Category: inspiration

A creativity rethink

Jon ChaissonLeave a comment

No, I don’t plan on giving up this writing gig anytime soon. I’m seven books in, one I’m currently working on and a few future ideas on the back burner, and I have no plans on letting them fall by the wayside.

I’ve been thinking — again — about other creative outlets lately. More to the point, how I haven’t allowed myself to give them any proper focus and practice to be anything other than passing hobbies. I’ve often said my other two creative outlets would be art and music, but I’ve spent so long working on writing novels that I rarely ever have time for either of them.

Why is that? Well, part of it has been just not allowing myself the time. Balancing the novel writing and the Day Job (and spending some time IRL with A.) often leaves me with very little time to do anything else. I still have a habit of carrying a notebook with me at all times so I could easily spend a few moments doodling. I have enough time outside of the Day Job that I can pick up my guitar and noodle for a bit. And I’m better at both than I used to be just ten years ago.

What’s stopping me? I think it’s that my creative brain gets stuck on the ‘well, you’re not bad, but there’s at least 9,000 more hours of practice and experience before you’ll be good‘ and I put it aside for a later time. And that later time keeps getting pushed further into the future.

I think I’m perhaps also a little daunted by seeing so many musicians and artists relying on computer software nowadays, and simply I don’t have the money to spend or the PC memory to eat up (or the desk space, for that matter) for it right now. And then I start thinking that maybe my art and music should remain a hobby.

But if I’m going to take either of them more seriously, I realize what I should do is take the same route I did with my writing: Do It Yourself.

I mean, my inspiration for having a DIY writing career is based on music, so I’ve got the knowledge to go that route anytime I want, right? Why should I worry about trying to learn the technology when I have the Beatle-based inspiration of pushing a button, saying ‘oh hey this sounds neat’ and running with it? I’m not a synthpop based performer that needs all the doowackies; Drunken Owl is more something you’d hear on Slumberland Records than a hipster indie label, and would be right at home on Bandcamp.

As for art? Who knows what would come of that. A webcomic? Storyboarding? Something else? And as for photography, I really just need to give myself the time to properly edit the pictures and make them saleable on stock footage sites like Shutterstock.

The net is vast and infinite, as Major Kusanagi says. I just have to make the time to explore it.

Theadia and…Knitting?

Jon ChaissonLeave a comment

It was supposed to be a one-off joke that most likely wouldn’t have made it into the finished version, but somehow it’s become an all-encompassing theme within this project. And to be honest, I’m totally fine with that because it works perfectly!

Theadia has numerous knitting and crafting references littered throughout. The three main military space ships we see are pins (small one-person fighters that serve as the front lines), needles (two-seaters working as artillery) and stashes (boxy, bulky troop transporters). The main setting is a well-off planet and space station called FairIsle (named after the Shetland island known for its knitting) and the planet’s central capital is Beam City (a weaving tool). And so on.

So why knitting, anyway? Well, originally it was a nod to A’s craft projects — she’s made numerous scarves, fingerless gloves, toys and baby clothes over the years, and that’s her creative outlet while mine has been writing. Something we both enjoy immensely even when we’re doing something else like listening to music or watching TV, or more more recently, even despite the constant and sometimes destructive interruptions of our cats!

The more I leaned on this little in-joke, the more I realized that it was a perfect metaphor for the project itself: every single event is interwoven with something else that happens elsewhere. Whether it’s a character’s refusal to act or another’s fearless action that changes the course of history, their actions are not just about their own world.

Reminding myself that weaving is the main structure of this entire project is what’s helping me in this new revision/rewrite. Whatever new scenes I’m working on have to not just tie in (har har) with the plot in general, but have to, in some way or another, cause or influence a change down the road. So by the time we’re near the end of the story, we have a whole tapestry of events going on about to lead to something unexpected yet extremely important.

Not bad for a one-off joke, yeah?

[EDIT: Yes, I am aware that the header gif I used is actually crocheting and not knitting. It was the one I found online that looked best! Heh.]

Stuff to listen to…?

Jon ChaissonLeave a comment

Not gonna lie, I’m totally looking forward to finding some new albums that could get some heavy rotation during my upcoming writing sessions for Theadia. Each project has had its own playlists and/or albums that become their de facto soundtrack, and I’m sure this one will be no different.

The only difference here, I think, is that I want these albums to have more staying power than the ones tied to my post-trilogy work. There are some records that will always be tied in with the trilogy (And You Think You Know What Life’s About, Sea Change, Fantastic Planet, and so on), and Diwa & Kaffi had The Sound of Arrows’ Stay Free, but that’s about it. I’m not trying to shoehorn any albums into this new project, mind you…I’m just wondering if there’s going to be any that will be as closely tied.

Which brings me to my wanting to pay a little more attention to the music I’ve been listening to. I’ve said previously that the last few years have felt more like I’d focused more on acquisition than connection, and I want to change that. And one of the ways to make that happen is to actively return to some of these albums. That’s what I did in the Belfry back in the day: I’d start off each session putting on a specific cd I wanted to hear to get myself in the mood. Sometimes it was a new release, other times it was an old classic. It really did depend (and still does) on the scene I was about to work on.

I have the music library, I just need to choose what I want to hear.

two hours of peaceful zen moments

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If anything, that’s how I would describe Wim Wenders’ new movie Perfect Days. I’ve always been a fan of his work, and in a way he’s been a influence on my own work: from his movie Until the End of the World I learned how to take my time telling a story, allowing it as much time as it wants or needs, and using those quiet moments as part of the story itself.

This new film simply follows one man throughout his days, working for the city of Tokyo as a public toilet cleaner. He takes pride in his work, says little, and captures quiet moments of his day with an old film camera, mostly of the sun filtering through the tree canopy above (komorebi is the theme of the entire film, and is mentioned in a post-credit shot at the end of the film). Is there even any conflict in this? Yes, there is! But the brilliant thing is how he handles each moment that pulls him out of his daily habits: he observes, he contemplates, and he adjusts. Even when the experience deeply upsets him, he eventually learns from it. His life may have been slightly changed forever in those moments, but he never refuses to embrace them.

And Koji Yakusho, who plays the old man, deserves all the awards and nominations he’s been getting. He rarely reacts with any kind of emotion at first, only opening up near the end, but throughout the entire film he lets out tiny moments of extreme joy: a slight smile, the shine of his eyes, a hum of acceptance. Just those simple and understated moments have the ability to carry the entire scene to show that within, his emotions are nearly always full to bursting.

I can’t say enough about how brilliant, lovely and peaceful this movie was, and I highly recommend it. It’s a masterpiece and a perfect film for studying how to take your time telling your story.