Expectations

I’ve been thinking a lot about expectations lately. Personal, professional, emotional, and so on. For years I always felt that I’d had high expectations put on my shoulders, but it’s only in the last decade or so that I’ve realized that most of them have been of my own doing.

When I sent out my first submissions — the short story in 1995 and The Phoenix Effect in 2000 — I wasn’t so much sending them out thinking I was hot shit and The Next Great SF Novelist (though I’ll admit that I let myself half-jokingly hope I had a chance), but thinking ‘OK…you’ve gotten this far in your writing career. That’s a pretty damn good goal to hit, considering.’ My expectations weren’t high, but they weren’t in the gutter either. As long as I did a decent job or at least learned from my mistakes, all was well.

The same thing goes for my Day Job: I certainly don’t expect to ever rise up to CEO level in any job I’ve held, as that’s not a position I want. I like being part of the team rather than its leader. That way my expectations are more realistic: I expect (and hope) that my teammates and I know what we’re doing and that we’re doing it the best we can under a normal deadline. I work so much better behind-the-scenes than I do as a performer, so to speak. The main reason being that it gives me the space to observe the processes, understand them, and maybe even upgrade them if need be.

But what about my own life? That’s a good question. Sometimes I expect too much of myself — that I need to be perfect every single moment, and become frustrated when I fail to hit that bar. Why do I set it so high? Who knows…it has to do with observing others’ actions, whatever they may be, and hoping to reach those same heights. Yes, I know, that way lies madness.

And pretty rich, coming from someone who spent most of his teenage years shouting that nonconformity was the way to go. Heh.

In the last year or so, I’ve been rethinking my expectations. Readjusting them when and where necessary. Part of this came out of my foray into self-publishing: I knew my novels weren’t going to be brilliant and popular and wildly successful, so I let my guard down a bit. I still tried to write the best book I could, I just stopped trying to reach Stephen King or Ray Bradbury heights of quantity and/or quality. The same goes with my personal life: I accepted that I’d fuck up every now and again. I let myself take some blind chances instead of building up Detailed Best Laid Plans.

And instead of trying to be Everything to Everyone, I realized, maybe it’s time for me to be happy on my own terms again. Sure, that sounds like I’ve hit my Midlife Crisis stage, but I really haven’t. This is the least stressed out I’ve ever felt in decades. I’m more proactive than reactive now. I feel no need to recapture my youth (my music collection does that for me). All in all, this is the most content I’ve been in a long time.

All I’m doing now is making needed changes, many of them overdue, to make things even better for myself.

Magazines

Time was when I used to subscribe to a number of writing and genre magazines. I didn’t always get around to reading them in a timely manner, and I quite often had a large collection of them that collected dust somewhere for a few years, but I did my best. They kept me busy, informed and entertained.

I subscribed to all the ones you’d expect: The Writer, Poet & Writer, Writer’s Digest, Publisher’s Weekly, Locus, Asimov’s, Science Fiction & Fantasy, and so on. WD is probably the longest one I’ve stuck with, going back to high school.

Nowadays, however, I find myself never quite getting around to reading any of them, so I’ve let them all lapse. It’s not that I’ve gotten sick of reading them, or felt I’m no longer in need of them…just that I don’t have the time for them. I’ll end up with four or five issues piled up on my printer waiting to be read, and then I’ll spend a Sunday afternoon flying through them all at once. If I feel like resubscribing, I can certainly do so.

I will say that most of those writing magazines did help me tremendously over the years, especially in the 90s when I was learning the craft. I knew it wouldn’t teach me everything — a lot of this craft is about learning by experience and especially by finding what works for me in particular — but they always steered me in the right direction. And I still have a lot to learn, now that I’m making a concerted effort to return to the professional submission process rather than self-publishing. A lot of that is going to be learned via doing it rather than prepping for it with help from magazines.

I definitely suggest reading as many of these as you can, especially if you’re first starting out; they’ll become a stable anchor point for you while you figure out your style, your process, and your dedication level. And they’re also a great way to connect with other writers and readers too!

Forgotten outtakes

The downside to using 750Words for my daily* writing exercise platform is that I don’t always get around to making offline copies of them. And I’ve been using the site for quite a few years, so I’m not entirely sure what I have out there right now.

[* It hasn’t actually been daily for a while now due to other projects and responsibilities that I’ve been working on. But hopefully I can get back into the habit soon enough.]

Last night I read a temporary project I did save was something I’d called The Hurleys. It was an idea in the Mendaihu Universe that took place in the current day instead of far into the future; its central characters were three adult siblings living in midwestern Massachusetts (go with what you know) who are some of the very few who are awakened to the fact that they’re connected to the Mendaihu. I didn’t get too far with it other than maybe five or six entries, but I gave it enough life and detail that it’s something I could possibly expand on.

I know I’ve written quite a few of these over the years I’ve used 750Words. My last three novels all grew out of these. And now I’m curious as to how many others are out there on my account, just waiting to be picked up and expanded upon. Thankfully it’s an easy enough thing to do, as the site keeps everything no matter how old, and I’m the only one who can access it.

Perhaps within the next month or so I’ll take a bit of time and do a deep dive. Maybe I’ll find my next novel idea!

End of World Party

Just like anyone else here, I too read what’s going on in the world lately. I get frustrated. I get angry. I get riled up. I want to go on a long-winded Twitter rant. I want to start yelling and someone, anyone, about why the world sucks.

And then I step back and exhale. I delete the rant and close the app. I reconnect with what’s going on in front of me; the job search, my health, our upcoming trip to the UK, my pre-submission work for Diwa & Kaffi. I wind myself back down to a calm level and move forward again. I don’t ignore what’s out there; I just do what I can to keep it from consuming me.

I wrote Diwa & Kaffi in part because I wanted to write a story that was positive. That doesn’t necessarily mean that everyone is happy and cheerful and nothing bad happens and everyone’s okay in the end. In fact, the exact opposite of that happens. It’s just that this story could not be told in a dystopian way. This is about characters trying their best to be good people, and all the ups and downs that entails.

I used to read all kinds of dystopian novels, but now they exhaust me. Sure, I might return to them eventually, but right now it’s not the kind of book I want to read or write. I’ve got enough bringing me down; I need something that lifts me up and inspires me instead. If I’ve learned anything over the years, it’s that I’m much more productive, both creatively and in real life, if I use the positive as a goal rather than focusing on all the negatives I have to wade through.

It’s about going into battle knowing that I’ll win in the end.