Tag: revision

And now for the next step…

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I am just a few short(ish) chapters away from completing this current revision of Theadia, which means two things. One, my next step in completing this novel is to go back again and fill in all the ‘WRITE THIS LATER’ scenes I blocked out. This one’s going to be a bit tricky, as a lot of them will feature a character that’s just as important but only works indirectly with the two main characters. They know of each other, but they’re never seen in the same room, let alone on any kind of communication device. He’s not the kind of character I normally write, either, but he’s just as important to the overall story, so I’m going to have to work out just what I want and need him to do.

The second thing? Well…I’m going to have to finally figure out how I’m going to end the dang thing. I’ll admit this is similar to how I had to deal with finishing The Balance of Light…that is, I kinda-sorta have an idea of how it ends, but no set plan on how to get there. In order to make it work, I’m going to have to take the time and plan it out so I can nail the landing. Which means I’m probably going to have to give it a few more re-re-re-rereads like I so often do. Hey, whatever works, yeah?

This novel’s history is rather similar to the history of the Bridgetown Trilogy in certain ways. I’ve returned to the ‘extended ensemble cast’ for starters, and it’s also a story that’s been given a from-the-ground-up worldbuilding process (minus a conlang this time out, though a few characters do affect a certain patois, somewhat inspired by a similar setup on the tv series The Expanse). It’s also a story that’s had a bit of a hiatus for varying reasons due to Real Life Stuff. I think this is partly why I have a soft spot for this project — it’s something I’ve worked on for an extended time and with patient care. It’s not a novel I can phone in.

It’ll be worth the wait, though.

Almost there…

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I am SO CLOSE to finishing this go-round of the Trilogy Remaster for A Division of Souls! I’m about twenty pages from the last one (this includes the original endnotes and whatnot), so that means I can give it yet one more read-through before prepping it for the planned September release. I’m almost never this ahead of schedule!

Speaking of, I’ve also been thinking of having a bit of fun with the tenth anniversary remaster here at the blog and possibly elsewhere. Sort of like when I celebrated the project’s twentieth anniversary back in March 2017 (for those curious, I started The Phoenix Effect in March 1997 which would become the trilogy a few years later). Posting things like outtakes, maps, drawings, stuff like that. Stay tuned!

But for now, the next step in my plan is to get it all ready to go early, that way I can get back to working on Theadia. That project needs a lot of attention I haven’t been able to give to it lately, so it’ll feel great to have that on the front burner once again. I admit I have a lot of vague plans for it and a few set-in-stone ones that I’d like to focus on. Most of you have read some of the outtakes here, but for the most part it’s a story I haven’t shared with anyone yet. I hope you enjoy it!

Current status…getting there

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It’s been a week and change at the new place and we’ve settled in for the most part, adjusting and rearranging where necessary. The cats took the change in location pretty well, I think partly because we constantly change things up for them to keep things interesting for them. They particularly love the front stairway, because a) it echoes and b) they love going down and running back up! It’s going to be a while before it really sinks in that this is our new home now, but I’m enjoying it so far.

I’m back at the PC and working on the Trilogy Remaster project, and hope to find more time to work on Theadia when and where I can. As always, I’ll try to keep up with the blogging but I’m not going to worry too much if I don’t get around to an entry or two during the week. My longhand writing work is now hanging out in the garage, safely in one of the plastic storage tubs on the new shelves for easy access.

Still, it feels great to be back to work with the writing!

Editing and tidying up

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I’m just shy of the halfway point in the Great Trilogy Remaster for A Division of Souls, which is a very good thing. That should leave me quite a lot of time on the back end to give it one more ‘bedtime reread’ (where my mistakes seem to make themselves the most visible) before releasing it out into the world come September.

It’s been ages since I’ve allowed myself to get this close to the Mendaihu Universe to the point where all the right things resonate. I’m using this to my advantage, because this means I know exactly what I was trying to do with the book. This also means that I know exactly where I didn’t quite pull that off. Anytime I find a moment that feels a bit rushed or confusing, too repetitive, or a potential continuity problem, I’m fixing it right there and then.

It’s also a different process than I’ve been used to since I first completed and released the third book in 2017. Whether it’s due to the writing styles or the shorter lengths, my later standalones went through a somewhat different process. I didn’t feel I had to immerse myself that deeply. Not that that was a bad thing, but over the years I began to miss that. Over the next few years I proved to myself that I could write econo, and enjoyed it just as much…but I missed the intensity of the deep dive. The full immersion.

I know, I know…I’ve brought this up a few times here already, but it constantly weighs on my mind while I work on this remaster. Writing the trilogy was such a powerful and life-changing event for me in that my writing chops escalated considerably within the span of just a few years, and it only got better once I started the original revision and self-publication process. Coming back to it again at this time feels like picking up where I left off, and hopefully I’ll be moving ever forward.

Keeping deadlines and rethinking priorities

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It’s not Theadia I’m worried about, actually. It’s A Division of Souls. Against my better judgement, I’m going to try to get the “remastered” version of my first novel ready for an early September release for its tenth anniversary. That gives me about nine months to get my butt in gear and get it done. Can I do it?

Well, I’m reasonably sure I can do it, at any rate. It’s not as if I’m completely rewriting the whole thing! As I’ve mentioned before, this revision that I’m calling a ‘remaster’ is merely updating a story I’ve spent several years on, and want to update it so it fits my current level of quality. I’m not embarrassed by it, but I can definitely see places where I could have done a lot better work on it.

At the same time, I worry that Theadia will fall by the wayside again. That won’t happen if I don’t let it, of course. I just have to shift priorities. Besides, I want to do that novel justice, and right now it still feels like it still contains a lot of gaps that need filling. [I mean, aside from its still being unfinished at this time.] The two projects are very similar in scope, I think. Both are Big Stories with an extended cast, featuring events that affect not just the main characters but everyone around them.

Both are also stories where I wanted to make some kind of statement. The Bridgetown Trilogy is about listening to and trusting the true spirit within — in short, trusting yourself, your instincts, and your emotions. Theadia is about wanting to do the right thing not only for your own benefit but for others — in short, understanding the consequences of your actions. And I feel that for both statements, I can’t really allow the stories to be half-assed.

This is definitely going to stress me out a bit in the next few months, but if I take it day by day, keep to my deadlines and stay focused, I shouldn’t have anything to worry about.

Reading at night

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I was doing pretty good there for a while. I was going through a number of books on my TBR pile (or alternately catching up on my shopping list by reading library copies on Hoopla), but that seems to have fallen by the wayside again. I’m back to rereading my WIP again, and I think that’s doing more harm than good right now. I did this before with Queen Ophelia’s War…I was revision-reading so often that I kind of burnt myself out with the story for a little bit and had to distance myself for a while before picking it up again.

Mind you, I find revision-reading one of the best tools I have when it comes to writing novels and prepping them for self-publication, but I sometimes need to learn that overdoing it leads to hyperfocusing on the problems and rarely getting any further. There has to be a balance.

Not that I’m burnt out on Theadia yet, thankfully. Just that I need to put it aside for a time at night. I need to read things that aren’t my own work. How else would I happen to discover new things that might inspire newer ideas? And not even that, sometimes it’s fun just to sit down and do a bit of enjoyable reading at the end of a long day! It’s a perfect wind-down activity!

So maybe what I need to do is dust off those books in the TBR pile and start cracking them open!

Knowing enough to fake it

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Working on this go-round of Theadia, I still feel the occasional worry that readers are going to see certain scenes and think oh dear lord, he has no idea what he’s going on about, does he? In particular, it comes up whenever I have a scene with our two goofballs Althea and Claudia doing their magic as programmers.

I mean, I’ll totally cop to the fact that I know enough about certain kinds of programming. I get what coding is supposed to do. And because of my years working e-payables at the bank, I definitely know enough about what happens if that coding is screwed up, and how a code that runs perfectly fine in test mode can just as easily fail spectacularly in live mode. [Oh, BOY do I know how that is. Reading about BofA’s recent systems kerflooey a few days ago gave me some not so fun flashbacks.]

And that’s what I lean on in this story. I have no reason to get into the nitty-gritty and explain in Doctorow-level detail what the characters are trying to do, because that’s not an important part of the story. What is important is why they’re doing what they’re doing, and knowing full well how it’ll end up because of that. There are a few moments of handwavium, sure, but it’s never a plot point that will disintegrate because of that.

What’s important here is not showing off the two women’s mad skillz, but that they know how to navigate the grey area between compliance and hacking. What these moments do hinge on is them not bringing attention to themselves while tweaking a few things here and there while everyone’s distracted.

As long as I make it believable enough, that’s good enough for me.

Okay, moving on…

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I’ve spent way too long trying to make that chapter work and I’ve been getting nowhere. I know something needs to go there but it’s just not coming to me, so I’ve called it, placed a WRITE THIS LATER on the page, and moved on. Maybe I’ll come back to it, or maybe I’ll come up with something altogether different. Or maybe I won’t need it after all? Who knows?

Either way, I’m now working on another revision chapter — one I’ve already written and want to polish up — and I probably won’t return to this problem scene for quite some time. I’ll have it playing in the back of my head, sure, but I most likely won’t actually do any writing for it until I get the rest of the novel done. I actually did this with Diwa & Kaffi — chapter eleven, where Diwa is making rolls with his mother and talking about his dad, was the last thing I wrote for that novel before prepping it for publication. By the time I wrote it, I had a much better idea of what was needed and it came to me much quicker and easier.

It’s not a process I do all that often, but sometimes it’s necessary to move on instead of wasting so much time focusing on something that refuses to budge.

On creating new characters midstream

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Okay, so Captain Will Dewar in Theadia is definitely not Space Pirate Captain Harlock, but the gif was too good to pass up, heh.

Anyway, I’m kind of stuck on how to write Dewar, as he’s a relatively new character unlike nearly everyone else in the novel. But in the process, I’m reminded that this also happened back when I was writing A Division of Souls; originally Christine Gorecki was merely a name of an old friend that Poe mentioned during a tense moment to ease Caren’s distress. By The Persistence of Memories she’d acquired a major role.

So why Dewar, anyway? Again, he was originally a one-off, someone mentioned in passing during a conversation between a few flight captains, someone known as being gruff and not entirely friendly but someone who could be trusted. As it happens in this particular revision/rewrite, I need to expand his role as someone willing to take extremely dangerous chances in order to help the main characters achieve their goals.

But who is he when he’s not in uniform? What kind of civilian would he be? Well, I kind of see him a bit like Alan Ritchson’s take on the Jack Reacher character: ridiculously well-built, surprisingly intelligent, yet a bit of a quiet loner. He’s not all that easy to rile up, but you don’t want to be in the same area when he is. I wouldn’t say he has a strong sense of justice, but more like a strong drive to ensure the right thing is done, and done correctly the first time. He craves competence.

All this thought and brainstorming, just for a secondary character! Well, this is why I loved writing the Bridgetown trilogy so much: every character in that universe has a backstory and a reason for being there, and that’s exactly the kind of writing work I love doing. [Why yes, I’m definitely anti-AI when it comes to creativity, why do you ask?] While I do have some idea of who Dewar is and what he’s about, I’m still a bit vague on his reasons for being who he is and why he does what he does, and how he relates to the other characters.

Well, that’s something I’ll need to keep plugging away on, isn’t it?

Those little ‘aha!’ moments

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I’ll admit one of the things that’s been worrying me about the new version of Theadia is that with the new scenes, I sometimes feel like I’m putting in filler. I know I’m not; I’m putting these new scenes in for reasons that will become clear further into the story. Thing is, some of these reasons are a bit, er, vague at the moment because I don’t have a crystal clear idea of how to reveal these plot points.

Then there are the moments where I’m being super patient with the low word count and pushing through, and somehow a shining bit of plot clarity pops in. That aha! moment, so to speak. I’ve just had a few of them over the last couple of days, in which I somehow backed myself into the exact spot the scene needed to be in.

Those are some of my favorite moments in writing, to be honest. It’s the pay-off for all the hard work and the frustration, where I suddenly see all the threads being woven together at once. That happened a lot with the Bridgetown trilogy and is happening here as well.

So I just need to remind myself to remain patient and vigilant, and all will make sense eventually.