Category: creativity

Year Begin: Heading into 2026

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Let’s start with the things I’d like to do in 2026:

— I would like to complete and release Theadia next year, most likely during third or fourth quarter of the year. I still need to finish it, and I also need to revise it and figure out a cover for it. I’ll spend maybe a couple of weeks flitting around on the photo sites to see if I can find something that works, but I’d also like to look into seeing if I can commission an artist for it. I spent a good number of years working on this project and I’m quite proud of it, so I’d rather not drop the ball and half-ass the end result. It’s an important story for me, and I’d love for you all to read it and enjoy it.

— Will I have time to work on the Remaster for The Persistence of Memories, as originally planned? That’s a good question. I think I will, considering this one needed the least amount of work. If I recall, most of the work it did need will be for clarity or tightening up. I also might give it a newer cover. While it looks good on the physical copy, it doesn’t quite translate as well digitally. I’ll have to do some more work on that. I think I pulled one or two pictures back in the day that I liked, but I’ll see if I can find something similar that’s much more intriguing.

— I’m not going to worry too much about coming up with any new projects, especially since I have the two above to focus on. However, my plan is to keep my options open via the 750Words site. Whether it’s outtakes, MU-related ideas or just something that crossed my mind that day, I’d like to see where that takes me. I think I’ve come to the point in my creative career where I don’t feel too worried about running out of ideas, because I’ve proven to myself that was never the case. It’s always been about outer frustrations intruding into my creative life, whether it was job related or personal, and I’ve learned how to keep them separate. It still takes time and practice to keep that in place, but I’m aware of it and that’s the most important thing.

— Again, I do plan to expand my creative outlets by returning to art and music. If I’ve learned anything over the years, it’s in the approach. I tend to freeze up if I force myself to do anything creative because it either feels like an assignment or an impenetrable wall. And if I approach it from that angle, then I first have to cast my creative mind aside to work past it, thus defeating the purpose. So how am I going to work this out in the new year? By taking a much simpler route: just pick up the tool and see where it takes me. It doesn’t always have to come from inspiration, sometimes it will just come from interest or curiosity. I’m curious to see what I can come up with on my guitar if I used alternate tunings. I’d like to see if I can get better at comic art. The approach is all about wanting to do it, not forcing myself to do it.

— And on a personal level, how do I want to live my life? I’ve made so many changes over the years, positive ones that needed to be taken, and now I’m at a point where I can move forward with the least amount of resistance. Where do I want to go? What do I want to do? What have I wanted to do? It doesn’t feel nearly as daunting as it used to, and that’s by design. I acknowledge the work it took that got me to this point, and now I’m allowed to keep moving in the right direction.

**

Sure, I’ve had my down moments. Times when I fell, times when I broke. But in 2025, I picked myself back up enough times that it no longer feels painful. I still feel the frustration, but now I know I can accept it each time and keep moving despite those down times. I can face the fears now. I can face the uncertainty. And that makes looking forward so much easier and clearer.

Here’s to wishing everyone a special and uplifting 2026!

Year End: Moving Forward

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I’ll be honest, I’ve spent most of December half-assing it.

I mean, I’ve gotten a lot done with Theadia. I managed to not only figure out a snag that was bothering me for the last few months, but the solution was so simple that it feels like a huge weight was taken off my shoulders. This in turn is helping me get through the various WRITE THIS LATER scenes a lot quicker, much to my relief.

I’ve been pretty consistent with the blog entries here and at Walk in Silence. And I’ve also been doing a really good job of keeping up with my daily words at 750Words, with only the occasional “cheat day” (in which I paste an older entry from this blog and comment what’s changed since then) here and there. I’ve been doing that on purpose as a dry run to get myself in shape for consistency starting next year.

Thing is, I probably could be doing more. I could be further along with Theadia, and I definitely need to get my butt in gear with the remaster for The Persistence of Memories. I haven’t picked up my guitars in a bit, I’ve been forgetting to update the personal journal, and I definitely haven’t done any art in far too long.

Still, I’m not about to beat myself up about all that. Not anymore, anyway. I’ve retaught myself not to focus on the failures, and instead focus on picking myself up and continuing when it eventually does happen. Call it a bit of self-awareness, a bit of Zen balance, whatever it might be. I know, I’ve tried this approach in the past and it always ends in tears, but that’s the point: accept that failures occur, pick myself up and dust myself off, and keep going.

I do have plans for 2026, of course. But that will be in the final entry, coming next Monday! See you then!

Year End: Movies

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For the last several years, it’s been a holiday tradition for us to watch the wonderful adaptation of Terry Pratchett’s Hogfather, one of our most favorite holiday films. It’s full of great acting, silly banter (“I think my name is Bilious…I’m…the oh god of hangovers”) and brilliant writing. And Sir Terry makes a cameo appearance too!

I hadn’t always been a fan of Pratchett, though I had read a few of his novels in the 90s. I was more of an absurdist in the Douglas Adams vein anyway. It wasn’t until we started watching this one that I finally got his style and been a fan ever since. We’ve watched this one so often that it rivals the number of times I’ve watched certain movies for film class back in college, to the point that I’ve started analyzing it as a writer. I can see how it was written and how it was made, and how each storyline weaves and intertwines with the others, and how each one plays an important role in the main plot.

There’s also the lighthearted Hallmark holiday romcoms that A likes to watch around this time as well. And to be fair, I’ve been wanting to watch my favorite wasn’t-released-for-Christmas-but-is-sort-of-a-holiday-film While You Were Sleeping for a while now. Those kinds of films might be silly fluff, but the good ones are always well-written, often quirky and have a heart of gold. And there’s nothing wrong with that.

Over the last few years, I’ve kind of picked up on that. Remember, I got serious in my writing in the 90s and 00s, which means I was informed by over-the-top bombast of Armageddon and Independence Day, deep metaphysical weirdness like Dark City and The Matrix, along with all those random anime films and manga tankobons I devoured during the Belfry Years. This is precisely why my last several novel releases were much lighter one-offs: I had to learn how to dial it back. Lighthearted isn’t always a bad thing.

Which is why, at the end of the year, I like to take in some of that lighter fluff, just as a reminder that I’m allowed to write that kind of stuff too. Hell, I even have that romcom idea still simmering on the backburner somewhere!

Let the holidays commence

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Image from The Fragrant Flower Blooms with Dignity

It’s halfway through November (already??), which means that Q4 and the Holiday Season is pretty much in full swing. The managers have already started putting up the decorations and set up endcaps for holiday cooking and baking. The flow of customers is slowly starting to rise after the doldrums of late Q3. The turkeys are taking up space in the coolers, and specialty items are showing up all over. The only thing missing is the Christmas music, but that’ll come soon enough.

Our decorations are still stored away for the most part, although we did finally purchase some new ones for our new home the other day. Due to overly curious cats we no longer have a Christmas tree, and instead have various decorations we can hang or set up on top of the dvd shelves. I’ll need to start my Christmas shopping pretty soon. And I’ve already bought tickets for SF Ballet’s Nutcracker — a show we’ve gone to nearly every year we’ve lived here — and I do expect to download at least one or two holiday albums when they drop.

Will this mean more of the usual year-end contemplation showing up here? Of course! Heh.

Meanwhile, this also means that I’ll be trying to squeeze in as much writing time as I can during it all. Somehow I always manage to pull it off, and that’s all I can ask for.

I’ll be honest…

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I think one of the biggest things I’m nervous about with Theadia is not the dog fights, nor is it the physics of flight (both air and space) or even the science of how wormholes work. I’m playing as fast and loose with them as most other writers do. As long as there’s a consistent logic to it, and as long as I keep it within reason, then we’re golden.

It’s the fact that I could never get my head around the correct use of military rank.

Yes, silly, I know, especially since I have all the internet and multiple genre novels at my fingertips if I want to use them as guidelines. And considering some of my older relatives (including my dad) were in the armed forces for a time, you’d think I’d have had some kind of understanding about it. I just never quite got around to it.

I suppose before I release this out into the world I should have at least one talk with someone knowledgeable about it to some degree, at least to say “okay, here are the characters, are these the correct ranks I have for them, or should they be something different?” Put it this way: I have these characters doing exactly what I want them to; it’s not their jobs I’d need to fix, then, but whatever rank or title they have. I’m basing this story’s Space Force on a rather helpful and legitimate list I found online, so I can at least make an educated guess.

As long as I get it right before publication!

And now for the next step…

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I am just a few short(ish) chapters away from completing this current revision of Theadia, which means two things. One, my next step in completing this novel is to go back again and fill in all the ‘WRITE THIS LATER’ scenes I blocked out. This one’s going to be a bit tricky, as a lot of them will feature a character that’s just as important but only works indirectly with the two main characters. They know of each other, but they’re never seen in the same room, let alone on any kind of communication device. He’s not the kind of character I normally write, either, but he’s just as important to the overall story, so I’m going to have to work out just what I want and need him to do.

The second thing? Well…I’m going to have to finally figure out how I’m going to end the dang thing. I’ll admit this is similar to how I had to deal with finishing The Balance of Light…that is, I kinda-sorta have an idea of how it ends, but no set plan on how to get there. In order to make it work, I’m going to have to take the time and plan it out so I can nail the landing. Which means I’m probably going to have to give it a few more re-re-re-rereads like I so often do. Hey, whatever works, yeah?

This novel’s history is rather similar to the history of the Bridgetown Trilogy in certain ways. I’ve returned to the ‘extended ensemble cast’ for starters, and it’s also a story that’s been given a from-the-ground-up worldbuilding process (minus a conlang this time out, though a few characters do affect a certain patois, somewhat inspired by a similar setup on the tv series The Expanse). It’s also a story that’s had a bit of a hiatus for varying reasons due to Real Life Stuff. I think this is partly why I have a soft spot for this project — it’s something I’ve worked on for an extended time and with patient care. It’s not a novel I can phone in.

It’ll be worth the wait, though.

Driving past the pumpkin patches…

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For those familiar with the British mystery show Midsomer Murders, the always enjoyable series loves to occasionally set its whodunit episode at a church fair, a festival, or some kind of social gathering — one of my favorite episodes takes place at what is essentially a comic con. So of course when we drove up to Petaluma north of San Francisco, we drove past a few lots that have turned into pumpkin patches, complete with bouncy castles, haystack mazes, game stalls and all that fun autumnal stuff.

And of course, being who we are, I posited the question: okay, say that pumpkin patch was on Midsomer Murders. Which turned into a fun conversation about a farm owner down on their luck needing to run the patch to make extra money, the ne’er-do-well brother that hates that the owner is selling out, the inevitable death in the first act, and Barnaby (Tom or John, whichever one you choose) brought in to solve the case. [A little later on I switched it up by asking a follow-up: okay, say that pumpkin patch was teh setting for a romcom. Which went off in yet another fun direction.]

This is of course one of the most fun parts of being a writer, I’ll admit — taking something mundane in your surroundings and placing it in a different universe, just to see where it takes you. Sometimes it’ll be a simple trope story like that cozy mystery or romcom, other times it’ll just take off all on its own and drag you with it. Either way, it’s one of my favorite things to do when I can get away with it!

Theadia: Side stories…?

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I’ve been thinking over the last few days that while Theadia focuses on a set number of main characters, the world building has grown enough that I can definitely see some minor side stories cropping up over time. And given that Theadia is about protest and rebellion of different sorts and flavors, writing short fiction about those affected by the events within the novel sounds like a lot of fun.

One, of course, came to mind: a young teenager hearing the sounds of rebellion for the first time. What if their reaction to hearing that sort of thing was a parallel to, say, me discovering college radio in the mid 80s? Two different levels of mental and emotional awakening, sure, but it’s hard to resist when the outcome is the same: getting your mind blown for the first time by the idea that there’s a much bigger and better universe out there than what you’ve experienced in your own small regimented world. And that someone’s out there, boldly telling you that you’re not bound by the rules that stifle you — be that rebel if you have to be.

There’s more ideas out there, sure. After all, a lot of this novel is inspired partly by what’s going on in the real world here and now, and how it’s being handled (or not handled) (or handled terribly) by certain people. Everyone’s got that kind of story out there, waiting to be told. And I’d like to know what some of them are.

Writing again…sort of

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I think it’s time to start writing again. The itch to do so has been constant lately.

Even though I’m working on Theadia (and doing a soft-start for the remaster of The Persistence of Memories), I’ve been itching to just write something new. I’m not sure what just yet, and I’m not going to force it. That, and I’ve sort of resurrected some of my writing habits again — noting word count in the small black moleskine calendar notebook, for instance. I’m not doing it every day of course, I’m merely entering it every now and again when the thought and the temptation strikes.

I know I talk about this here every now and again, and I admit sometimes I’m like a broken record (a skipping cd? a corrupted FLAC?) but it’s been an ongoing process that needs constant adjustment and tweaking. We writers sometimes get all meta about our process and it’s usually because we’re trying to figure out why our processes are the way they are, why they sometimes no longer work, and what we need to do to change them. That kind of thing never ends, I’m afraid, but it’s something I’m used to at this point.

As always, it’s just a matter of doing it. Once I start, the rest comes easier.

Somewhere in between

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I’m kind of in an interstitial space right now creatively, I think. I’ve mentioned before that I’ve stopped performing a lot of the habits I’d had over the last several years in Spare Oom — the whiteboard schedule, the logging of the word count, writing at 750Words, and so on. The main reason I stopped is that I wanted a fresh start here at the New Digs. For the most part it’s been a positive choice as I haven’t felt the stress of not hitting scheduled goals. It’s helped me focus on current projects with more clarity.

Not that I’m complaining, however. I like being here at this time, because it means that I’m breaking away from old habits and yet to forge new ones. I’m allowing myself to try new things and approach current projects in a slightly different way. Perhaps this is why I’m also allowing myself to indulge in a wave of comic reading on Hoopla these last several weeks…I get to try something new, see what inspires me.

I’ll be honest, I do occasionally feel the temptation to fire up the 750Words or do a bit of journaling, but I’ve been responding to that with well, you don’t HAVE to if you don’t really want to. Which, to me, means that if the only reason I want to do any of that is out of a sense of missing it, then I probably shouldn’t waste my time. If I’m going to return to the daily words or the journaling or anything else, I want to have a good creative reason. For the moment, I don’t want to split up my concentration on anything that’s mere folly right now, not when I want to put as much focus as I can on the Theadia project.

I suppose if this stage is anything like the one I had during the Belfry Years, this will (hopefully) mean that a lot of positive creativity will soon come out of it.