Year’s End View I

Image courtesy of Makoto Shinkai, of course

I’ve tried to avoid falling into the trap of ’20xx has been a shitshow’ over the years because, frankly, I’ve already played that cynical game for several years in the 90s and it didn’t do a damn thing to make my life any better at the time other than make me feel even worse. A lot of things have happened in the last couple of years, some it well within my control and some of it not, and the most I can do is keep going despite it all. Life around us has definitely changed in one way or another.

In a way it’s kind of felt like an enforced renewal, if that makes sense…like it was far past time to purge some of the poisons we’d fed ourselves over the last several decades, plucked us out of a race we’d been trying so hard to keep up with despite our exhaustion, recalibrated our speed to more acceptable and mentally healthier levels, and gave us a chance to start fresh. It’s changed our viewpoints somewhat.

I understand how terrifying that can be for some people, especially when you’ve been trained to run that pre-mapped race at corporate-enforced speeds. Believe me, I know…so many of my jobs in my life demanded that I stay in constant motion lest I be seen as not actually working, and that nearly always breeds a special brand of guilt when you slow down out of physical or mental exhaustion. When you’re given the ability to take that break guilt-free, it’s hard to accept. Somewhere in the back of your mind you feel guilty anyway, even if no one else cares. You get that itchy feeling that you need to do something every minute. And that feeling gets harder to purge the longer you’re kept from that downtime.

Now that we seem to be (hopefully) approaching the back end of a pandemic era with its lesser variants, rising vaccinations and healthier habits, it almost feels like things might actually get a bit sunnier in the near future. Not to ignore the terrible things that are still out there, of course…those are an unfortunate constant no matter what era. But I really want to feel as though we’ve been given the opportunity to rethink the way we approach those things, and I want to embrace that. Reacting to every negative event with a reactionary emotional drama has never been a healthy approach at all for me, and yet it’s all I’d known for years, and I felt it was time for me to change that. [Side note, come to find out lowering my blood pressure with medication helped here. Whodathunkit?]

So I’ve been spending most of 2021 recalibrating…emotionally, mentally, physically, and creatively. And apparently it paid off, as the last time I spoke with my parents, my mother told me I sounded a lot happier and healthier as of late. It weirdly felt like vindication, come to think of it…like I had to go against the grain to find that happiness, but taking the alternate journey was so worth it.

Fly-By: Christmas Prep and Booster Shots

Doing a fly-by today and tomorrow, as I am getting my COVID booster shot today and will most likely be out of commission tomorrow from the effects. I also need to head to the post office to drop off a few Christmas packages. Oh, and I also need to put up our tree today, which I didn’t get around to doing yesterday because I’d spent most of the afternoon watching Episode 3 of The Beatles: Get Back.

See you on Friday!

End of Year Planning

Image courtesy of 5 Centimeters Per Second

It’s now December, which means that I should start thinking seriously about what I want to do for 2022. I’ve got writing plans, of course…I’ll have two books to revise plus a third to shop around, and I’m open for more projects as they arise. I’d really like to drop a few more self-published novels and really sink my teeth into properly marketing them this time out as well. And I’ve been looking into writing-related jobs online as well, and while they’ve kind of been thin on the ground during this season, I’ll be looking deeper and further afield for positions I can handle remotely.

On a personal note, yeah, I’m sure I have a few things I’d like to follow up on. Our local YMCA has just reopened this week (we’re going later on today!) and we’d like to get back into the rhythm of stopping there a few times a week. We still enjoy our walks after work, but it’ll be good to get back to the gym again. I’m sure I’ll have more to say on this soon enough…

And I do of course need to get my end-of-year lists and mixtapes together! Every Spotify user has been posting theirs over the last couple of days, but since I so rarely use it, I’ll have to make my own. [Does Media Monkey show me the most plays? Good question, I’ll have to look into that.] And maybe just for fun, I’ll look at my GoodReads list and pick out my favorites of the year. You know me…I always enjoy the year-end countdowns and best-of lists!

In the meantime, however, I’ll keep on working at the pace I’m currently at. It’s well-balanced, keeps me busy during the day, and I’m getting some serious word count done. Maybe a few shifts in the daily schedule here and there, but nothing major. As long as I keep writing!

Post-Holiday Readjustment

Image courtesy of One Piece

The extended holiday weekend is over and, depending on how you look at it, things are either going back to normal or ramping up. It’s now officially the Christmas season. Local listen-at-work station KOIT has officially gone 24/7 Holiday Music, as they do every December until New Year’s Day. One of our neighbors got their Christmas tree on Sunday and I know this because there’s a trail of needles heading from the front door to the elevator. We’ve yet to put up our own tree (ours is fake and lives in the back closet most of the year), but I’ll most likely do that this week. And we are so well-stocked on turkey leftovers that we’ve been eating turkey wraps the last few days. (Not that I’m complaining.)

Also, I haven’t written any new words at all since last Tuesday, and I’m really itching to get back to it. I’ve been doing another read-through of Theadia (and will most likely do one of Queen Ophelia after I’m done with that one) the last few days and I can’t wait to get back to work. It’s also that time of year where I start thinking about my year-end music lists and mixtapes (I am woefully behind on mixtapes in general, so I may do a few of those this week as well). And it’s time for me to think about what I want and need to do come 2022, personally and professionally.

So it’s not so much post-holiday readjustment as it is mid-holiday readjustment, I suppose. I’m so used to my Decembers being busy as hell so I see no reason why I shouldn’t be busy creatively while I have the time and ability. With the old Former Day Jobs I’d survive them by hyperfocusing on whatever I need to do at that moment — get the new cd releases security-tagged and price-tagged, lay out the pallets for the 8,374,621 candle boxes that will come down only my lane in the next five minutes, figure out whose UrgentPLZHALP email needs to be looked at first, and so on — so I’ve done the same with my writing projects. That way I can start the new year fresh and already revved up and excited to get going.

Whatever is coming next, I’m ready for it.

Taking Notes

I’m at that point in both Theadia and Queen Ophelia that I’m going to need to start taking revision notes. I’ve come a long way on both of them, and after doing a few reread sessions, I think it’s time I started writing down what I’m going to need to fix/change/rework/etc. in both novels. This is a process I’ve done with all my books after I finish (or get close to finishing) the rough first draft.

My process for this takes place during the rereads. In particular, any moment where I react to the novel — any reaction, such as finding bad grammar or typos, or knowing a scene needs fixing because it affects something else further on, or anything in between — that’s when I take notes. It’s the longhand part of my process, where I use a small legal pad (because it’s easiest to use while reading in bed) to mark it all down.

I already know of several scenes in both books that will need revision; as always, these are the ‘flailing’ first chapters where I’m still trying to feel the book out. I find that it’s just easier to riff with whatever I come up with in the knowledge that something better will go there later. I know some writers completely skip these problem scenes with a trusty old ‘WRITE THIS LATER’ note, but that tends to be a bit too unwieldy for me. I’ll write a rough scene that I think is close to where I want it to go instead. For instance, I know I’m going to need to completely rewrite a scene early in Act I for Queen Ophelia, but I wrote that outtake scene anyway because it was pretty close to what I wanted, if not perfect. There are multiple early points in Theadia where I’ve changed how certain characters meet each other or how they react upon their first meeting.

And why do I write those rough outtakes anyway, even if I know I won’t use them? Because part of my process is about mapping out the flow and the pacing of the novel in my head. I’d rather write a filler to be replaced later so that I can maintain that pace. It works for me because when I finally return to replace it, I know a) exactly how the scene is supposed to flow, and b) I know exactly what I want to replace it with. In the end, the revision of that scene takes a hell of a lot less time. And who doesn’t love a speedy, painless revision session?

The Real Thing

There’s been some noise lately about a few companies and intellectual properties jumping on the NFT bandwagon, and this time they’re all about trying to convince everyone that it’s in an artist’s/musician’s/writer’s best interests, that they can make all sorts of dough fast and easy, just by creating these doohickeys! And surprising absolutely no one, an extremely high percentage of said creative persons are responding with a big fat NOPE.

I mean, other than the vague theoretical that an NFT is — a non-fungible token, which no one really seems to understand or be able to accurately describe in the first place, including those who are trying to shill them — these creative people aren’t really buying the idea of a person not owning, say, a signed book, or a limited edition vinyl record, or a one-of-a-kind painting one can hang on their wall, or a photograph printed by the photographer themselves, or a cd that one can get autographed by the band members themselves. That’s not what an NFT is.

So what is it? Who the fuck knows. In vague theoretical terms, it’s apparently an e-token of sorts. Something that says one owns not an original piece of created art or a copy of it that you can actually tangibly hold and appreciate in some sort of way, but…something that says you own said token that’s tied to it. You’re not a shareholder. You’re not an owner of the creation. You’re just an owner of the mere statement that you own something.

In short, it’s saying “hey look what I have”. What you actually have doesn’t really matter. You’re not even an insider or a collector. It’s the idea that you have it, and you can’t trade it for anything else. It’s a one-of-a-kind statement of ownership, with the pesky annoyance of what you own taken out of the equation. And in some weird theoretical financial world, that’s worth…something? I think?

So. Why am I yammering on about this?

Because I, as a writer, a musician, a photographer and an artist, have absolutely zero intention of getting in on that bit of vague theoretical nonsense. When I put my books out for sale, you get a book. I flipping wrote them on purpose. For you to read. Good Christ Almighty, why the hell would I want to put myself through multiple tireless months of writing, editing, revising, laying out and self-releasing novels otherwise??

If you buy my wares, you get the real thing. Not a vague theoretical.

On Trying New Settings

Image courtesy of Orange

Writing Theadia has definitely been an interesting exercise, to say the least. One reason I’ve mentioned before; I’m purposely writing it in extremely rough-draft form with little revision-as-I-go. Some days it drives me crazy, as I’m used to working it out in my head and choosing the best words I can at that moment. Writing loose like this has given me a lot more breathing room, and has also let me explore the characters a lot deeper than I normally do. Writing Althea and Claudia (and their cat) has been so much fun because of that.

Another reason is that this is essentially a non-military space opera. Well — there are military characters and subplots involved and some subspace gate travel, but it’s not the main plot. It’s all about the two loveable goofball leads and their (and their family’s and friends’) connection to the military plot stuff. The novel also takes place partly on a large space station and partly on its related planet. I’ve only ever hinted at that once, with the setting of the Bridgetown Trilogy, but never to this extent. I’ve done my best to adhere to the general rules of science and physics so it remains believable, but I’ve kept the focus mostly on the day-to-day of civilian life on planet and station. Think of it as more Carole & Tuesday than Robotech. It’s very inspired by Becky Chambers’ Wayfarer stories. The conflict focuses more on how a possible war affects those civilians, and how frustrating it can be when it feels like no one in charge is doing their job correctly.

I’ve always wanted to write a space-themed novel, but figuring out how to write it always eluded me. I didn’t want a story about a generation ship suffering from entropy, or a grimdark Expanse story of possibly dangerous aliens, or even a rebels-win story where every main lead is hyperknowledgeable about tech. I wanted an everyday story, just set in an extraordinary setting. [I find myself really enjoying writing that sort of thing lately.] Earlier this year I finally figured out what I wanted from Theadia and set about writing the outline and then the story itself. I’d continue to build the worlds around them, setting the rules as I go.

It still needs a lot of work, but what I have so far is probably the furthest I’ve ever pushed myself in terms of setting and story. And strangely enough, I’ve been finding it incredibly enjoyable!

Not All Words Are New

Every now and again I have to remind myself that not all word counts I get on any given day have to be new words. Sometimes they can be revision or ‘Do This Later’ notes.

The other day I found I didn’t have enough time to work on Theadia due to other errands and concerns, so instead of worrying about failing to get anything done at all, I figured that what I could do instead was do some note insertion over the last several chapters instead. What ended up being a quick twenty-minute session actually produced some much-needed revision notes over several chapters explaining what I need to add in order to improve the story. They were only a paragraph or two long, but I hit as many concerns as I could that had come up during recent read-what-I-have-so-far sessions. Most of them were related to the overall story arc rather than the scene itself — background events that aren’t the main focus but help drive it further regardless.

I’ve noticed that over the course of writing this (and Queen Ophelia), my writing processes have definitely evolved and/or changed over the years. My pacing has become tighter and I’ve become better at inserting the “early fiddly bits” that are supposed to affect the story further down the line. At the same time, my writing sessions have become much looser — never mind grinding gears to find the perfect word or phrase, just get the idea down first — and my productivity has sped up in tandem with that. Theadia is a longish book (it’s currently at 112k but will most likely be put on a word diet in revision) but I’m still shocked that I’ve gotten this far in so short a time.

Especially since I’ve been letting myself have those occasional no-new-words days more often than in the past.

Autumnal

A and I were walking up to the Clement Street Farmer’s Market yesterday and she’d noted that the weather felt quite autumnal: clear, bright, and cold. Of course, our weather here in the Richmond District rarely gets truly autumnal. Depending on the fronts coming in, some days it’ll be clear and chilly, other days it’ll be forever overcast and damp.

I still miss autumns in New England, to tell the truth. I miss the chilly mornings driving into work with a large coffee to warm me up. I miss the back roads canopied with yellow, orange and red. I miss the quiet whispers of wind through the trees, helping the leaves fall.

These are the kinds of things I like peppering into my novels. In My Blue World‘s universe is New England-y, with several moments taking place in leaf-strewn woods, apple orchards and hilltop cabins at the start of the season. Meet the Lidwells! has the kids writing songs inspired by New England seasons. Diwa & Kaffi also sees the change of seasons as a passage of time and life. And even Queen Ophelia gets to experience weather changes as well. It’s my way of inserting some personal memories of autumnal moments. And I’m sure I’ll keep doing it with future stories as well.