I’ll cop to it: I took a few lazy days off this week and hardly got anything done other than the daily words and some house errands. Sure, I feel a little guilty about it, but it’s not often that I allow myself to have absolutely zero on my To-Do list. I sometimes have to remind myself that I need to do this now and again as part of the recharge process.
See you again on Monday!
I think one of the biggest things I’m nervous about with Theadia is not the dog fights, nor is it the physics of flight (both air and space) or even the science of how wormholes work. I’m playing as fast and loose with them as most other writers do. As long as there’s a consistent logic to it, and as long as I keep it within reason, then we’re golden.
It’s the fact that I could never get my head around the correct use of military rank.
Yes, silly, I know, especially since I have all the internet and multiple genre novels at my fingertips if I want to use them as guidelines. And considering some of my older relatives (including my dad) were in the armed forces for a time, you’d think I’d have had some kind of understanding about it. I just never quite got around to it.
I suppose before I release this out into the world I should have at least one talk with someone knowledgeable about it to some degree, at least to say “okay, here are the characters, are these the correct ranks I have for them, or should they be something different?” Put it this way: I have these characters doing exactly what I want them to; it’s not their jobs I’d need to fix, then, but whatever rank or title they have. I’m basing this story’s Space Force on a rather helpful and legitimate list I found online, so I can at least make an educated guess.
As long as I get it right before publication!
One of the hardest parts of wanting to keep a daily habit of writing at 750Words (especially after a long hiatus) is trying to come up with something to write about in the first place. Some days I’m just fine and the ideas come easy to me, but other days I tend to overthink it and get nowhere. I’m also still trying to get out of the habit of using the site to write personal things that really should be offline in my moleskine notebook.
Something I’ve recently come up with to get around that temporary writer’s block is what I’ve been calling “Seven Or Eight Things”. Instead of trying to think of something I could stretch to roughly eight hundred words, I’ll split it up: I’ll write about seven or eight things for a hundred words. There’s no planned subject, I just let the words take me somewhere for a brief time.
Surprisingly, it’s been working even better than I’d expected! Over the last couple of days I’ve been talking about writing plans, thoughts on an album I happen to be listening to at that moment, or working through a creative problem I’m having. A few personal things still pop in, but those entries are actually in the minority this time out, and that’s perfect for what I’m trying to do here. Most of the time it’s something that pops into my head at that particular moment, so it could be anything!
Mind you, this is not a plan set in stone. It’s merely a process I’m trying out where I’m able to approach the daily words easier, but without the added stress of forcing myself to think of something to write about. If anything, it’s a reminder that I shouldn’t be so hard on myself when it comes to creativity. Leave the hyperfocus to the projects that need it; this is merely the warm-up exercise and stretch that I need beforehand.
I am now at the point in Theadia where I have to visit all the WRITE THIS LATER gaps and…well, write them. Thankfully, I planned ahead of time during this last reread/revision, where I wrote out a paragraph or two of each plot point I need to hit for these scenes and chapters. Also thankfully, most of them are scenes featuring a not-quite-secondary, not-quite-primary character, which means I can focus mostly on the action. As you can guess, I wasn’t entirely sure at first how to approach him as he’s not the kind of character I usually write, and that’s mainly why I skipped them. One, so I won’t lose focus on the rest of the novel, and two, by the time I come back to these scenes, I’ll have a better idea of who he is and why he does what he does.
So why am I putting them there in the first place? Well, if I truly felt that I could get away with not putting them in, I probably would have shoehorned a variant version of the scene (or the information it’s relaying) elsewhere and via a more important character, but I don’t feel that’s the case here. This is a character that isn’t part of the tight-knit main character circle, but they do have a very important link with at least three of them that I think strengthens the story’s logic and flow. He’s an insider that helps the mains achieve their goals without actually abandoning his link to his status within the ranks. He’s gruff and cranky but he’s also extremely intelligent and supportive.
I’ll be honest, using the WRITE THIS LATER gap style of writing novels is still a rather recent change in my writing process. I always write in chronological order from start to finish, and I’m always worried that if I skip scenes too often, the multiple interwoven plot threads running through my head will unravel. This changed when I wrote Diwa & Kaffi, however, when during one of the rereads I realized I’d forgotten to add a key scene that would make the logic and flow work even better.
I still use the style quite infrequently, but these days I’m not as nervous about it. As long as I use it for the right reasons and not out of any sense of laziness or ‘just don’t wanna’ avoidance!
It’s been a rough couple of weeks here at the New Digs. There’s been a bit of drama at the Day Job that I’ve been juggling, not to mention the rise in customer volume considering it’s Q4 and the start of the holiday retail season. I’ve also been doing a hell of a lot of thinking about how I’m going to finish Theadia, and what project(s) I’ll start after that one’s completed. Then there’s the cold/allergies that laid me out for a few days a while back.
Right now I’m feeling very much like I’m somewhere in between where I was and where I need to be, and that can be tense when I can only do so much to keep it moving in the right direction. Sometimes I’m fine with that — the journey’s part of the learning process, as they say — but other times the journey feels like one frustration after another that has to be handled in a certain way in order for the remainder of the trip to be smoother. [Come to find out, this is an ongoing theme in Theadia.] All I can do is just keep going despite the impatience, the anxiety, and the annoyance.
Still, there is a bright side. I’ve gone through this many times before, and if I play this bit of 5D chess the right way like I’ve done before, the end results will definitely be worth it.
I am just a few short(ish) chapters away from completing this current revision of Theadia, which means two things. One, my next step in completing this novel is to go back again and fill in all the ‘WRITE THIS LATER’ scenes I blocked out. This one’s going to be a bit tricky, as a lot of them will feature a character that’s just as important but only works indirectly with the two main characters. They know of each other, but they’re never seen in the same room, let alone on any kind of communication device. He’s not the kind of character I normally write, either, but he’s just as important to the overall story, so I’m going to have to work out just what I want and need him to do.
The second thing? Well…I’m going to have to finally figure out how I’m going to end the dang thing. I’ll admit this is similar to how I had to deal with finishing The Balance of Light…that is, I kinda-sorta have an idea of how it ends, but no set plan on how to get there. In order to make it work, I’m going to have to take the time and plan it out so I can nail the landing. Which means I’m probably going to have to give it a few more re-re-re-rereads like I so often do. Hey, whatever works, yeah?
This novel’s history is rather similar to the history of the Bridgetown Trilogy in certain ways. I’ve returned to the ‘extended ensemble cast’ for starters, and it’s also a story that’s been given a from-the-ground-up worldbuilding process (minus a conlang this time out, though a few characters do affect a certain patois, somewhat inspired by a similar setup on the tv series The Expanse). It’s also a story that’s had a bit of a hiatus for varying reasons due to Real Life Stuff. I think this is partly why I have a soft spot for this project — it’s something I’ve worked on for an extended time and with patient care. It’s not a novel I can phone in.
It’ll be worth the wait, though.
I’m not even sure what’s blooming out there that’s causing me to get all sniffly and headachey, but it hit me over the weekend and I’m still feeling it. Not exactly exhausted, but not up to speed either. I have just enough energy to get some revision done, but that’s about it.
Hopefully I’ll feel a bit better later in the week!
For those familiar with the British mystery show Midsomer Murders, the always enjoyable series loves to occasionally set its whodunit episode at a church fair, a festival, or some kind of social gathering — one of my favorite episodes takes place at what is essentially a comic con. So of course when we drove up to Petaluma north of San Francisco, we drove past a few lots that have turned into pumpkin patches, complete with bouncy castles, haystack mazes, game stalls and all that fun autumnal stuff.
And of course, being who we are, I posited the question: okay, say that pumpkin patch was on Midsomer Murders. Which turned into a fun conversation about a farm owner down on their luck needing to run the patch to make extra money, the ne’er-do-well brother that hates that the owner is selling out, the inevitable death in the first act, and Barnaby (Tom or John, whichever one you choose) brought in to solve the case. [A little later on I switched it up by asking a follow-up: okay, say that pumpkin patch was teh setting for a romcom. Which went off in yet another fun direction.]
This is of course one of the most fun parts of being a writer, I’ll admit — taking something mundane in your surroundings and placing it in a different universe, just to see where it takes you. Sometimes it’ll be a simple trope story like that cozy mystery or romcom, other times it’ll just take off all on its own and drag you with it. Either way, it’s one of my favorite things to do when I can get away with it!
…most of which I won’t go into as it’s something that should stay personal, but I’d be lying if I didn’t say it’s doing its best to derail me from my nightly writing sessions. The most I can say is that I’m doing my best to keep that from happening. I just need to balance it all out and keep moving forward.
Meanwhile, I’ve been doing a lot of manga reading lately, though this time via Hoopla and more often on the K Manga app that’s run by Kodansha. One title in particular that I’ve come to currently obsess over is The Fragrant Flower Blooms with Dignity (aka Kaoru Hana wa Rin to Saku). It’s a YA story about two teens from opposite social circles (in this case, a boy from a school full of losers and a girl from an elite academy whose buildings are next door to each other) that fall in love against all odds. It’s quite lovely and heartfelt without being schmaltzy or too slight. It’s a high school story where there’s conflict that doesn’t necessarily have to be dialed up to eleven unless it needs it, and I’ve really come to appreciate that kind of Zen-like style of storytelling. I’ve also learned that Netflix released a thirteen-episode season just recently, which I’m yet to watch in its entirety.
It’s well worth checking out, I highly recommend it.
I’ve also been reading a few other titles both on the K Manga app and elsewhere online. There’s the competitive hip-hop dancing manga Wandance featuring a lonely teen boy with a stutter who meets a girl who inspires him to join the dance club at their high school. There’s the hilariously quirky Smoking Behind the Supermarket with You, centering on an exhausted salaryman who befriends a snarky checkout girl…who happens to also be the amazingly adorable ringer that makes his heart beat. Then there’s the light and enjoyable Laid Back Camp about a group of high school girls who learn the ins and outs (and the hidden joys) of outdoor camping and all it brings. There’s You Can’t Live All On Your Own! about four young women living together in a shared apartment and dealing with the joys and frustrations of post-school adulthood.
I’ll be honest, I’ve been falling behind on my other reading (current book: The God and the Gwisin by Sophie Kim, the second Fate’s Thread book after The God and the Gumiho) so once I’m caught up with this manga binge-read, I’ll finally get back to my To Be Read pile.
Though I will say all this manga is inspiring me with some new story ideas…
I’ve been thinking over the last few days that while Theadia focuses on a set number of main characters, the world building has grown enough that I can definitely see some minor side stories cropping up over time. And given that Theadia is about protest and rebellion of different sorts and flavors, writing short fiction about those affected by the events within the novel sounds like a lot of fun.
One, of course, came to mind: a young teenager hearing the sounds of rebellion for the first time. What if their reaction to hearing that sort of thing was a parallel to, say, me discovering college radio in the mid 80s? Two different levels of mental and emotional awakening, sure, but it’s hard to resist when the outcome is the same: getting your mind blown for the first time by the idea that there’s a much bigger and better universe out there than what you’ve experienced in your own small regimented world. And that someone’s out there, boldly telling you that you’re not bound by the rules that stifle you — be that rebel if you have to be.
There’s more ideas out there, sure. After all, a lot of this novel is inspired partly by what’s going on in the real world here and now, and how it’s being handled (or not handled) (or handled terribly) by certain people. Everyone’s got that kind of story out there, waiting to be told. And I’d like to know what some of them are.
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