The Matrix and the Mendaihu Universes

The Matrix Resurrections, the fourth in the series, came out at the height of the pandemic, released both in theaters and streaming on HBO Max at the same time. It was kind of a weird time for all involved, of course, and while the film didn’t come close to being a financial success (mostly due to said dual release), it did feel like the start of a new chapter. And to be honest, it did kind of make me rethink how I was going to approach the fourth book in the Mendaihu Universe if I was going to write it.

We watched all four in order at that time, as A hadn’t seen movies two or three and I hadn’t seen any of them in ages, and one thing that stuck with me is that they were bigger and stronger influences on my trilogy than I’d remembered. It all lines up: the first movie opened in March of 1999, right about the time I’d been thinking about reworking The Phoenix Effect into what would become A Division of Souls. The second and third movies, The Matrix Reloaded and The Matrix Revolutions, would come out in May and November 2003, right about the time I was working on The Persistence of Memories. I especially appreciated that the side-story anthology The Animatrix came out between those two in June 2003, expanding the universe even more, creating more lore that didn’t exactly tie in with Neo’s story.

I think one of the biggest influences on the Bridgetown Trilogy is in fact the expansion of Neo’s story from the original film to its conclusion. I liked that the second and third movies took what had happened in the first — Neo’s awakening into a rebel fighter against the Matrix and its Agents — and expanded on that. Primarily, asking the question: now that you have the power, what are you going to do with it? That soon became Denni’s personal mantra throughout the Bridgetown Trilogy as well; she was well aware of what she could do, so her own conflict was deciding what she should do.

There are other moments, of course. Not gonna lie, the leather duster and the form-fitting uniform of the Mendaihu Elder is definitely a sly wink at Neo and Trinity’s get-up throughout their own series. Little things like levitation and the ability to wield Light came from direct influence as well. I made them my own by thinking about what this kind of action or ability would look like in my own created universe, and expanding from there.

Back to Resurrections, I would say that movie helped me think more about how to frame the fourth book in the Mendaihu Universe. Again, there’s direct inspiration: Resurrections explores life within the Matrix years later, when Neo has become a distorted myth and its believers have forgotten the true history. While the movie focuses on Neo’s rebirth and Trinity’s reawakening, I plan on having MU4 focus on the myth: what happens when belief in the One of All Sacred evolves and becomes a weapon itself. I had the beginnings of that particular idea after I’d released The Balance of Light, but watching Resurrections helped sharpen that idea into something I could expand upon.

Right now, I’m focusing mostly on Theadia, so this one might not arrive until maybe 2027, but we shall see. I’ve got time and I’ve still got the influences and inspirations to work with.

Slowing down and enjoying life

Okay, so I refuse to say that I’m slowing down because I’m getting old. I mean, I am, and my joints aren’t as flexible and springy as they used to be, but I refuse to use that as an excuse to be lazy.

On the other hand, I’ve been making a concerted effort, especially at the day job, where I’m trying to break a long-standing and terrible habit of trying to do everything at once as fast as I can. It’s fine every now and again, but trying to speed through a very long line of customers will only serve two things: a) I’ll exhaust myself faster, and b) I’m doing at least twice the work all my other coworkers are doing. Do I really need to go through my shift constantly stuck going 70 mph while everyone else is doing a much more sedate 45? Do I have to do it all myself when I can easily ask a coworker to help? I guess what I’m looking for is a bit of a Zen balance here. Do what needs doing when it needs doing, but realize what I don’t have to do everything else as well.

The same thing goes with my writing. I think I’ve finally grown out of the mindset that I must Write All The Things Before It’s Too Late. For the moment I’m adding a little bit at a time to my writing schedule and searching for a comfortable working level. After several weeks off due to moving, I’m back with the blogging, and I’ve been thinking about returning to the 750Words site again. I’ve even switched the notebook in my jacket pocket with a sketch pad, with the idea of just drawing purely for the fun of it when I have a moment. And interestingly enough, I haven’t done any longhand journaling for a couple of months, and I think that’s partly because I just don’t feel like I need to.

That’s one of the key things right there: do it only if you feel the need. Just like the day job, I don’t need to do any daily journaling, or get any specific word count. I just want to focus on the Trilogy Remaster, finish off Theadia, and possibly restart MU4 for the nth time. But I don’t feel an unhealthy need to do it right this second. It’s healthier this way, mentally and physically. Believe me, I know from burnout, and I’m aiming to avoid it from here on in.

And besides, we now live just a block away from one of the most famous city parks in the world, so there is zero reason why I shouldn’t be going outside and enjoying said park every now and again.

Deep dive

That’s what I’ve been calling it lately: the process I used when originally writing the Bridgetown Trilogy. And it all started because I felt I hadn’t gone far enough with The Phoenix Effect.

By the time I was writing True Faith in 1995, I felt I at least had gotten the hang of the science fiction genre, and had gotten even further two years later with TPE, but at the same time I knew there was something wrong. There didn’t seem to be any issue with the universe I was creating, and I definitely felt that writing dialogue was one of my stronger creative traits…but it still felt off.

It didn’t take me long to figure out that it was the prose itself.

The problem was that my novel didn’t sound like one. It sounded more like an extremely detailed outline. And that had always been a problem with my work then…I thought I had some really neat ideas, but I was definitely failing in the execution of them. There was plenty of action, but my novel read more like a descriptive ‘A happens, B reacts, C happens, D causes a shift, etc.’ and less of an actual story. I resonated deeply with this tale about underground hackers, spiritual magic and otherworldly kinship…but none of that resonance was coming through at all.

So by 2001 or so, while working on TPE‘s revision and slogging my way through its sequel and getting nowhere, I realized that I needed to do something about it. I wanted to do better. I needed to do better. So one afternoon I decided I was going to completely rewrite it. I mean, start from scratch. Tell the whole dang story from Nehalé’s awakening ritual to the end, and do it right.

The only way I knew how to do this at the time was to do a deep dive. Instead of writing in that old outline style, I was going to make damn sure that every single scene resonated with me. It was a bit like method acting, to be honest: become the novel. Figure out why Nehalé did what he did. Understand the actions and reactions of Caren and Poe and everyone else. And don’t just be flippant about it; those actions and reactions were also part of the story, because it was who they were, and the consequences of their actions were also part of it.

By the time I’d gotten about five or six chapters in on this new version, I’d realized I’d only gotten through maybe two chapters of The Phoenix Effect, and this was EXACTLY what I’d been aiming for. So I just kept going, and eventually wrote myself an almost complete trilogy by the spring of 2005.

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I bring this up now for two reasons:

One, after completing and self-publishing the Bridgetown Trilogy, I knew I had more to learn. I could definitely write doorstop epic novels at that point, now I wanted to prove to myself that I could ‘write econo’ (hat tip to The Minutemen, heh), so I started writing much shorter standalones. I’m quite proud of them all, especially Diwa & Kaffi, which I still feel is my best book to date. Even despite the urge to write the fourth book in the Mendaihu Universe, I wanted to stick with shorter works until I felt confident enough.

Two, it was the writing of the still-unfinished Theadia that made me realize that perhaps I was ready to do another one of those deep dives. This is another book I resonate deeply with…and like the trilogy, another book I feel isn’t quite there yet because it too needs a deep dive. Over the course of 2024 I tried the rewrite method, but somehow it still doesn’t feel complete yet. I still haven’t gone deep enough.

Fast forward to January 2025 and I’m focusing on the Trilogy Remaster and also revisiting the several sounds and words that surrounded its original writing, and I’m struck by another resonance that I’d almost forgotten about: this was how deep I’d gone with the trilogy! It had become a part of my life then, socially and creatively, and I loved every minute of it, and that was something that had been missing from my writing life for far too long, even before the revival of the trilogy in 2009.

As I’d mentioned briefly in last week’s blog entry, I feel I’ve come full circle, having learned several things along the way, and now I’m ready to cast the anchor and say this is where I belong. This is the style I love the most, yet it’s a style I haven’t allowed myself to return to. Or more to the point, I’d almost completely forgotten how to get back there in the first place, and it took several things falling perfectly into place for it to return.

Does this mean that my future novels are going to be epic in length? I can’t answer that because other than MU4 and Theadia, I don’t know where my next ideas might come from. But I can safely say that those two projects, at least, will be a return to the deep dive.

Revisiting Bridgetown…?

The Trilogy Remaster continues on schedule (slightly ahead, actually) and I’ve been allowing myself to revisit the created world as I approach each scene. In the past I may have been one to react with ‘oh yeah, I wrote this one in the Belfry on a super cold winter night while listening to Sea Change‘ or something like that, but this time out I’ve been asking myself: why did I write this scene? Not in a pessimistic way, mind you (those would have an oh gods before the question, heh). I’m asking it in reference to the story as a whole.

Which is kind of interesting, considering that most of this trilogy was semi-pantsed. While I had a pretty good idea of what direction I wanted the story to go in, I never planned ahead more than maybe three or four chapters. However, that was part of the creative process I had at the time: my focus was on the evolution of the characters, and how their interactions provided the actions (or reactions) that followed. The story wasn’t just about the reincarnation of a deity, it was about how different people reacted to that. And that was something that had been set in stone since 1997 when I started The Phoenix Effect.

I think that’s partly why I found it so hard to get MU4 going for the longest time (ten years, coincidentally!), because I’d forgotten about that part of this story’s creation. So….if I’m going to revisit Bridgetown once more, I can’t just write a NextGen-style story. It has to have its own focus on character evolution. And just like the original trilogy, I already know what needs to happen. I just need to figure out how its events will affect the cast. It may take time, but I’m willing to work for it.

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As an aside, please note that the writing of this post was temporarily interrupted by Jules who demanded my attention.

Back to work

Hey there! Glad to be back again after a refreshing two week break! I did in fact spend most of that time relaxing and winding down from a rather hectic Christmas season at the Day Job, but I did keep myself busy with other things. Email cleaning, errands around the house, premium cat play time, and listening to music. Things like that. And catching up on reading as well! I just finished Peter Ames Carlin’s The Name of This Band is REM, which I truly enjoyed. For a band that influenced my songwriting back in the 80s, I’m surprised I haven’t read more biographies about them!

I returned to working on Theadia about a week ago, getting through the end of one chapter and starting in on a scene that needs heavy revision. I’m still working on that one now — the scene needed a change of POV and a lot more tension as it’s an important turning point in the plot. I think taking a breather from writing work was a good choice, short as it was, because it helped me refocus on what needed my attention the most. Fewer distractions and a renewed drive to keep going!

At this point I’m purposely not thinking about future plans or additional projects, as I think that was another distraction. Just because I can do it doesn’t mean I have to. I’m allowed to focus on one thing, especially when I’m this close to finishing it. If I have a moment and I’m willing to think about, say, MU4 or the Trilogy Remaster, that’s okay too. I’m just not going to fuss or fret over it every single time if I don’t have to.

I’m glad to be back, and I’m looking forward to spending more time writing again!

Ready?

Image courtesy of Suzume

Am I ready for 2025? I’m as ready as I’m ever going to be, I think. Despite whatever nonsense might come my way, despite whatever drama or world event might unfold, I’m ready for it. I’m not expecting everything to be sunshine and roses, but I certainly don’t want to enter the new year afraid. That’s not who I am anymore.

This past year has been a lot about achieving clarity, but it’s also been about allowances. Allowing myself to do the things I want and need to do, both creatively and personally, with no strings attached. I shouldn’t have to feel the guilt, or the fear, or the dread of the outcome, whether actual or imagined. So I feel that the next year should be about taking those steps of my own free will.

I’ve probably overthought any writing plans I have for the new year, and over the last week or so I’ve been unraveling myself from much of it. Overplanning has been my method of procrastination in the past, and I’ve been unlearning that particular habit recently. What plans I do have: I have Theadia to finish and publish, MU4 to start, and the tenth anniversary edition of A Division of Souls to clean up and prep for release. And that’s pretty much it. Whether I’ll try new projects, or focus on other creative outlets, who knows. If it happens, it happens.

It’s time to be a little fearless.

Future plans…?

First off: Just another quick reminder that it’s that time of the year again! ALL SEVEN of my books are here FOR FREE from now until the end of the year! You know you want ’em!

You can find my books right here at this link!

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So it’s usually about this time that I start blogging philosophical, thinking about what I’ve done this year and what I plan to do during the next. Anything different this time out, then…?

On a personal level, I spent a lot of time giving myself a bit of long-awaited mental and emotional stability, especially after a few personal events early in the year. I put a lot of things to rest and allowed other things to come to the surface. Writingwise I spent a lot of 2024 finishing and releasing Queen Ophelia’s War and focusing on Theadia…and mainly reminding myself that it’s just fine to focus on one or two projects and let any others come when I’m good and ready. The end result is that I felt even more grounded than I’d ever been in years, and that’s all I really asked for.

As for 2025…? Again, writingwise I have three somewhat concrete plans: to release Theadia, to start MU4, and release a “remaster/remix” of A Division of Souls for its tenth anniversary. The former I’m working on as we speak, and I’ll be starting the latter two in earnest come the new year. [I mean, it makes sense for me to work on two projects from the same created universe at the same time, right?]

As for personal…? That’s a very good question. I’m in a good place right now. Sure, I have some ideas I’d like to try out, some personal choices and decisions and whatnot. But I think what’s different this time out is a feeling of trust and confidence. I mean, that’s a big part of what I’d been working on over the last couple of years, and I’m finally at the payoff end of things. So if anything, I think I’m ready for something new. Something I’ve been wanting to do and haven’t given myself time or permission for.

Do I even have a plan? Who knows? We shall see…

Distraction, or just too busy?

I seem to be running out of time to write lately, and it’s bothersome.

To be honest, it’s not as if I’m overly distracted or simply just procrastinating these days. I’ll still deal with the Don’t Wannas every now and again, but for the most part I’ve been doing good. Just…not giving myself enough time.

Part of it lately is that I’ve been working a few odd hours at the Day Job that get me out around 4pm instead of 2pm, which leaves me with a few hours to hang with A and the cats until after dinner, by which time I end up scrunching multiple things into about an hour and a half of time. And to be honest, that ain’t working.

One thing I should probably do is prep multiple blog entries on the same day like I used to — that can easily be done if I give myself time to think about what I want to write about. And though I truly enjoy using the 750Words site, I think I’m at a point where I don’t need to work there right now. At this point writing there is more about getting those words done than using it for various projects. I’m not abandoning it, of course…I’m merely putting it aside.

The other thing I need to do is lay some ground rules, specifically one: what project(s) needs the most focus right now? In this case, I have two I want to focus on: finishing Theadia and starting the remaster of A Division of Souls. I already have schedule plans for each, so that shouldn’t be a problem. And when I’m done with Theadia then I can finally shift the bulk of my focus on writing MU4.

So yeah, I don’t think it’s distraction, at least not right now. Just needing to rethink my schedule a bit.

Darkness and Light

So on Sunday morning as I was lying in bed, having just woken but too lazy to get up and feed the cats just yet, I started thinking about a new way to approach writing MU4. I’ve written at least three or four different openings, and yet none of them felt quite right. The current one is close to what I need…but the scene itself happens way too early in the story. I needed something to build up to that.

The good thing about lying there and letting my thoughts quietly meander for a bit is that I wasn’t trying so hard to figure it out this time. And that’s when it occurred to me: I needed to return to the original theme of the trilogy in order to move forward. That theme, of course, was balance. One character playing the role of spiritual balance to another. One action balancing out another. One dwelling in darkness, the other in light. This story focuses more on internal balances than spiritual or religious ones, even though those two still play an important part in the Mendaihu Universe.

The focus here, then, is on my two main characters: one whose life is chaos and wishes for order, and one whose life is rigid order and wishes for freedom. Both have a common goal of mental, emotional and spiritual balance, even though they’re coming from complete opposite ends of the spectrum. Which of course inspires the same question I had for Denni and Saisshalé in the trilogy: what is the red string that bonds them together? Are they enemies or are they allies? Are they bound to negate each other’s strengths, or are they to work together to become even stronger?

The good thing about this, even as I lay there with one cat staring impatiently at me and my brain in dire need of caffeine, is that this has gotten me even closer to the story I want to tell here. And that’s what I’ve been waiting for. All I need to do is start it.

In the end it’s just love

I might not be doing nearly as much writing and revising as I should these last couple of weeks, but fear not, I am not avoiding it. Merely just waylaid by Day Jobbery and trying to sort through the plots of two major projects in my head at the same time. And I’m trying not to make it all complicated.

The ending of Theadia might feature several characters doing several different things all at the same time to achieve one singular goal, but the important thing for me to remember is to take it one step at a time. There’s a lot to juggle but if I already know where all the pieces fit into the larger pattern, all I need to do is carefully and patiently put them all together. I learned that with the Bridgetown Trilogy.

And speaking of which, I’m also prepping myself to start (restart?) MU4 which, like the trilogy, has a lot of moving parts and patterns. I’ve worked and reworked them in my head for probably far too long, so I think it’s time to just start writing it. Put pen to paper and move. And to remind myself that despite the darker moments of this particular new project, there must also be moments of incredible light. That’s always been the theme of the Mendaihu Universe: the yin-yang balances of the world around us.

Every now and again I still need to remind myself of that. Not just in my writing projects, but in life as well. The Day Job might be stressful lately, but it also remains a place I’m proud of working at (and that in itself is something I very rarely admit to).