Tag: Theadia

Days away from social media

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(Art source unknown, but borrowed from this Medium article)

It’s been a little less than two months since I closed down my Twitter feed, and I can’t say I’ve missed it all that much. Sure, I still pop in from time to time for a minute or so, just to ensure I don’t lose access and to check in on those I follow who aren’t online elsewhere, but other than that, I stay well away.

I’m still on Bluesky and Threads, but even then I don’t stay for too long. Again, maybe for a minute or so. I spend more time with my east coast friends on our shared Discord, to be honest. My Instagram these days are mostly pictures of our cats Jules and Cali. Weirdly enough, the most time I’ll spend on social media is to watch some lawn care reels on Facebook, because they’re a lot of fun and surprisingly calming to watch.

That was the whole point of this detox, really…it wasn’t to take a vacation away from social media but to recalibrate my brain so I’m no longer beholden to it. I still feel like I could better use my time during breaks at work, but I’m not really beating myself up over it. I feel less stressed out, for starters. I feel less inclined to give into a daily rage about whatever nonsense is going on in the world. I’ve found a healthier social balance and I’ve decided I’m going to stay there for a while.

Does this give me more time for writing? Sure! I’ve been doing a lot of world building work for Theadia during breaks and slow times at work. I can get through a good chunk of revision work on Queen Ophelia’s War on a daily basis. I can zip through my daily 750Words. All this, and still have a bit of time left over to relax with non-creative fun things! Time management for the win!

Getting there

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Unfortunately I’m at the ‘Oh god this sucks why did I even write this drivel’ point in Queen Ophelia’s War, and I’m doing my best to ignore those lingering doubts. I know the reasons why I’m feeling that way, and it’s not because it is drivel…it’s because I’m twitching to get that rewrite of Theadia started. I just want to quit this project and jump into the next one.

So basically I’m tempering myself with a bit of patience and stubborn will to get this novel done first before I dedicate the bulk of my time to that one. [There’s also the fact that I really want to write the romcom as well, but I’ll get to that one soon enough. There’s less impatience felt in getting that one started.] Besides, I’m into Act III now, which means that I’m right on schedule and should hopefully be done by the end of the month.

I always seem to hit this point when I reach the final third of my projects, to be honest. I just want it done! And I’m quite sure there are other writers who feel the same way. All I need to do is see it through to the end and release it out into the world when I’m done.

I’m getting there…I just need to be patient.

here we go again

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So the other day while I was at work, I’d started playing around with ideas for Theadia, and I started thinking: well, as much as I love it, I still feel I’ve left a lot out. Too many moments where important things happen but only seen from one person’s oblique points of view. Conflict with muted payoff. Too many actions that lack the backstory other than “…then this happens but no one yet knows why” that deserve a much deeper examination. In other words, it’s great, but it certainly could be a whole lot better. And I want to put in that extra work to make it the best.

In other words, this is exactly what I’d done when I’d rewritten The Phoenix Effect as the Bridgetown Trilogy. It went from something that was good and I’d turned it into something great that I’m proud of.

In other words, Theadia may end up another large-scale, extended-cast trilogy if I play my cards right.

Sure, I still need to finish off Queen Ophelia’s War first — I think I’m about two thirds of the way there, so I’m on schedule for that one — but I’m already starting to do the pre-writing paperwork for Theadia now. Extended storylines and subplots for certain characters. I may not know how to successfully write a space opera, let alone write characters that serve part of a military role, but I already know that this one isn’t going to be a dense war-in-space story, and nor is it going to be a uber-savvy tech-nerd story either. It’s its own thing in its own reality, just like the Mendaihu Universe. And I think I’ve gotten pretty good at creating that kind of thing. And those are the things I love writing.

Will this end in tears? Who knows. But I’m willing to put in the work.

Year End Review – Resolutions

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First things first: END OF YEAR BOOK SALE!

Want some free e-books? My novels are currently available as ‘name your price’ (yes, even free if you want!) over at Smashwords until the end of the year! That’s all three books in the Bridgetown Trilogy, Meet the Lidwells!, In My Blue World, and my newest, Diwa & Kaffi, available in all formats. Go on, you know you want them!

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Anyway! Resolutions.

I’ve looked at a few of my year-end posts from the last couple of Decembers, and I’d like to think that I’ve made good on quite a few of them over the last year or so. I’ve shaken off a lot of the lingering fears, fixed a lot of bad habits, and given myself a much healthier outlook mentally and emotionally. It was a long time in coming, but I’m glad I’ve finally gotten to where I wanted and needed to be.

Because this means I can move forward with a lot less fear and distraction now.

So what do I have planned for 2024?

Well, writingwise I plan to return to cons! I’ll be at BayCon in Santa Clara on July 4-7 and I hope to be on a few panels and maybe even a few readings. It’s been a good few years since I’ve put myself out there — partly for obvious health reasons, what with Covid and all — but mask in hand and multiple vaccinations, I’ll be ready for it.

I have one, maybe two novels I’d like to release as well, Queen Ophelia’s War and Theadia. Depending on which one gets done and ready first, I will let you all know as soon as they’re ready. And I have one or two entirely new projects I’d like to work on as well. It feels great to be working on projects again after the various delays and hiatuses, to be honest.

But what about the everyday, nonwriting stuff? Well, some of that will remain offline I suppose. I’m making a concerted effort not to be so terminally online via social media, as that’s been the biggest time-suck over the last several years. Most of 2023 was spent relearning how to balance my life both on and offline to a level I’m comfortable with. [It also helps that a certain social media site has been deteriorating at an increasingly rapid pace over the last several months. I’ll be locking down my feed there at the end of the month and hanging out mostly at BlueSky and Threads come 1 January.]

Anything else? Well, I still have a few more days to go before the end of the month here at Welcome to Bridgetown, so I’m sure I’ll be talking about it more soon enough.

End of year review – future inspiration

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[Image courtesy of Saekano]

If there’s one thing that always worries me about writer’s block, it’s that I’m terrified that I’ll lose interest and nothing will inspire me to write. Outside inspiration has often been a big driver for me: coming up with In My Blue World while listening to ELO, Meet the Lidwells! from reading a ton of music biographies, and so on. But sometimes I’ll go through a spell of nothing quite resonating with me, and I always find that worrying. It’s like I want to write, but I don’t know what to write about.

I mean, it’s not as if something has to completely inspire me, far from it. But the issue, I think, is that it would often tie in with my state of mind at that moment. I’ve had low points in my life where I just stopped writing for months at a time. I’ve had busy points in my life where I just didn’t have the time. I’ve had rebounds where I was ready to write again yet had to relearn how to do it to my own satisfaction.

In writing Diwa & Kaffi, however, I realized that waiting for inspiration to strike might be good if you’re surrounded by that well, but sometimes you just have to push through and find it for yourself. Allow yourself to latch onto something unexpected. Stretch out and get out of your comfort zone a bit and see what resonates. I never thought I’d write a space opera but here we are with a nearly-complete story entitled Theadia. I never thought I’d write a romcom but that seems to be on the docket for 2024.

And that’s what I’m planning to do in the new year: go some place I haven’t been before, just to see what happens.

Year End Review – Where I’m Going

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So. Do I have anything big planned for 2024? Good question.

If you’re talking about writing, sure. I’m hoping to get Queen Ophelia’s War finished and ready for mid-year release, as I’ve mentioned previously. And maybe Theadia as well a little bit later, if I get it prepared in time.

But what about personal things?

I’d mentioned very briefly here that one of my new resolutions is to Slow the F*** Down. Part of this is related to the Day Job, in which I’d fallen into the same damn habit I’d always had with most of my day jobs over the years: always trying to finish everything as quickly as possible. And in this case, considering that I’m back in retail, it meant being a fast checker, helping out as many people as possible, and always stressing out when the lines were long. I fell into the trap of thinking I’d better do it because no one else will, and I’d end up just making more work for myself in the process. I’d finally admitted that maybe I don’t need to be like that, considering nearly everyone else I work with goes at their own (often much slower) speed. Doing this all the time only led to exhaustion and certain managers wondering why I would seem overwhelmed.

I’ve since chosen to Slow the F*** Down at the Day Job, and I’m feeling a lot happier about it. I’ve adjusted responsibilities somewhat and admitted there are times when I should ask for help. I’ve found that there are situations that are Not My Problem. And I’ve admitted there are times when I’m just making more work for myself, whether by overthinking it or giving myself overly high expectations. In the process, I’ve learned to shift certain responsibilities to others when needed, and understanding that, unlike the Former Day Job, there isn’t an OMFGNOW deadline.

I suppose there’s more to it than just the Day Job and the Writing Career going on here, but I don’t have the words for it just yet as I’m still trying to get it straight in my own head. There is indeed a bit of final rewiring of thoughts and emotions going on lately, and that in itself has been a long-game process over the last couple of years that I think is finally coming to a close. A lot of it is about self-confidence and self-trust, but it’s also about reining in those overly high expectations that I’d just mentioned.

So if anything, I think 2024 is going to be about Where I’m Going and Where I’ll Be.

Year End Review – Where I Am, Where I’m Not

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This past year has been a bit different than the past few on multiple levels. I went through a wave of not reading much of anything at all besides manga, graphic novels, and my own works in progress. I put considerable distance between myself and social media. I put a lot of projects aside to let myself focus on the one that needed the most attention. And of course I put my blogs on temporary hiatus.

Not that any of this was particularly a bad thing. In fact they were good things. I needed a mental and emotional vacation to put myself on stable ground once more. I wanted to give myself some time to relax without several looming deadlines, while simultaneously balancing them with the Day Job and its stable yet occasionally fluctuating schedule. I wanted to readjust my life and take it day to day instead of several events and things at once. And most of all, I wanted to get rid of all those distractions so I could remember what I needed to do to focus on said works in progress. Both Theadia and Queen Ophelia’s War are all but done rough-draftwise (they’re missing their endings but I know what to put there), so I disconnected from nearly everything else to focus solely on their revisions.

On a more personal level, I suppose I’d been needing to do a disconnect for some time, considering how many distractions I’d been dealing with. A lot of them were of my own making, whether they were of the ooh shiny or the don’t wanna variety, and given how easily I can fall into both, it was a matter of returning to the old mantra that has yet to prove me wrong: just shut the f*ck up and DO it already. It’s not the dislike of the project or the action, it’s the avoidance of getting started. Once I do start, it’s smooth sailing, simple as that. [Okay, maybe not that smooth and simple, but you get my drift.]

So to answer the entry’s title: where I am, (and) where I’m not?

I am writing and/or revising daily these days, and the output fluctuates. Sometimes it’s a full chapter and other times it’s a few paragraphs, and either one is just fine by me. I’ve been doing some personal writing on the 750Words site to help push me in the right direction. I am about a quarter of the way through revising Queen Ophelia’s War, which is not bad for about a month’s consistent work. I am planning on picking up Theadia once this one is done, or close to done. I am thinking of doing a bit of social media culling and reimagining in the new year. And I am happy where I am in my personal life and writing career!

I am not trying to push myself by doing too many things at once, which can sometimes lead to the return of the don’t wannas. I am not forcing myself to write on demand like I may have in the past, though I am also not sitting here doing nothing while waiting for inspiration to strike, either. I am not letting the Day Job interfere with my writing time, and I am quite proud of that fact. And I am not giving up writing any time soon.

There are other more personal things I am and am not doing, but that’s for another entry!

Checking in: end of year plans

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Oh hey I still have this blog, don’t I? Yes I do!

Hi all, just checking in to let you know that I’m still here, still doing a lot of revision work on Queen Ophelia’s War, and it’s coming along quite nicely. I have a long way to go, but I’m going in the right direction and that’s what really matters. And while I haven’t been blogging, I’ve been thinking about what I’ll be doing here and at Walk in Silence in the coming weeks as 2023 winds down.

Right now my plan is to return here in December to start my end-of-year thoughts and reviews. Whether that will be at my regular twice a week schedule or just once a week depends on a few things.

Firstly, it depends on how busy I am at the Day Job — it is holiday season and I am in retail, after all — and one of my new resolutions is to Slow the F*** Down. [More on that in a future post.] I survived last year’s Q4 quite handily and my commute is still eight blocks long, so I should be able to do two a week. I’m purposely not holding myself to it however, because I don’t really need to force myself now, do I? One a week is a comfortable and doable goal.

Secondly, it depends on how busy I am with work on Queen Ophelia’s War. I’m still planning on this one being my next e-book release to get back on my one-book-a-year release schedule. While I don’t have a set deadline for it at this time, I don’t want to be spending forever on it, either. I still have work on Theadia and a few other open projects as well that are waiting in the wings.

That said, I’ll try to aim for December 1st as my return for this blog. See you then! And thanks for stopping by!

Outside

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A lot of my novels spend a considerable amount of time outside, and usually for a reason other than transitioning between scenes. Which is interesting, considering how much time I spend inside in real life, for one reason or another. In Queen Ophelia’s War a lot of it takes place either on wide grassy plains, rolling hills or deep woods; part of it is to evoke a strong sense of natural settings important to the story, but part of it is also to show that what takes place inside isn’t always about safety and security.

I like using the wider world as precisely that: there’s a wider world out there, bigger than what might be going on in front of you. It keeps several characters in check, from feeling completely alone. [I sometimes use the complete opposite of that for emotional punch, too. If you recall my posting of the first chapter of MU4 some time ago, there’s a world beyond what Eika sees, but as far as she can tell it’s completely devoid of any other people, giving a profound sense of desolation and abandonment.]

It keeps the plot from feeling insular, that nothing else happens outside of this one setting. I also get to use nature as part of the plot; in In My Blue World, magic is literally a part of nature in Zuze’s universe. Even in Theadia, which takes place on a planet surface, on a nearby satellite station, and in deep space, all of those locations are important to the plot in one way or another.

Do I go out of my way to write outside scenes? Not always. More often than not, they just end up there, and I’m thrilled when it happens. It means that the scene is important not just to the characters we’re focusing on, but possibly to anyone else out there, just offscreen.

Understanding the (created) world

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I’ve come to realize that out of all the moving parts in my novels, I think the strongest and most vivid part of each one is the world I’d created for it. I just find worldbuilding to be my most favorite part of writing a novel. Mind you, I’ve learned not to get too lost in it while writing, but just enough for the reader to have a visual idea of where the story takes place. But I’m not merely using it for a brushstroke or background color…a lot of the time these places are the way they are for a reasons very important to the story.

Such as in the Bridgetown Trilogy, which takes place in multiple locations: Bridgetown itself (a sprawling and crowded metropolis, signifying tension and imbalance), Bann Dassah on Trisanda (a quiet and remote area near an ocean coast, signifying peace and balance), and several other places. Or in the unnamed location of In My Blue World, seen both as a quiet small city (signifying stasis, safety and eventually boredom) and as an overpacked sprawl (signifying movement, excitement and impermanence). The world of Diwa & Kaffi uses a slightly different twist: it generally takes place in several linked areas that are already known by the characters; the role for their world here is in their experiencing these areas on a deeply personal level for the first time.

In both Theadia and Queen Ophelia’s War the worlds continue these ideas: the generally known versus the experienced, safety versus threat, the group understanding versus the vividly personal. It’s one of the most important things I always need to remind myself when writing new novels: I rarely ever want to place these characters in a setting that could be anywhere; the location needs to have some kind of purpose, either directly or indirectly, and often obliquely. It not only makes the story more relatable to the reader, it also makes them feel the same underlying tension the characters are feeling.