!

Holly stepped away from FM sometime in the early 00s if I’m not mistaken to focus on writing and teaching, but I never forgot how much that community helped me. It wasn’t just about the help, though — one of Holly’s mottos was ‘paying it forward’ and I certainly did that over the years, offering to beta read for others, and later on giving what information and suggestions I could about self-publishing during local conventions. I never forgot that either.

Thank you, Holly. Your influence as a writer may not have fully been through your writing, but your sense of community certainly stayed with me all these years.

A creativity rethink

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No, I don’t plan on giving up this writing gig anytime soon. I’m seven books in, one I’m currently working on and a few future ideas on the back burner, and I have no plans on letting them fall by the wayside.

I’ve been thinking — again — about other creative outlets lately. More to the point, how I haven’t allowed myself to give them any proper focus and practice to be anything other than passing hobbies. I’ve often said my other two creative outlets would be art and music, but I’ve spent so long working on writing novels that I rarely ever have time for either of them.

Why is that? Well, part of it has been just not allowing myself the time. Balancing the novel writing and the Day Job (and spending some time IRL with A.) often leaves me with very little time to do anything else. I still have a habit of carrying a notebook with me at all times so I could easily spend a few moments doodling. I have enough time outside of the Day Job that I can pick up my guitar and noodle for a bit. And I’m better at both than I used to be just ten years ago.

What’s stopping me? I think it’s that my creative brain gets stuck on the ‘well, you’re not bad, but there’s at least 9,000 more hours of practice and experience before you’ll be good‘ and I put it aside for a later time. And that later time keeps getting pushed further into the future.

I think I’m perhaps also a little daunted by seeing so many musicians and artists relying on computer software nowadays, and simply I don’t have the money to spend or the PC memory to eat up (or the desk space, for that matter) for it right now. And then I start thinking that maybe my art and music should remain a hobby.

But if I’m going to take either of them more seriously, I realize what I should do is take the same route I did with my writing: Do It Yourself.

I mean, my inspiration for having a DIY writing career is based on music, so I’ve got the knowledge to go that route anytime I want, right? Why should I worry about trying to learn the technology when I have the Beatle-based inspiration of pushing a button, saying ‘oh hey this sounds neat’ and running with it? I’m not a synthpop based performer that needs all the doowackies; Drunken Owl is more something you’d hear on Slumberland Records than a hipster indie label, and would be right at home on Bandcamp.

As for art? Who knows what would come of that. A webcomic? Storyboarding? Something else? And as for photography, I really just need to give myself the time to properly edit the pictures and make them saleable on stock footage sites like Shutterstock.

The net is vast and infinite, as Major Kusanagi says. I just have to make the time to explore it.

Theadia and…Knitting?

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It was supposed to be a one-off joke that most likely wouldn’t have made it into the finished version, but somehow it’s become an all-encompassing theme within this project. And to be honest, I’m totally fine with that because it works perfectly!

Theadia has numerous knitting and crafting references littered throughout. The three main military space ships we see are pins (small one-person fighters that serve as the front lines), needles (two-seaters working as artillery) and stashes (boxy, bulky troop transporters). The main setting is a well-off planet and space station called FairIsle (named after the Shetland island known for its knitting) and the planet’s central capital is Beam City (a weaving tool). And so on.

So why knitting, anyway? Well, originally it was a nod to A’s craft projects — she’s made numerous scarves, fingerless gloves, toys and baby clothes over the years, and that’s her creative outlet while mine has been writing. Something we both enjoy immensely even when we’re doing something else like listening to music or watching TV, or more more recently, even despite the constant and sometimes destructive interruptions of our cats!

The more I leaned on this little in-joke, the more I realized that it was a perfect metaphor for the project itself: every single event is interwoven with something else that happens elsewhere. Whether it’s a character’s refusal to act or another’s fearless action that changes the course of history, their actions are not just about their own world.

Reminding myself that weaving is the main structure of this entire project is what’s helping me in this new revision/rewrite. Whatever new scenes I’m working on have to not just tie in (har har) with the plot in general, but have to, in some way or another, cause or influence a change down the road. So by the time we’re near the end of the story, we have a whole tapestry of events going on about to lead to something unexpected yet extremely important.

Not bad for a one-off joke, yeah?

[EDIT: Yes, I am aware that the header gif I used is actually crocheting and not knitting. It was the one I found online that looked best! Heh.]

Stuff to listen to…?

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Not gonna lie, I’m totally looking forward to finding some new albums that could get some heavy rotation during my upcoming writing sessions for Theadia. Each project has had its own playlists and/or albums that become their de facto soundtrack, and I’m sure this one will be no different.

The only difference here, I think, is that I want these albums to have more staying power than the ones tied to my post-trilogy work. There are some records that will always be tied in with the trilogy (And You Think You Know What Life’s About, Sea Change, Fantastic Planet, and so on), and Diwa & Kaffi had The Sound of Arrows’ Stay Free, but that’s about it. I’m not trying to shoehorn any albums into this new project, mind you…I’m just wondering if there’s going to be any that will be as closely tied.

Which brings me to my wanting to pay a little more attention to the music I’ve been listening to. I’ve said previously that the last few years have felt more like I’d focused more on acquisition than connection, and I want to change that. And one of the ways to make that happen is to actively return to some of these albums. That’s what I did in the Belfry back in the day: I’d start off each session putting on a specific cd I wanted to hear to get myself in the mood. Sometimes it was a new release, other times it was an old classic. It really did depend (and still does) on the scene I was about to work on.

I have the music library, I just need to choose what I want to hear.

two hours of peaceful zen moments

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If anything, that’s how I would describe Wim Wenders’ new movie Perfect Days. I’ve always been a fan of his work, and in a way he’s been a influence on my own work: from his movie Until the End of the World I learned how to take my time telling a story, allowing it as much time as it wants or needs, and using those quiet moments as part of the story itself.

This new film simply follows one man throughout his days, working for the city of Tokyo as a public toilet cleaner. He takes pride in his work, says little, and captures quiet moments of his day with an old film camera, mostly of the sun filtering through the tree canopy above (komorebi is the theme of the entire film, and is mentioned in a post-credit shot at the end of the film). Is there even any conflict in this? Yes, there is! But the brilliant thing is how he handles each moment that pulls him out of his daily habits: he observes, he contemplates, and he adjusts. Even when the experience deeply upsets him, he eventually learns from it. His life may have been slightly changed forever in those moments, but he never refuses to embrace them.

And Koji Yakusho, who plays the old man, deserves all the awards and nominations he’s been getting. He rarely reacts with any kind of emotion at first, only opening up near the end, but throughout the entire film he lets out tiny moments of extreme joy: a slight smile, the shine of his eyes, a hum of acceptance. Just those simple and understated moments have the ability to carry the entire scene to show that within, his emotions are nearly always full to bursting.

I can’t say enough about how brilliant, lovely and peaceful this movie was, and I highly recommend it. It’s a masterpiece and a perfect film for studying how to take your time telling your story.