Category: future plans

Year Begin: Heading into 2026

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Let’s start with the things I’d like to do in 2026:

— I would like to complete and release Theadia next year, most likely during third or fourth quarter of the year. I still need to finish it, and I also need to revise it and figure out a cover for it. I’ll spend maybe a couple of weeks flitting around on the photo sites to see if I can find something that works, but I’d also like to look into seeing if I can commission an artist for it. I spent a good number of years working on this project and I’m quite proud of it, so I’d rather not drop the ball and half-ass the end result. It’s an important story for me, and I’d love for you all to read it and enjoy it.

— Will I have time to work on the Remaster for The Persistence of Memories, as originally planned? That’s a good question. I think I will, considering this one needed the least amount of work. If I recall, most of the work it did need will be for clarity or tightening up. I also might give it a newer cover. While it looks good on the physical copy, it doesn’t quite translate as well digitally. I’ll have to do some more work on that. I think I pulled one or two pictures back in the day that I liked, but I’ll see if I can find something similar that’s much more intriguing.

— I’m not going to worry too much about coming up with any new projects, especially since I have the two above to focus on. However, my plan is to keep my options open via the 750Words site. Whether it’s outtakes, MU-related ideas or just something that crossed my mind that day, I’d like to see where that takes me. I think I’ve come to the point in my creative career where I don’t feel too worried about running out of ideas, because I’ve proven to myself that was never the case. It’s always been about outer frustrations intruding into my creative life, whether it was job related or personal, and I’ve learned how to keep them separate. It still takes time and practice to keep that in place, but I’m aware of it and that’s the most important thing.

— Again, I do plan to expand my creative outlets by returning to art and music. If I’ve learned anything over the years, it’s in the approach. I tend to freeze up if I force myself to do anything creative because it either feels like an assignment or an impenetrable wall. And if I approach it from that angle, then I first have to cast my creative mind aside to work past it, thus defeating the purpose. So how am I going to work this out in the new year? By taking a much simpler route: just pick up the tool and see where it takes me. It doesn’t always have to come from inspiration, sometimes it will just come from interest or curiosity. I’m curious to see what I can come up with on my guitar if I used alternate tunings. I’d like to see if I can get better at comic art. The approach is all about wanting to do it, not forcing myself to do it.

— And on a personal level, how do I want to live my life? I’ve made so many changes over the years, positive ones that needed to be taken, and now I’m at a point where I can move forward with the least amount of resistance. Where do I want to go? What do I want to do? What have I wanted to do? It doesn’t feel nearly as daunting as it used to, and that’s by design. I acknowledge the work it took that got me to this point, and now I’m allowed to keep moving in the right direction.

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Sure, I’ve had my down moments. Times when I fell, times when I broke. But in 2025, I picked myself back up enough times that it no longer feels painful. I still feel the frustration, but now I know I can accept it each time and keep moving despite those down times. I can face the fears now. I can face the uncertainty. And that makes looking forward so much easier and clearer.

Here’s to wishing everyone a special and uplifting 2026!

Year End: Moving Forward

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I’ll be honest, I’ve spent most of December half-assing it.

I mean, I’ve gotten a lot done with Theadia. I managed to not only figure out a snag that was bothering me for the last few months, but the solution was so simple that it feels like a huge weight was taken off my shoulders. This in turn is helping me get through the various WRITE THIS LATER scenes a lot quicker, much to my relief.

I’ve been pretty consistent with the blog entries here and at Walk in Silence. And I’ve also been doing a really good job of keeping up with my daily words at 750Words, with only the occasional “cheat day” (in which I paste an older entry from this blog and comment what’s changed since then) here and there. I’ve been doing that on purpose as a dry run to get myself in shape for consistency starting next year.

Thing is, I probably could be doing more. I could be further along with Theadia, and I definitely need to get my butt in gear with the remaster for The Persistence of Memories. I haven’t picked up my guitars in a bit, I’ve been forgetting to update the personal journal, and I definitely haven’t done any art in far too long.

Still, I’m not about to beat myself up about all that. Not anymore, anyway. I’ve retaught myself not to focus on the failures, and instead focus on picking myself up and continuing when it eventually does happen. Call it a bit of self-awareness, a bit of Zen balance, whatever it might be. I know, I’ve tried this approach in the past and it always ends in tears, but that’s the point: accept that failures occur, pick myself up and dust myself off, and keep going.

I do have plans for 2026, of course. But that will be in the final entry, coming next Monday! See you then!

Year End: Moving Office

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I suppose I could start this entry with an exasperated how the hells is it December already??, but really, I’m not that surprised at all. It’s been a busy year all around.

One of the biggest changes of 2025 was our moving to our new home, and one we own rather than rent at that. To be honest, I’m still trying to wrap my head around that. There’s a sense of permanence going on that I am very much not used to. Aside from my family’s house, every other place I’ve lived in has always been a rented apartment, so it’s taking time for me to accept that we’re allowed to make changes (or not!) if we so choose. I am also greatly amused at how many quarters I can amass over time now that we own our own washer/dryer unit, and how much room our shared office has now that most of my old writings and whatnot are down in our garage storage.

Speaking of a shared office, I’m glad I chose to take the ‘clean slate’ option when we moved everything in, because Spare Oom was getting a mite bit crowded with our mutual book collection and all my writing-related stuff. I was also feeling a bit boxed in by the strict schedule I’d placed upon myself. While the whiteboard calendar had long been a source of inspiration to keep me going, it had also turned into a bit of a chain around my ankle. It all had started feeling like an assignment rather than a a craft that I enjoyed.

So when I got everything plugged in and turned on at the New Digs, I gave myself a fresh start. I didn’t do any blogging, journaling or daily words for a couple of months, instead focusing on the most important projects, Theadia and the Trilogy Remaster. I took my time deciding what decorations to put up, as I didn’t want another collage of stickers and silly things poking holes in the pristine white walls. I didn’t even update my notebook calendar with any notes like I normally would. I merely wanted to reset my priorities and find a bit of clarity.

And now here we are months later. The remastered A Division of Souls is out in the wild, Theadia is back up and running, and I’m even back to blogging and daily words. I only journal occasionally these days, as I don’t feel the need to make it a daily thing at the moment. I feel less disconnected from the world as well, considering the office’s windows overlook the street we live on, and I’m not as far away from A as I used to be. And of course we have both cat trees in here, so Juli and Cali are frequent visitors and distractors!

More to come…

Almost there…

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I am SO CLOSE to finishing this go-round of the Trilogy Remaster for A Division of Souls! I’m about twenty pages from the last one (this includes the original endnotes and whatnot), so that means I can give it yet one more read-through before prepping it for the planned September release. I’m almost never this ahead of schedule!

Speaking of, I’ve also been thinking of having a bit of fun with the tenth anniversary remaster here at the blog and possibly elsewhere. Sort of like when I celebrated the project’s twentieth anniversary back in March 2017 (for those curious, I started The Phoenix Effect in March 1997 which would become the trilogy a few years later). Posting things like outtakes, maps, drawings, stuff like that. Stay tuned!

But for now, the next step in my plan is to get it all ready to go early, that way I can get back to working on Theadia. That project needs a lot of attention I haven’t been able to give to it lately, so it’ll feel great to have that on the front burner once again. I admit I have a lot of vague plans for it and a few set-in-stone ones that I’d like to focus on. Most of you have read some of the outtakes here, but for the most part it’s a story I haven’t shared with anyone yet. I hope you enjoy it!

A fresh start

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It’s been a couple of days since we settled into our new place, with nearly everything unpacked and put away. We’re still organizing as we go of course, but for the most part it’s all where it needs to be or at least close by. And both cats have been monitoring and supervising every step of the way.

I made the decision early on to keep a lot of my stuff down in the garage storage until further notice so as to not crowd everything in our now-shared office. This means that most of my notebooks, early writings, journals, and so on are down there, still easy to access but locked away. It occurred to me that I don’t need them immediately. Not to worry, they’re in closed plastic bins and out of harm’s way. [And besides, my juvenilia has definitely seen worse storage times.] Whenever I finally get around to restarting the scanning project, they’ll be ready to go.

In the midst of all this, I realized that this gives me the opportunity for a completely fresh start here in the new office. When you’re living in the same place for over fifteen years, it’s kind of hard to go cold turkey on some of the habits and processes you’ve become so used to. So instead of trying to find where I left off with all of that journaling and longhand writing and so on, I’m just going to start a new moleskine notebook. Spend a little more time just enjoying listening to music instead of obsessively collecting and organizing it. Pick up those art supplies and have some fun during downtime. And most importantly, instead of finding a place to put up my whiteboard schedule (and not wanting to damage these pristine walls on day one), I’m just going to try my hand at working without one.

This doesn’t mean abandoning my two current projects, of course. I’ll need to pick up where I left off with the Trilogy Remaster, and I still need to finish off Theadia and start in on its revision and eventual publication. Those two have been at the front of my mind ever since we started this whole moving house chaos two months ago. Give me a day or so and I should be back on track!

Do I know where I’m going to go from here? Not entirely…but I’d like to think that’s a good thing. I’ve given myself a clean slate as it were, and I definitely need to allow myself to experience those more often.

Deep dive

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That’s what I’ve been calling it lately: the process I used when originally writing the Bridgetown Trilogy. And it all started because I felt I hadn’t gone far enough with The Phoenix Effect.

By the time I was writing True Faith in 1995, I felt I at least had gotten the hang of the science fiction genre, and had gotten even further two years later with TPE, but at the same time I knew there was something wrong. There didn’t seem to be any issue with the universe I was creating, and I definitely felt that writing dialogue was one of my stronger creative traits…but it still felt off.

It didn’t take me long to figure out that it was the prose itself.

The problem was that my novel didn’t sound like one. It sounded more like an extremely detailed outline. And that had always been a problem with my work then…I thought I had some really neat ideas, but I was definitely failing in the execution of them. There was plenty of action, but my novel read more like a descriptive ‘A happens, B reacts, C happens, D causes a shift, etc.’ and less of an actual story. I resonated deeply with this tale about underground hackers, spiritual magic and otherworldly kinship…but none of that resonance was coming through at all.

So by 2001 or so, while working on TPE‘s revision and slogging my way through its sequel and getting nowhere, I realized that I needed to do something about it. I wanted to do better. I needed to do better. So one afternoon I decided I was going to completely rewrite it. I mean, start from scratch. Tell the whole dang story from Nehalé’s awakening ritual to the end, and do it right.

The only way I knew how to do this at the time was to do a deep dive. Instead of writing in that old outline style, I was going to make damn sure that every single scene resonated with me. It was a bit like method acting, to be honest: become the novel. Figure out why Nehalé did what he did. Understand the actions and reactions of Caren and Poe and everyone else. And don’t just be flippant about it; those actions and reactions were also part of the story, because it was who they were, and the consequences of their actions were also part of it.

By the time I’d gotten about five or six chapters in on this new version, I’d realized I’d only gotten through maybe two chapters of The Phoenix Effect, and this was EXACTLY what I’d been aiming for. So I just kept going, and eventually wrote myself an almost complete trilogy by the spring of 2005.

*

I bring this up now for two reasons:

One, after completing and self-publishing the Bridgetown Trilogy, I knew I had more to learn. I could definitely write doorstop epic novels at that point, now I wanted to prove to myself that I could ‘write econo’ (hat tip to The Minutemen, heh), so I started writing much shorter standalones. I’m quite proud of them all, especially Diwa & Kaffi, which I still feel is my best book to date. Even despite the urge to write the fourth book in the Mendaihu Universe, I wanted to stick with shorter works until I felt confident enough.

Two, it was the writing of the still-unfinished Theadia that made me realize that perhaps I was ready to do another one of those deep dives. This is another book I resonate deeply with…and like the trilogy, another book I feel isn’t quite there yet because it too needs a deep dive. Over the course of 2024 I tried the rewrite method, but somehow it still doesn’t feel complete yet. I still haven’t gone deep enough.

Fast forward to January 2025 and I’m focusing on the Trilogy Remaster and also revisiting the several sounds and words that surrounded its original writing, and I’m struck by another resonance that I’d almost forgotten about: this was how deep I’d gone with the trilogy! It had become a part of my life then, socially and creatively, and I loved every minute of it, and that was something that had been missing from my writing life for far too long, even before the revival of the trilogy in 2009.

As I’d mentioned briefly in last week’s blog entry, I feel I’ve come full circle, having learned several things along the way, and now I’m ready to cast the anchor and say this is where I belong. This is the style I love the most, yet it’s a style I haven’t allowed myself to return to. Or more to the point, I’d almost completely forgotten how to get back there in the first place, and it took several things falling perfectly into place for it to return.

Does this mean that my future novels are going to be epic in length? I can’t answer that because other than MU4 and Theadia, I don’t know where my next ideas might come from. But I can safely say that those two projects, at least, will be a return to the deep dive.

Keeping deadlines and rethinking priorities

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It’s not Theadia I’m worried about, actually. It’s A Division of Souls. Against my better judgement, I’m going to try to get the “remastered” version of my first novel ready for an early September release for its tenth anniversary. That gives me about nine months to get my butt in gear and get it done. Can I do it?

Well, I’m reasonably sure I can do it, at any rate. It’s not as if I’m completely rewriting the whole thing! As I’ve mentioned before, this revision that I’m calling a ‘remaster’ is merely updating a story I’ve spent several years on, and want to update it so it fits my current level of quality. I’m not embarrassed by it, but I can definitely see places where I could have done a lot better work on it.

At the same time, I worry that Theadia will fall by the wayside again. That won’t happen if I don’t let it, of course. I just have to shift priorities. Besides, I want to do that novel justice, and right now it still feels like it still contains a lot of gaps that need filling. [I mean, aside from its still being unfinished at this time.] The two projects are very similar in scope, I think. Both are Big Stories with an extended cast, featuring events that affect not just the main characters but everyone around them.

Both are also stories where I wanted to make some kind of statement. The Bridgetown Trilogy is about listening to and trusting the true spirit within — in short, trusting yourself, your instincts, and your emotions. Theadia is about wanting to do the right thing not only for your own benefit but for others — in short, understanding the consequences of your actions. And I feel that for both statements, I can’t really allow the stories to be half-assed.

This is definitely going to stress me out a bit in the next few months, but if I take it day by day, keep to my deadlines and stay focused, I shouldn’t have anything to worry about.

Ready?

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Image courtesy of Suzume

Am I ready for 2025? I’m as ready as I’m ever going to be, I think. Despite whatever nonsense might come my way, despite whatever drama or world event might unfold, I’m ready for it. I’m not expecting everything to be sunshine and roses, but I certainly don’t want to enter the new year afraid. That’s not who I am anymore.

This past year has been a lot about achieving clarity, but it’s also been about allowances. Allowing myself to do the things I want and need to do, both creatively and personally, with no strings attached. I shouldn’t have to feel the guilt, or the fear, or the dread of the outcome, whether actual or imagined. So I feel that the next year should be about taking those steps of my own free will.

I’ve probably overthought any writing plans I have for the new year, and over the last week or so I’ve been unraveling myself from much of it. Overplanning has been my method of procrastination in the past, and I’ve been unlearning that particular habit recently. What plans I do have: I have Theadia to finish and publish, MU4 to start, and the tenth anniversary edition of A Division of Souls to clean up and prep for release. And that’s pretty much it. Whether I’ll try new projects, or focus on other creative outlets, who knows. If it happens, it happens.

It’s time to be a little fearless.

Future inspiration

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A lot of my non-writing things have definitely fallen by the wayside over the years, and I always wish I could return to that. I often complain about that here. And at the end of every year, I make some vague plan to try to do better at it, but never quite follow through. I’ll try for a few days and hit nothing but frustration, and let it go soon after

This year, however, I’ve come to the conclusion that the issue here isn’t quite about being consistent with the whiteboard schedule. I can easily follow that if I put my mind to it; I’ve done it countless times in the past. But sometimes just DO the thing doesn’t quite cut it.

This year I realized that I haven’t been inspired to do it. Think about it: why am I rarely picking up my guitars these days? It’s partly because I’m playing the same damn riffs and bass lines over and over, like I have for the last several years. The last major change I had was when I was doing the Blogging the Beatles and as a side project I taught myself some of their songs, and in the process I learned a few new tricks. But since then I’ll pick it up, play those same songs yet again, then put it down soon after. I’m not trying to be a semi-professional at it like I am with my writing, of course. I just want to expand my repertoire.

The same could be said with my artwork. I do miss doing that a lot, but again: the inspiration is eluding me. It’s been ages since I’ve broken out my pens, pencils and art notebooks, and I think it’s mainly for the same reasons: I keep drawing the same damn things and not trying anything new. Hell, I even miss drawing my maps, but I always end up drawing the same setting over and over!

And let’s be honest, the same could actually be said with my writing as well: I haven’t allowed myself to be inspired to try new fiction projects in a while, either. These last few years have been about finishing the active ones. But with this particular avenue I’ve made some inroads: I’ve been forcing myself to expand my reading habits again. And not just reading more, but leaning heavily on novels that have given me that wonderful I would LOVE to write something like this feeling, which can sometimes be a rare event. And in order to do that, I have to actively look for these books and try them out, whether it’s through trying out a chapter at a bookstore, purchasing them, or borrowing them through Hoopla.

But most importantly, I have to remember this about inspiration: it doesn’t always need to be mind-blowing, heart-moving and earth-shattering. Diwa & Kaffi wasn’t just about me writing a hopepunk story, it was also about me training myself to appreciate the smaller, quieter things in life. Same with me grabbing those Zen-a-Day desk calendars. I must remind myself that it doesn’t always have to resonate so incredibly deep. I swear this comes from being a Gen-X film student in the 90s and soaking in every media outlet that embraced Michael Bay levels of epic action and drama. For years my intake was dialed to 11…and it’s taken me years to unravel myself from that habit. This is precisely why one of my favorite movies of 2023 was Wim Wenders’ meditational Perfect Days, because this was the balance I needed to aim for.

So if anything, if I’m to look for future inspiration, I need to remember to look for the quiet as well as the loud. Whatever resonates the most.

Future plans…?

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First off: Just another quick reminder that it’s that time of the year again! ALL SEVEN of my books are here FOR FREE from now until the end of the year! You know you want ’em!

You can find my books right here at this link!

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So it’s usually about this time that I start blogging philosophical, thinking about what I’ve done this year and what I plan to do during the next. Anything different this time out, then…?

On a personal level, I spent a lot of time giving myself a bit of long-awaited mental and emotional stability, especially after a few personal events early in the year. I put a lot of things to rest and allowed other things to come to the surface. Writingwise I spent a lot of 2024 finishing and releasing Queen Ophelia’s War and focusing on Theadia…and mainly reminding myself that it’s just fine to focus on one or two projects and let any others come when I’m good and ready. The end result is that I felt even more grounded than I’d ever been in years, and that’s all I really asked for.

As for 2025…? Again, writingwise I have three somewhat concrete plans: to release Theadia, to start MU4, and release a “remaster/remix” of A Division of Souls for its tenth anniversary. The former I’m working on as we speak, and I’ll be starting the latter two in earnest come the new year. [I mean, it makes sense for me to work on two projects from the same created universe at the same time, right?]

As for personal…? That’s a very good question. I’m in a good place right now. Sure, I have some ideas I’d like to try out, some personal choices and decisions and whatnot. But I think what’s different this time out is a feeling of trust and confidence. I mean, that’s a big part of what I’d been working on over the last couple of years, and I’m finally at the payoff end of things. So if anything, I think I’m ready for something new. Something I’ve been wanting to do and haven’t given myself time or permission for.

Do I even have a plan? Who knows? We shall see…