I’ve been doing a rethink of a lot of things lately, both personal, creative and otherwise. And lately I’ve been thinking about changing up my blogs here a bit. They’ve both had the same theme and the same layout for years, and I think it’s time that I gave them a proper update. I’m totally fine with my current schedules for them, so that won’t change.
Does that mean a change in subject matter? Maybe…Welcome to Bridgetown will still be my official author blog and Walk in Silence will still be my music blog…but I think I’ve already said a lot of what I’d wanted to say here on the intertubes to the point where I’m repeating myself now. I’d like to expand my horizons a bit, as it were.
So — when is this going to take place? Good question. No idea, but you’ll know when I have a more solid and detailed plan for all this. Posting WIP snippets? Longer or multi-part entries? Personal entries? Book reviews? It’s all up in the air at the moment, but I’ll definitely let you know more as it comes.
As I’d mentioned earlier, I’d done a recent reread of the Bridgetown Trilogy for possible future Book 4 ideas. One of the unexpected things I’d noticed was a distinct difference in influences. These three books are definitely different from Meet the Lidwells and In My Blue World, and not just in mood and length. I knew that going in of course, given its long and rambling history.
One of its early influences was of course Stephen King. This was my ex’s doing, having suggested I read him to understand how to write a large ensemble piece. I read The Stand (the unedited version, which I actually find more enjoyable than the shorter original release) right about the same time the 1994 tv miniseries had been released. It made sense to read this particular story and study it a bit, because I already knew that my idea was going to be about an event that affects scores of people and not just the main characters. [I was big on the Big Idea plot at the time.]
While the trilogy changed and evolved in numerous ways over the two decades I worked on it, so did the influences. I’d started reading more fantasy and science fiction, starting with Holly Lisle and CJ Cherryh and moving then to Kate Elliott. [This was about the time I’d started making my frequent road trips to Toadstool Bookshop in Keene and Barnes & Noble in Leominster, with my book buying habits growing exponentially.] The rewrites in turn became less action-oriented and more character driven. The end result, so many years later, is a mishmash of all those years of influences.
Reading Meet the Lidwells so soon after, on the other hand, was quite the whiplash. That particular novel has one influence only: rock history books, many of which I’d been reading either for pleasure or for Walk in Silence reference and research. I’d also written it to prove to myself that I could write a book less than 100k words! I haven’t reread In My Blue World yet, but I already know that novel’s influences was the YA fantasy I’d been reading. And as I’ve mentioned many times before, Diwa & Kaffi‘s influence is Studio Ghibli. I knew I’d had to severely change my thought processes once I finished the Bridgetown Trilogy project…but seeing the change now, a few years later, it surprised me at how much it had changed.
I suppose in a way this is why I’ve left future possible projects up in the air this year…I’ve caught up with all the ideas I’d been wanting to work on, so once D&K is out and away, it will truly be a clean slate. Which means one thing:
SO! The other night I finally finished the latest revision go-round for Diwa & Kaffi and I think I did a pretty good job. So now what?
Now I read it again.
Yeah, writing a novel and prepping it for submission or publication (self or otherwise) does in fact include multiple rereads of the same damn words you’ve been reading over the last few months. It’s no wonder some of us start questioning if our work is worth anything or just a pile of crap.
The last round was to fix some major prose issues I’d had (and to write that ‘scene goes here’ scene, natch) and anything that stood out that needed work. This current round is going to be the Nitpicky Grammar and Word Choice Round, and I’m hoping it’ll be much smoother and quicker. Things like verb tenses, pronouns, repetitions, and so on. Spot-fixes.
Oh — and I need to see if I can find someone to check my Tagalog. I use it sparingly and there’s about 25 or so phrases or sentences out of two hundred some-odd pages, so it’s more about just making sure I used the best word choice and didn’t just hazard a guess by using Google Translate. [Which, y’know, I actually did as a placeholder until I get someone to help.]
I have about five more chapters’ worth of revision to go before I can call this second go-round of Diwa & Kaffi done. I’m still on schedule, hitting about one chapter per evening while we watch British gardening shows. [They’re quite soothing after a long day at work, and perfect background noise for my writing sessions…although I do get occasionally distracted!]
I know I’ve talked about what The Next Project will be, but right now I’m not thinking too much about it. All my focus has been on revision, and the next step will be submission research. Right now if feels right for me to dedicated as much time and attention on this project.
In the past this would have bothered me…the fears of running out of ideas and falling out of practice, mainly. Over the years, though, I’ve realized that these fears will only manifest if I let them. I’ve cleared the table of nearly every story I’d put in backburner status, holding onto maybe two or three. They’ll be there when I come back to them. And if they no longer hold my interest, well…I’ll come up with something else eventually. I’m not worried.
Part of this comes with having done a reread of My Work to Date. I’ve reread all three books in the Bridgetown Trilogy as well as Meet the Lidwells over the last few months. It does kind of blow my mind that I’ve already self-published five books and I’m about to submit my sixth to a publisher, all within the space of four years. That’s a hell of a lot more productivity than I ever thought I’d have, to be honest.
So if I have a bit of a dry spell after D&K is out and away, I’m not going to worry too much. As long as I practice.
We just returned from an extremely busy weekend at Outside Lands and all that entails: multiple band performances, vague attempts at eating healthy, walking all over Golden Gate Park, braving the questionable porta-loos, and trying to ignore the more performative extroverts and drunk frat bros. And walking back home six long blocks away at the end of the night. It was a blast and I’m always excited that we have this incredibly cool music festival less than a mile from our apartment, but I am now tired and sore and a nap sounds like a great idea.
And yet somehow I’ve decided that doing my Daily Words, posting an entry here, and working on revision for Diwa & Kaffi later tonight is a good idea. Sometimes I just don’t know when to stop and take the day off.
I used to do this all the time down in the Belfry, back when I was writing the trilogy. I’ve spoken many a time about coming home from a ten-hour day during fourth quarter at the candle factory (when I used to have to go in for 4am in the winter, meaning I had to get up at 2am to get ready and brave the unplowed roads). And yet somehow I’d still decide to do my comic and cd run in Amherst, and spend an hour or so working on the novel. Granted, some days I’d get as far as playing a few hands of FreeCell, write a few hundred words, and call it done.
But other days I’d actually soldier through, fueled by snacks and Mountain Dew, and managed to hit my thousand-word goal for the day. Tired or not, sometimes these writing sessions were fruitful and enjoyable. As long as my brain wasn’t too loopy, I could pull it off.
I’m of course years older now, I eat healthier and go to bed at a decent hour, and thankfully my Day Job doesn’t demand ridiculous hours and overtime, but I don’t plan on pushing myself if I don’t have to.
It’s kind of fascinating to go into the Apps section of my PC just to see what software I’ve downloaded over the years, and if I’ve in fact used any of it. I know there are a few beta-version downloads that I’ve tried because hey, why not, and they’re free. I’ll also admit to downloading a few with the best of intentions and not used them at all. But for the most part, there’s only a tiny core list that I’ll install for each new PC or laptop I get:
—Office 365 (includes Word, Excel, etc). Obviously for my writing and other related things. I use this pretty much every single day so I’ve more than made the yearly subscription worth it. And I can use it on multiple computers! —Dropbox. I’ve had a fine experience with this particular cloud storage and have no plans to go elsewhere. The one app I have on everything: the PC, the laptop, the tablet, even my phone. —MediaMonkey, my audio player of choice on the PC for at least a decade or so. It does what I want it to, works fantastic as a library, and if there have been any issues, they’ve been extremely minor and fixable. [I do have an iTunes account, but I only use that for the rare download. Same with Spotify: I have a free account but use it sparingly.]
I use other software for various things here and there, but those are the core three, and the three I use the most. Everything else I’ll grab as needed. Art editing software, music editing software, downloaders, rippers, PC cleaners and firewalls, and so on. Over the years I’ve gotten a LOT better at asking myself do I REALLY need this…? before I download a program. Some I will definitely use at least a few times a month or so, but if I’m not going to be using it for the next six months, maybe I can hold off.
My plan this time out is to maintain a cleaner hard drive, especially now that I’ve also cleaned up my external drives. I’m trying to avoid the mistake I made multiple times in the past, where everything just accumulates and clutters it all up. I’ll also disable a lot of the programs I never use. This will mean a quicker start time, faster processing, and hopefully a longer life!