Making it believable

So one of the things about Theadia is that the Day Job for the two main characters is that of coding. Althea works on system translators and special projects, and Claudia works on transportation and communication hardware. So suffice it to say, they know a bit about how things work under the hood, and that becomes their superpower as the story progresses. I based my approach towards their Day Jobs on my own position at my Former Day Job, in which I’d learned what’s under the hood in e-commerce banking. In effect, their story isn’t just about the technology but also compliance, safety and just plain making sure it doesn’t explode in your face.

Thing is, I’d decided early on that what I didn’t want was for the novel to be one large technology infodump. Some people like that kind of thing — and Cory Doctorow does it really well, perhaps overly so — but I knew I wouldn’t. That wasn’t the kind of story I wanted to write. I’d decided that I’d infodump only when absolutely necessary, and so far that’s only been in a few very important scenes. I wanted to make it digestible to the normal reader who might not want that tech deep dive. That also came from the Former Day Job: having to explain tech to someone who doesn’t have the mind for it.

There’s also the fact that not everyone is a technological genius in their field. Sure, there are those out there who are absolutely brilliant at what they do, but there are also those out there whose approach is more of a ‘crossing-fingers-and-hoping-it-works’. And if I’ve learned anything from the Former Day Job, that’s not from a lack of knowledge but more from the reality that, as I’ve said numerous times over the years, systems are only as smart as those who program them. It’s often a LOT uglier under the hood than you’d imagine. Legacy systems that won’t talk to each other unless they’re linked by translators, coding languages that are so old they probably predate some employees, intellectual properties that refuse to work in tandem, platforms whose navigation feels counterintuitive, and so on. But hey, if they still work, why change ’em, right?

That’s how I make the tech world of Theadia believable. It’s not about the fancy and nerdy hacking but knowing and understanding what’s under that hood…and how to manipulate it when necessary.

Okay, moving on…

I’ve spent way too long trying to make that chapter work and I’ve been getting nowhere. I know something needs to go there but it’s just not coming to me, so I’ve called it, placed a WRITE THIS LATER on the page, and moved on. Maybe I’ll come back to it, or maybe I’ll come up with something altogether different. Or maybe I won’t need it after all? Who knows?

Either way, I’m now working on another revision chapter — one I’ve already written and want to polish up — and I probably won’t return to this problem scene for quite some time. I’ll have it playing in the back of my head, sure, but I most likely won’t actually do any writing for it until I get the rest of the novel done. I actually did this with Diwa & Kaffi — chapter eleven, where Diwa is making rolls with his mother and talking about his dad, was the last thing I wrote for that novel before prepping it for publication. By the time I wrote it, I had a much better idea of what was needed and it came to me much quicker and easier.

It’s not a process I do all that often, but sometimes it’s necessary to move on instead of wasting so much time focusing on something that refuses to budge.

Sometimes it takes a while

Some days the words come thick and fast. Some days I’m able to fly through a scene with relative ease. Some days I know exactly what I want to write, and how to write it, and all I need to do is the work.

This chapter is not one of those days, dang it.

During a slow moment at work the other day I managed to figure out what I was doing wrong with the first attempt at this scene, and made a few personal notes on what needed to happen so I could write it at a later time. Which is all well and good, because over the last couple of days I have not been able to do it.

Whether it’s writer’s block, the don’t wannas or just exhaustion and overthinking, that doesn’t matter. I’ll get there sooner or later.

I just need to remind myself now and again that some days it takes a while for it to unfold.

On creating new characters midstream

Okay, so Captain Will Dewar in Theadia is definitely not Space Pirate Captain Harlock, but the gif was too good to pass up, heh.

Anyway, I’m kind of stuck on how to write Dewar, as he’s a relatively new character unlike nearly everyone else in the novel. But in the process, I’m reminded that this also happened back when I was writing A Division of Souls; originally Christine Gorecki was merely a name of an old friend that Poe mentioned during a tense moment to ease Caren’s distress. By The Persistence of Memories she’d acquired a major role.

So why Dewar, anyway? Again, he was originally a one-off, someone mentioned in passing during a conversation between a few flight captains, someone known as being gruff and not entirely friendly but someone who could be trusted. As it happens in this particular revision/rewrite, I need to expand his role as someone willing to take extremely dangerous chances in order to help the main characters achieve their goals.

But who is he when he’s not in uniform? What kind of civilian would he be? Well, I kind of see him a bit like Alan Ritchson’s take on the Jack Reacher character: ridiculously well-built, surprisingly intelligent, yet a bit of a quiet loner. He’s not all that easy to rile up, but you don’t want to be in the same area when he is. I wouldn’t say he has a strong sense of justice, but more like a strong drive to ensure the right thing is done, and done correctly the first time. He craves competence.

All this thought and brainstorming, just for a secondary character! Well, this is why I loved writing the Bridgetown trilogy so much: every character in that universe has a backstory and a reason for being there, and that’s exactly the kind of writing work I love doing. [Why yes, I’m definitely anti-AI when it comes to creativity, why do you ask?] While I do have some idea of who Dewar is and what he’s about, I’m still a bit vague on his reasons for being who he is and why he does what he does, and how he relates to the other characters.

Well, that’s something I’ll need to keep plugging away on, isn’t it?

Catching up on reading

My bedside reading pile looks a little less ominous these days as I’ve thinned it out a little bit, finally finishing up some titles and getting rid of others that didn’t quite work for me. Over the last couple of weeks I’ve been rereading a few books by favorite authors in preparation to read a newer title in the same universe that I haven’t gotten to yet.

Recently I’ve finished Karen Lord’s The Best of All Possible Worlds and The Galaxy Game in preparation to start reading the third in the Cygnus Beta series, The Blue, Beautiful World. I’d read them way back in the summer of 2015, and though I clearly remember loving the books, it seems I’d forgotten why, until reading them again. The style is very much in my wheelhouse, and must have inspired or influenced me in some way, as the books’ style is very similar to mine. I read these right about the same time I’d been working on self-publishing the Bridgetown Trilogy, so I must have been looking for something to inspire my future projects.

There’s also the fact that with age and maturity (even within the last decade), I hadn’t noticed just how brilliant the setting is: it’s a story regarding a dying planet that could have been grimdark and dystopian…but wasn’t. It’s about what happens to the survivors, learning to live and adjust to new planets and new cultures, and focuses on a group of people dedicated to ensuring this emigration is successful. It’s actually kind of hopeful without quite being hopepunk.

This, by the way, is similar to the setting of my current WIP Theadia: a story regarding a possible incoming war between galactic sectors…but isn’t merely about the war itself. It’s about what happens to those about to be affected by it, and focuses on a group of people dedicated to ensuring the damage is minimal. Purely coincidental, by the way, considering I hadn’t reread the two books in nearly a decade, but on the other hand, I’m kind of secretly thrilled that I feel like I’m pulling it off. Rereading this series basically said to me, yeah, you can write this kind of thing and get away with it.

My next reread will be Lavie Tidhar’s Central Station which I remember really liking as well, followed up by his recent book Neom, which takes place in the same universe. I was especially drawn to the first book with its origins as separate shorter stories that ended up telling one larger story, and that in itself inspired me to want to someday write a novel with a similar setup. My sometimes-trunked, sometimes-not project Can’t Find My Way Home briefly had a new life back in 2017, partly inspired by that.

So in short, what I’m thinking is this: perhaps it’s time for me to do some more serious catching up on reading, because obviously I’m finally being reminded where my inspirations and influences come from, and maybe find something new in the process!

I am back! And with books on sale!

Hey there! I’m glad to be back with a (hopefully) regular schedule here at Welcome to Bridgetown! It’s been a busy month of getting caught up, readjusting my writing process, and even making future plans that I think will be fun!

In the meantime, all of my books — including the newest one, Queen Ophelia’s War! — will be on sale FOR FREE over at Smashwords for the entirety of July! Come on, you know you want them! And you can find them…

HERE AT THIS LINK!

More to come soon!

Queen Ophelia’s War now available!

You are not alone.

David barely remembers his mother Ophelia, who left him and his father several years ago after a brief five years together. There are no images or signs of her in their house; only Gabriel’s memories of a deep and unending love. David is also haunted by repeated dreams of strange and fantastical worlds…and of long, dark and clawed hands that could tear and kill. Reality starts to blur when he and his best friend Brian are set upon by demons eerily similar to the beasts of his dreams, pulling them into an alternate world on the behest of the land’s demon queen herself…Queen Ophelia.

She is strong, benevolent, and loved by all…and she is losing a painful and emotional war that could mean the end of her and her queendom. She needs David’s help, or she could lose everything, including him.

Now available in epub format at the following sites for the princely sum of $2.99:
Smashwords
Draft2Digital (with links to other sales sites)
Barnes & Noble
Kobo
Green Apple Books (my local indie bookstore)

Coming to Amazon soon!

And once again, here’s the official playlist, for your enjoyment!

Short hiatus time

Unfortunately I am falling behind on a lot of my writing work lately, so I’m going to be taking a few weeks off to catch up. It happens from time to time…whether it’s the Day Job sapping my energy or other non-writing things taking precedence now and again, I just run out of space on the schedule. It’s not my favorite feeling, to be honest, and sometimes I have to sacrifice things here and there. It’s not always to catch up, either…sometimes it’s just to give myself a mental and physical break to rest.

Not to worry, though. I shall be back soon!