Year End Review – Where I’m Going

So. Do I have anything big planned for 2024? Good question.

If you’re talking about writing, sure. I’m hoping to get Queen Ophelia’s War finished and ready for mid-year release, as I’ve mentioned previously. And maybe Theadia as well a little bit later, if I get it prepared in time.

But what about personal things?

I’d mentioned very briefly here that one of my new resolutions is to Slow the F*** Down. Part of this is related to the Day Job, in which I’d fallen into the same damn habit I’d always had with most of my day jobs over the years: always trying to finish everything as quickly as possible. And in this case, considering that I’m back in retail, it meant being a fast checker, helping out as many people as possible, and always stressing out when the lines were long. I fell into the trap of thinking I’d better do it because no one else will, and I’d end up just making more work for myself in the process. I’d finally admitted that maybe I don’t need to be like that, considering nearly everyone else I work with goes at their own (often much slower) speed. Doing this all the time only led to exhaustion and certain managers wondering why I would seem overwhelmed.

I’ve since chosen to Slow the F*** Down at the Day Job, and I’m feeling a lot happier about it. I’ve adjusted responsibilities somewhat and admitted there are times when I should ask for help. I’ve found that there are situations that are Not My Problem. And I’ve admitted there are times when I’m just making more work for myself, whether by overthinking it or giving myself overly high expectations. In the process, I’ve learned to shift certain responsibilities to others when needed, and understanding that, unlike the Former Day Job, there isn’t an OMFGNOW deadline.

I suppose there’s more to it than just the Day Job and the Writing Career going on here, but I don’t have the words for it just yet as I’m still trying to get it straight in my own head. There is indeed a bit of final rewiring of thoughts and emotions going on lately, and that in itself has been a long-game process over the last couple of years that I think is finally coming to a close. A lot of it is about self-confidence and self-trust, but it’s also about reining in those overly high expectations that I’d just mentioned.

So if anything, I think 2024 is going to be about Where I’m Going and Where I’ll Be.

Year End Review – Where I Am, Where I’m Not

This past year has been a bit different than the past few on multiple levels. I went through a wave of not reading much of anything at all besides manga, graphic novels, and my own works in progress. I put considerable distance between myself and social media. I put a lot of projects aside to let myself focus on the one that needed the most attention. And of course I put my blogs on temporary hiatus.

Not that any of this was particularly a bad thing. In fact they were good things. I needed a mental and emotional vacation to put myself on stable ground once more. I wanted to give myself some time to relax without several looming deadlines, while simultaneously balancing them with the Day Job and its stable yet occasionally fluctuating schedule. I wanted to readjust my life and take it day to day instead of several events and things at once. And most of all, I wanted to get rid of all those distractions so I could remember what I needed to do to focus on said works in progress. Both Theadia and Queen Ophelia’s War are all but done rough-draftwise (they’re missing their endings but I know what to put there), so I disconnected from nearly everything else to focus solely on their revisions.

On a more personal level, I suppose I’d been needing to do a disconnect for some time, considering how many distractions I’d been dealing with. A lot of them were of my own making, whether they were of the ooh shiny or the don’t wanna variety, and given how easily I can fall into both, it was a matter of returning to the old mantra that has yet to prove me wrong: just shut the f*ck up and DO it already. It’s not the dislike of the project or the action, it’s the avoidance of getting started. Once I do start, it’s smooth sailing, simple as that. [Okay, maybe not that smooth and simple, but you get my drift.]

So to answer the entry’s title: where I am, (and) where I’m not?

I am writing and/or revising daily these days, and the output fluctuates. Sometimes it’s a full chapter and other times it’s a few paragraphs, and either one is just fine by me. I’ve been doing some personal writing on the 750Words site to help push me in the right direction. I am about a quarter of the way through revising Queen Ophelia’s War, which is not bad for about a month’s consistent work. I am planning on picking up Theadia once this one is done, or close to done. I am thinking of doing a bit of social media culling and reimagining in the new year. And I am happy where I am in my personal life and writing career!

I am not trying to push myself by doing too many things at once, which can sometimes lead to the return of the don’t wannas. I am not forcing myself to write on demand like I may have in the past, though I am also not sitting here doing nothing while waiting for inspiration to strike, either. I am not letting the Day Job interfere with my writing time, and I am quite proud of that fact. And I am not giving up writing any time soon.

There are other more personal things I am and am not doing, but that’s for another entry!

Checking in: end of year plans

Oh hey I still have this blog, don’t I? Yes I do!

Hi all, just checking in to let you know that I’m still here, still doing a lot of revision work on Queen Ophelia’s War, and it’s coming along quite nicely. I have a long way to go, but I’m going in the right direction and that’s what really matters. And while I haven’t been blogging, I’ve been thinking about what I’ll be doing here and at Walk in Silence in the coming weeks as 2023 winds down.

Right now my plan is to return here in December to start my end-of-year thoughts and reviews. Whether that will be at my regular twice a week schedule or just once a week depends on a few things.

Firstly, it depends on how busy I am at the Day Job — it is holiday season and I am in retail, after all — and one of my new resolutions is to Slow the F*** Down. [More on that in a future post.] I survived last year’s Q4 quite handily and my commute is still eight blocks long, so I should be able to do two a week. I’m purposely not holding myself to it however, because I don’t really need to force myself now, do I? One a week is a comfortable and doable goal.

Secondly, it depends on how busy I am with work on Queen Ophelia’s War. I’m still planning on this one being my next e-book release to get back on my one-book-a-year release schedule. While I don’t have a set deadline for it at this time, I don’t want to be spending forever on it, either. I still have work on Theadia and a few other open projects as well that are waiting in the wings.

That said, I’ll try to aim for December 1st as my return for this blog. See you then! And thanks for stopping by!

Fly-by: brb, going on short hiatus to write stuff

Oh hey there! I’m going to be taking a short hiatus from the blogging to get some work done on Queen Ophelia’s War, as I’m falling behind and seriously need to get caught up. Not sure how long this will be, but hopefully not for too long. Maybe a month or so? At least until I’ve gotten myself into a better writing schedule for it.

I’m also limiting my footprint on the birdsite these days so if you want to find me online, I’ll most likely be popping up every now and again on BlueSky instead. [I have a few invite codes if anyone is not yet on there and might be interested!]

See you soon!

Looking away from the phone

Still trying to detox from social media, yeah. It’s a bit tougher than I thought, and I know it’s partly because I’m such a passive creature of habit when it comes to things like that. The birdsite is a hot mess these days, and yet I pop in during breaks at work. I check on Discord even when I know most of my east coast friends have logged off for the evening. And I know part of my passivity is wanting something mindless while on breaks at work.

So perhaps I should do what my coworker does and bring in a word search magazine! Heh. I could also continue the Going Outside thing too, just that I put that aside during the weird weather we’d been having as of late. Still — no reason not to get back into that much healthier habit, right?

Because my eyes aren’t happy with the strain using this phone as much as I do.

Keeping an eye on things

A funny thing happens when Jules sees a bird outside Spare Oom’s window. I have my two acoustic guitars in front of it, so when she gets excited her tail will start wagging furiously between them, and every now and again I’ll hear a twaaang twaaang twaaang behind me. She’s might not be the quickest cat (unless she has the zoomies) and she’s a calm kitty when it comes to new experiences and enrichment moments, but birds will excite her like nothing else.

What does this have to do with writing? Well, nothing all that much, but I really love this picture of her shooting daggers at two crows back in late June and wanted to share it, but if you really want to stretch a metaphor, I suppose it would be that I’ve been looking at my writing in a similar way. I’ve been making considerable efforts to turn away from distractions, which has always been one of my worst habits. And in doing this, it’s helped me become more focused on what I should be focused on. I’ve been doing my best getting work done on Queen Ophelia’s War, even despite the the day job shifts.

Other than that? Yeah, I’ll totally admit I’ve been distracted by Jules and Cali, but they’re distractions I’m willing to accept.

My favorite time of the year

I’ve been thinking a lot lately about how I haven’t really been able to appreciate autumn like I used to. I suppose part of it is that I now live in an area that doesn’t see vividly changing colors nearly as much as one would in New England…but I think it’s more than that. I think it’s also because I haven’t allowed myself to appreciate the season, usually due to personal and day job things going on.

This year, however, it seems things are falling into place. In working on Queen Ophelia’s War I’ve made a conscious choice to focus on what I feel, see and hear during that time of the year and insert it into the novel accordingly. The changing of the season does lend itself to the novel’s theme of the changing of life. The dichotomy of witnessing the past fade into memory and the future approach unknown. The weather becoming colder and darker. And yet on top of all that, a desperate hope that things will turn out okay despite it all.

And yes, I’m currently searching for the perfect mixtape/playlist to go along with it, and Cocteau Twins will most definitely be on it. [Any other song and band suggestions in a similar style are quite welcome, of course.]

Creative…privilege?

So some AI-leaning techbro this week posted something on social media about artists, writers, musicians, etc., having the unfair advantage of “creative privilege” because they allegedly came to their craft with some gods-given blessing, and it’s unfair that the rest of the non-creative world has to actually, y’know, work at it, and it’s all unfair that we creatives have that advantage.

Or something like that. Either way, he’s currently getting roasted in response.

I’ll be honest, my first reaction to this complaint was that it kind of reminded me of high school. It reminded me of being a non-sports kid in a school where most extracurricular funding went to the boys’ football team, no teacher wanted be an advisor for school plays so there weren’t any, and the funding and printing for the school newspaper got pulled the year before. So me, my friends Kevin and Kris, and a few others, decided to use our creative privilege to edit and put it out ourselves, using Pagemaker on the school’s Mac and the gracious help of the printing class teacher who ran a few hundred copies off on printer paper and collated them for free. We used our creative privilege by figuring out a workaround and doing most of the work ourselves. Sort of self-publishing it, in a way. And it was a success! We kept it going the entire year on a consistent basis, got several other students to write articles, and kept it alive when no one else bothered.

If there’s such a thing as creative privilege, it’s the ability to move past roadblocks and obstacles. There’s no One Right Way or One Weird Trick They Don’t Want You To Know to do it either, because it’s different for everyone. It’s what works for you, and it’s most definitely not just about finding shortcuts, either. Running a complicated algorithm that essentially mashes up other people’s creative works and then slapping your own name on it is a shortcut, and a dishonest one at that. Figuring out your own style and voice takes hard mental and emotional work, and you need to put in that work, because those who see the end result can definitely tell the difference.

A good example: remember those music mashups of the early 00s? Some of them were amusing and entertaining, and I have a collection of them in my music library. But there’s a big difference between what’s known as the “A + B” mashup (one song over the other with minimal separation or creativity) and the actual DJ mixing (seamlessly sliding one song’s separated vocal lines onto the instrumental of another song). This so-called “AI art” and “AI writing” is, for the most part, the former. And it’s not artificial intelligence, despite the label it’s been given. The computer is merely running software and mashing up different parts the user chose, that’s all; any ‘mixing’ is also the computer doing a bit of barebones touch-up. And yes, you can definitely tell the difference.

So my answer? Sure! I’ve got creative privilege, and I’m proud of it because I worked hard for years at it! I may not be raking in the money and the prestige, but I’m still getting the occasional ebook sale and that’s pretty damn cool in itself. That’s all I’ve really wanted.

And I’m sure you can make it happen as well. You just need to do more than run an algorithm, have the computer do the mashup work, and say ‘there, it’s done’.

Ready to go again

I’ve been away from my WIPs for quite a long time, to be honest. Longer than I’d planned, but I’m okay with that. I had my reasons. But now I’m ready to get back behind the keyboard and set off on another adventure.

It just so happens that I finished up another one of my Great Reread sessions of my own work (for sequel-idea or WIP-finishing purposes) as of last Saturday evening. I finished the session with the Bridgetown Trilogy primarily to psych myself up for writing MU4, and in hindsight that was a good idea. The current version of MU4 that I’m working with resonates with the previous three novels yet stands on its own quite well, and that’s exactly what I was hoping for.

And what about the other projects? Right now I have Theadia and Queen Ophelia’s War on the front burners, and Sheila Take a Bow and Walk in Silence (the book) on the back burners. And I’m fine with that. I’m not worried about not having anything brand spanking new to work on — I think I’ve finally grown out of that particular hang up. I have the stories I want to tell, and I’m ready to start writing them. And if anything new does eventually come along, well, that’s what the 750Words site is for, right?

This also means I’m ready to start reading books again! Yay! I’ve finally gotten past the reading burnout and the indifference of my TBR pile, and I’m looking forward to catching up with what I have. And I’m also looking forward to looking for new titles again, something I haven’t done in quite a while. I don’t get that burnout all that often, but I’m glad in the knowledge that when it does happen, it doesn’t last for all that long.

I’m ready to go again, and I can’t wait!

Dialing it back

I’ve said before that writing Diwa & Kaffi did a number on me mentally and emotionally, but not because it was a hard book to write. On the contrary, it was an immensely pleasurable book to write, even despite the occasional pitfalls and issues I had with it over the couple of years I worked on it. So what happened?

What happened was that I wrote a book where I dialed it back.

My writing, even my juvenilia, has always had that element of emotions at full volume, much like my life for years. It wasn’t real or important unless I was feeling it fully, intensely and completely. It’s just the way my brain had been wired all this time. You can definitely see it in the Bridgetown Trilogy, and even in Meet the Lidwells! and In My Blue World, though in a more muted way.

It was while I was working on Diwa & Kaffi that I realized that not only do I not have to write in that style, I most definitely do not have to live my life that way, either. And that’s what I did during the pandemic while I was unemployed: I dialed it back. It took a long time and I had to do it in increments, but the more I did it, the more I knew this was the right thing to do. The healthier thing to do, physically and emotionally.

In doing this, I allowed myself to make life choices without the overwhelming feeling of yes, but is this what you really want to do? doubt hanging over my head at every moment. I learned that was the main culprit: self-doubt. Not exactly crippling, but definitely strong enough to make me constantly second-guess myself when it came to life decisions. I’d always trusted myself once I took the plunge in whatever decision I made, but it was that initial yes, but what if that was so fucking hard to get past. And to compensate for that, I’d prove I was right by resonating with the decision: fully, intensely and completely.

I started seeing that this was not only unhealthy, but this most definitely was not how most people dealt with this sort of thing. I was constantly jealous of others who could make life-altering decisions with just a ‘yeah, this is what I want’ without dwelling on the decision for years on end and hyper-focusing on the possible outcomes. Why couldn’t I be that way?

Turns out I can. All I had to do was dial it back.

That was part of the reason I wrote Diwa & Kaffi in the first place: I wanted to see if I could write something calm and low-stakes yet still about life-changing decisions. A story that I felt just as strongly about as my other works, but without that unhealthy intensity. That novel was me proving to myself that I didn’t have to live my life dialed up to eleven every waking moment. It was about trusting myself, even if I didn’t know the outcome. And once I finished it, I knew I’d made the right decision.

It scared the shit out of me, finally knowing that I could change, that I could be this person I needed to be with a much calmer demeanor. But the best part? That self-doubt was nowhere to be seen. Sure, sometimes the are you sure? voice is still there, but it’s not crippling. It’s merely reminding me to be smart about my choices, that’s all. I trust myself a hell of a lot more now. Sometimes life just…is. It doesn’t always have to be a Fully and Completely moment every time. And that’s just fine.

I’m sure MU4 will still be intense, as that’s what that universe is all about. And I think my stories going forward will have a somewhat more realistic take on high-stakes issues and intensity, rather than writing another dialed-to-eleven manuscript. Will it change my style any? Who knows. If it does, it does. And that’s just fine too.