Future View

Here we are at the last Welcome to Bridgetown entry of 2022. It’s been a busy year of change here: getting a new Day Job, being in-person social again, putting multiple novel projects on indefinite hiatus, and allowing myself to focus on personal needs. I’ve already gone over most of what’s gone on this year in previous entries here so I’ll spare you the details, but I will say that all told, 2022 has been a rather positive one.

So what will 2023 bring?

For starters I will be focusing most of my creative time on the MU4 project and the Bridgetown Trilogy Remaster. It’s been a long time in coming, and I’ve put it off for long enough. The Mendaihu Universe was always supposed to span several books and different generations and settings and not just stick around as a trilogy. Mind you, I’m vaguely thinking of this new project as another set of three books, but I’m not holding myself to it. If it’s a duology, or a single, or even a tetralogy, I’ll let it be what it needs to be. And I think I’m going to be sticking around in the MU for a while, filling in the blanks in its history.

I’d also like to get back to using the 750Words site on a consistent basis again. I haven’t made any decisions in to what I’ll be writing there, though I have a few possibilities. I’d also like to finally make something out of all those Drunken Owl demo outtakes I’ve recorded over the last several years. Some of them are just thirty second riffs and some are full-on three-minute tunes. I haven’t written any songs for years now and I kind of miss it, to be honest. I don’t know if these will have lyrics or if they’ll remain instrumental, but the plan is to make them more than just soundbites.

What about the personal side of things…? Well, some of that is going to stay personal for the time being of course. But what I can share is that I see the new year as one of exploration and expansion. Having spent the last two years cleaning out the mental and emotional detritus, it’s time for the next step: discovering what should go in its place. I’ve had self-built barriers up for the longest time, and after spending the last two years tearing them down and creating a much stronger foundation, it’s time to start rebuilding. What will that entail? Well, we’ll find out in the future, won’t we?

In the meantime, thanks to everyone who’s been following me here or just stopping buy, downloading my ebooks, and talking with me on social media. You’ve all been wonderful these last few years despite everything that’s gone on in the world, and I appreciate it all.

See you on the flip side.

Other creativity

Close-up of my Gretsch Electromatic

I admit I haven’t been up on my art sketching lately due to being so focused on Theadia, but I’ve at least made it a point to pick up my guitar and noodle around with it for a bit during my writing breaks. Sometimes I’ll just play a few covers I’ve taught myself, and other times I’ll play a few riffs that I’ve come up with over the last several years.

I haven’t written any complete songs in ages, but I have at least fifty or so partial melodies that I’ve recorded on my phone over the last five years, all under the Drunken Owl moniker. I’ve been thinking that one of these days I should go through them, pick out maybe twenty of them that I think are worth expanding on, and turn them into real songs. Maybe build an album out of them.

I always say how writing, editing and publishing a novel is very similar (at least in my mind) to writing, recording, and releasing music, so maybe it’s time I made good and went in the opposite direction? I mean, why haven’t I done so already?

Part of it is the writing style, really. Writing a novel is a long-term commitment, trying to weave together several ongoing thought threads into something cohesive and complete. My style of music writing is obviously from the Beatles School of Writing It In My Head. Paul McCartney has often spoken about the reason why his early songs were so memorable was because no one in the band actually physically wrote the songs down on paper other than the lyrics; he and John Lennon made sure they memorized their new creations before they brought them into the studio. My songwriting is very much the same…I’ll get the lyrics down and remember the chord progressions that go with them by scribbling the chords above the words and making a quick note of “slow, sounds like Joy Division” in the margin.

Nowadays I write the music first, and I’m finding that I need to relearn how to write the lyrics to go with it. The fascinating thing about this turnabout is my guitar style has evolved and gotten infinitely better! Giving myself time to focus on the instrument has made me learn so much more than I ever thought. I still can’t fingerpick worth a damn, but I can kind of fake it on some of my newer melodies. And that comes from finally allowing myself to figure out the secrets of my favorite guitarists. [One of my favorite secrets was learning that some of George Harrison’s best solos and melodies are actually simple chords with minimal embellishment. He just knew how to make it sound a lot more impressive.]

Anyway, like I said, it’s been ages since I’ve written a complete song, and I kind of miss doing it. Perhaps that will be my next creative self-test: taking a half-melody idea and spending a week working out a full production plan for it. What would the song be about? What mood would it evoke? How do I hear it in my head? And go from there…finally take that SoundForge software that’s gathering dust on my PC and make some rough demos. See where we go.

And maybe get a Drunken Owl record out of it…?