In Need of Distance…?

I’m at the point in Theadia where I think I’m hyperfocusing too much. I do this at least once with every project I’ve ever worked on: I’ll eventually arrive at a point where I’m not sure if I’m making it better or making it worse. Sometimes it’s because I’ve been working on the same chapter or scene for far too many days and I need to let it go and move on (and fix it properly at a later time). Sometimes it’s because I’m working on a scene that’s full of tension that I’ve become so familiar with that I don’t feel said tension anymore.

There’s also the fact that I’ve been a bit distracted by Real Life Stuff lately, and I just don’t have the spoons to connect with it on an emotional level at the moment.

Either way, this is where I need to make a decision: power through until the issues go away, or step away and work on something else for a little bit. Powering through essentially means getting rid of those Don’t Wanna/Oh Hey A Distraction urges, which works really well for me. Stepping away works too, but I usually reserve that for when I’m truly frustrated or physically/mentally exhausted and need the break.

So yeah, looks like I’ll have to soldier through!

A new(ish) monitor arrives!

Okay, so it’s a few years old, but it was A’s at that point before her new job provided her with a new one. And as you can see, it’s partially blocking the whiteboard schedule and the clipboard. I’m probably going to take the latter down as I rarely use it, and move the whiteboard up a few inches and rearrange all those ‘I Power KEXP’ stickers I’ve accumulated. Most everything on the desk can easily be shifted around to make this work.

So what’s different here? I mentioned at my Dreamwidth account that I’m now facing the desk directly instead of at an angle, and after adjusting the armrests of my chair (again, formerly A’s before she bought a new one) I’m now enjoying much better posture. Especially now that the mouse and pad are off to the right, so I’m no longer crinching up my shoulder to use them. I’m not slouching or leaning in this chair, nor am I craning my neck at weird angles when I’m working with documents and suchlike. [I’ve also noticed that the sound quality in the music I listen to is different as well, now that I’m facing the speakers directly instead of mostly in my right ear. I’m posting separately about that over at Walk in Silence.]

I’m using the new monitor for internet browsing and my writing and the old one for my music player and other media software. Sure, the older monitor is bigger and you’d think that would be useful for writing, but after so many years I think it’s a little too big. Useful for watching movies and music videos, but probably not for extended periods of editing. The smaller monitor helps me focus on the work at hand instead of getting lost in all that workspace.

They’re simple adjustments, sure, but I’m already noticing how big of a difference they’ve made, and that’s always a good thing.

More on cats and Spare Oom

A bit of Ghibli foolishness

Yes, I admit it. I might be a little preoccupied about the possibility of adopting a cat. Which, by the way, we just got the go-ahead from our landlord today which makes me ridiculously happy. I haven’t had a cat since our tuxedo cat Booker back in the 90s. I’ve been making do with spying on the neighborhood kitties in their windows or if I happen to be visiting a friend who has a few. A and I have been distracting ourselves by looking up things on Wirecutter and elsewhere about what the best cat bed, cat tree, food, litter, and so on would be. We’ve already started moving things around so the potential kitty won’t eat/knock over our plants or kick our Funkos under the couch. Yeah, we’re going full out here.

Meanwhile, Spare Oom is about to inherit a second monitor, which is something quite new here. I’ve always been a single-monitor person here, mainly because of the lack of room, but since A now has an extra one (her new job sent her one recently) she’s bequeathing her old one to me. Which is all fine and dandy, but as you can see in the banner picture on this here blog, I’m not entirely sure how I’ll set it up, considering that I have other things in its space. Do I get another riser? (They’re super cheap and I can get one up the street at Office Max.) Where do I move the whiteboard schedule? So many questions!

But of course for both issues, most of the changes will take place when the time comes. I actually enjoy the challenge, to be honest. It’s like when I got a new desk and had to move a few things around to make everything fit. Either way, it’s something new and exciting to look forward to!

Cats

This isn’t set in stone just yet as it depends on a few things…but there is a possibility that we might be looking into adopting a cat.

I know, right? For anyone who knows me, I love cats. I grew up with them, love playing with them, picking them up, just having them hang out with me. If you have one at your home I will definitely be sidetracked by giving them scritches. I’ve even put a cat in my latest WIP. On Sundays one of our local pet stores works with a local adoption agency (adorably called Fuzzy Butt Rescue) and this past weekend we found ourselves…maybe thinking that we could finally make this work.

The last time I had one for a pet was at least a few decades ago, so it’s been a while. We mostly avoided it because of our traveling and work schedules or not being home, but things have changed over the years and one or both of us would be here for a significant amount of time to watch over one (or two).

This of course also led to an extended conversation over brunch on Sunday regarding what we’d have to change in our current lifestyle to make this work. What plants we’d have to move to higher places or donate to our horticultural neighbor. What toys and tchotchkes we’d have to store away. What yarn stashes we’d have to put elsewhere or at least put in enclosed places. What I’d have to move around or put away in Spare Oom. And the conversation I’d have with our landlord to get permission. [That in particular I think we’d be able to handle with reasonable ease, as they love us, we’re responsible, and we even own a carpet cleaner if there’s an…event. Plus, a few of our neighbors have dogs so it’s only fair.]

I do love the idea of an office cat, really. Having a goofball fuzzbutt hanging out with me in Spare Oom while I write is a fine idea to me. And thankfully we’re both cat people and having them sleep with us on the bed is just groovy.

Like I said…it’s not set in stone yet, but it’s certainly something I want to set into motion.

I’m Allowed

I’m allowed to take my time getting there.

I’m allowed to take however long it takes to figure things out.

I’m allowed to share stories that don’t fit the mold.

I’m allowed to understand the world in my own ways.

I’m allowed to have paradoxes in my life.

I’m allowed to be imperfect.

I’m allowed to take my own uncharted steps to see where it all goes.

I’m allowed to remind myself of these things when needed.

Talking End of the Month Refresh Blues

Image courtesy of hackaday.com

I talked a little bit about this over at my Dreamwidth account, but I think it begs a bit of commentary here: I’m happy to say that I think I’ve finally broken myself of that niggling feeling at the end of every month that I’ve failed in keeping up with my writing schedule. For years, and with the best of intentions, I’d start each month looking at my whiteboard calendar and think, yeah, this time I’ll make it to the end with new words and productivity all over the place!, and inevitably crash and burn about two-thirds of the way through.

It took me until recently that to realize that I’ve been looking at this in totally the wrong way.

Coming into each month with the determination to Do All The Things regardless of real life (and Day Job) getting in the way always leads to failure. And that’s the other mistake I made: seeing that as failure in the first place. In the final weeks I’d always get frustrated that I’d failed to follow my plans once more, and every single time I’d needlessly get angry with myself. It would only be exacerbated by thinking, okay, THIS time I’ll get it right! and setting myself up for failure once more.

What I need to do instead is see the start of every month as a refresh. I run cleaning software on this PC every weekend without fail (and it’s kept Spare Oom’s computer up and running smoothly for over three years so far, thank you very much), and it occurred to me that I really should see my writing habits in very much the same manner.

When I start the new month tomorrow — including participating in Inktober — the whiteboard schedule will once again be full, once again be seen as a guide rather than an assignment, once again allowing myself days off when Real Life intrudes. The whole point of the whiteboard schedule has always been to keep me working instead of procrastinating or distracting myself, nothing more. It’s my coping mechanism that’s kept me from otherwise faffing around on Twitter or playing with my music collection all day long.

What I shall do differently starting tomorrow is just do my best. That’s all. If I miss a day, I miss a day. And come the end of October I’ll do the same thing I’m doing now, accepting the amount of work I’d done in the meantime and starting it all over again in November. And so on. View it as a refresh, not as a metric.

Meanwhile, back in Spare Oom…

Image courtesy of Makoto Shinkai, of course.

What’s been going on, anyway? I’ve been working on the Theadia rewrite when I’m not at the Day Job, mostly. On days off I’ll catch up with some personal projects, or if they line up with A’s we’ll go out for a walk or burn through our British streaming shows. [For those playing along, we’ve been on a Silent Witness kick and it’s exciting but definitely not for the squeamish.] Other than that…? Not much at all.

I’ve been in kind of a rut in terms of actually producing content to self-publish. I mean, I’ve got Diwa & Kaffi ready to go, but I really need to get off my arse and look into commissioning an artist. I’ve got a few ideas that I want to sketch out first, however. If I’m going to work with an artist, I want to work with an artist, meaning that I’m willing to give them as much prep work and rough sketches as I can so they won’t be going in blind. Besides, I know exactly what I want: a simple yet engaging cover similar to what you see on some manga/light novels. Something like Rumiko Takahashi’s Maison Ikkoku, for example. I like the idea of using blank space on purpose here, to evoke the mood that it’s very much a light novel in some respects, as well as the fact that a lot of that novel is about being up in the air. I have a few artists in mind, I’ll just need to contact them and see if they’re interested or have the time.

Speaking of Theadia, I’ve also been thinking a bit about how this novel is not quite the Epic that the Bridgetown Trilogy was, but nor is it the lighter work I published afterwards. It’s a bit of both, really. The project goal is very much typical of me: writing a space opera without the military drama, writing an epic without turning everything up to eleven, writing a political drama without falling into my own navel. I even have the tagline, which is a line that’s quoted by many in the story: If you could…would you do the right thing? The novel isn’t about being a savior, it really is about doing the right thing when given the choice between taking ownership or saying ‘not my problem’. There are no heroes here, only normal people choosing to do the right thing because no one else is, and having that in itself be heroic.

It’s been a bit of a juggle, because I definitely need to have certain characters with certain levels of intelligence, power and experience, but purposely not having them get all infodumpy or technerdy about it. [I half-joke sometimes that I’m writing an anti-Cory Doctorow novel here, because I’m choosing not to go into graphic detail about the worlds of infotech, the dark web, and living off the grid. I give just enough detail for it to make sense, because that’s all it needs. I definitely owe Becky Chambers for the inspiration for wanting to take that route.] It’s been an enjoyable ride, though, and that’s all I ask.

*

So. What’s my update schedule going to be here in the days ahead? Glad you asked! I’m going to try to return to the twice-a-week that I’ve had for the last couple of years, though there may be a gap or a late entry here and there, especially when Day Jobbery takes precedence.

Glad you’re sticking around, though! See you soon!

Fly-by: brb, going on vacation…

…for the first time in two years! Well, on a vacation outside of California that includes a flight, that is. We’re heading back east to Massachusetts to visit friends and family, take pictures and enjoy ourselves.

In the meantime, I’m planning on returning to blogging when we come back, hopefully in the next couple of weeks! I’ve been busy during this hiatus, and posting Diwa & Kaffi made me realize how much I’ve missed posting here and at Walk in Silence (not to mention working on the 750Words.com site for daily writing exercise!). I haven’t decided on a solid posting schedule, but once all that has been ironed out, I will let you all know.

See you soon!

Diwa & Kaffi: Afterword

Character sheet for Diwa & Kaffi, drawn January 2021

Diwa & Kaffi, believe it or not, originally came from my attempt to revive a long-trunked story idea set at a college campus that featured nightmares and monsters. This new idea came about in August of 2017 in which I thought about reviving this weird idea by taking away the scary elements and turning it into a world where monsters and humans lived peacefully together. The college campus idea — inspired by my long-lasting love and obsession with college radio and alternative rock, of course — morphed into a multi-character, multi-story setting about flying dragonlike creatures with confidence issues, humans figuring out who they are, ghostlike characters trying to get equal acceptance in society, and so on. I’d been reading a lot of Becky Chambers and other hopepunk authors at the time and I thought that particular style would be perfect for this project. I wrote a lot of outtakes on the 750words site to figure out what their stories might be, and how I could thread them together.

It was a really fun if slightly unwieldy idea that I still have on the backburner, but out of all that came the decision that perhaps I should start smaller, more compact: what about two of those characters, a young human and his dragonlike best buddy with a shared plan to inherit their fathers’ positions at their apartment complex? I could do that.

Writing Diwa & Kaffi came at a time when I was doing some really serious and heavy rethinking about my life. I had a lot of Old Ghosts that, while they were no longer pushing me in directions I didn’t want to go in, I really needed to purge them out of my system once and for all. And I did not want to do that with my writing again. This was a personal change that I wanted to keep mostly personal. So instead of using yet another novel project as therapy, I used it as a guiding light instead: Diwa & Kaffi was the story about being true to myself — without outside influence or baked-in guilt, focusing only on what my heart longed for. The story of these two best friends is about working past those fears and obstacles. It’s about knowing and understanding what your desires are, and trusting and believing in yourself to reach for them. Even Anna-Nassi and Cole are part of this story: self-trust, self-belief, and learning to accept what you truly want.

I finished the first draft in early 2018, right about the time I was prepping Meet the Lidwells for self-publication, writing In My Blue World, and questioning why I was still at my then-current Day Job, not to mention working out some personal and emotional things I’d long ignored in my life to date. I felt a bit blown away, a bit empty and lost. Not entirely scared, just…unsure where to go next.

Writing Diwa & Kaffi affected me a hell of a lot more than I’d expected precisely because I’d chosen to use it to realign my own heart and mind. Unlike the many times in the past, I knew which direction I wanted to go in, I just had to start taking those steps. These two best friends were my way of saying to myself: Hey, it’s okay. You can be afraid and uncertain, but as long as you know exactly what you want and how you need to get to that point, then all you need is confidence to see it through.

Each of the major characters has a bit of me in them. Diwa is my younger self, bright-eyed and full of optimistic hope even despite my fears and self-doubt. Kaffi is my younger self’s ideal, more self-confident and more willing to take chances. Samuel is the adult me, having latched onto the past for a little too long to the point that I’d ensnared myself in it. Graymar is the other adult me, too stubborn in my self-comfort to really want to change when change is needed. Anna-Nassi is the nonconformist me who, in my mind, doesn’t give a shit about others think, but in my heart really does worry about that, far more than I was willing to admit. Cole is the self-conscious me, constantly worried about what others expect and think of me. These were all parts of me that I wanted to fix, that I wanted to change for the better.

I remember when I finished it and gave it a reread, I was absolutely shocked by how perfectly I’d nailed it. I could always see the imperfections of my previous novels (what author doesn’t feel this?), but this one turned out exactly how I’d wanted it. I’d leveled up in my work, which meant that I was now in uncharted territory once more, and that kind of threw me for a loop for a while.

Then came the pandemic. It came just as I’d sent out Diwa & Kaffi to the first of a list of agents — I believed in this one to the point that I thought it could work at a commercial publisher — and very quietly derailed my plans. And then came my leaving the then-current Day Job after fourteen years, for the most idiotic of reasons. Life upended. Not entirely out of my hands, but I was definitely in new territory here.

I put the novel aside and started working on newer projects, but I never put it out of my mind. I spent two unemployed years writing but also working on the other half of that self-improvement equation: making good on what I’d learned so far and refusing to be sidetracked or delayed this time.

I put Diwa & Kaffi aside as an ace in my pocket to be used later. When the publishing world somewhat realigned itself a while later, I sent it out again…but at that point I realized that didn’t quite feel right to me either. I mean, I’d love to be published by one of the major genre houses, but I don’t have to take that route, do I…?

I mean, I loved the experience of self-publishing with my last five released novels. I’ve always loved the DIY aspect; like I always say, it’s like I’m that punk band releasing that self-made single, doing it my own way. My books are not perfect but I still get the occasional e-book download for In My Blue World and A Division of Souls, so I must be doing something right, yeah? I can do this. I can see Diwa & Kaffi as the next step in my self-publishing career. I’m more confident in my writing, and in myself.

All I need to do is follow that desire. Pushing against the boundaries of life and winning.

Diwa & Kaffi 47

Author’s Note: Go do what makes your heart sing.

*

CHAPTER FORTY-SEVEN

Graymar passed in his sleep on the morning of the fourth day of Diwa and Kaffi’s landlordship, one week after the annual tintrite remembrance ceremony.

Kaffi mourned quietly, as his paddir had asked him to. He stayed close to Shahney and Iliah on the first day to take care of the funeral arrangements and connect with his relatives who lived close by. He’d asked Diwa to stay with him during the three days it would take for the remains to be prepared and set in a transport to be brought across the bay to Mount Laimora. Kaffi would be one of the six tintrite to carry the transport, along with Iliah and four other relatives. Everyone else from the estate who could attend would take the light rail to the town at the base of the mountain, then buses up to the summit.

Diwa leaned up against him as they both sat on the low couch in the living room, saying little. Just being together was enough. Every now and again one of them would nod off from mental and emotional exhaustion, but he was okay with that. As long as he stayed by his side. Kaffi needed that connection, that bond, right now.

Samuel was in and out for most of the day, having volunteered to take care of all the announcement and burial details out of respect for his dearest friend. He was worn out and beaten down, but he remained brave and dedicated. Dari, Aldrine and Maricel had all stopped by as well, checking in and helping around the nest. Graymar’s ahpadé Nouia and other relations had also flown in to pay their respects.

Kaffi was not devastated by his paddir’s death. He was deeply saddened and affected, but he refused to let it pull his heart out of the skies. Graymar was not just his paddir but his mentor and his teacher. And finally, in those last months, his friend. There had always been a deep bond between them, but in those last days, it had taken root in his spirit and would never go away. Keeping that bond in his heart had been Graymar’s last private request to him, and Kaffi would honor it the best he could.

On the third day of mourning, his paddir’s body was laid out in the main compartment of the transport and set on display at the community center. The lines to pay respect were long and slow, but Kaffi soldiered through it, with Diwa once again at his side. He held his wings open and at half span, done to honor his paddir. Shahney and Iliah did the same.

Kaffi said little, but he knew he didn’t have to. Every single tenant on the estate had said everything for him. They had come as a community to grieve alongside him.

It was dark by the time the last of the tenants visited Graymar’s body and the container was shut tight. Tomorrow they would fly. He, Iliah, his two uncles and two cousins, flying in tandem, towing long cables connected to this container. They would fly to the caldera of Mount Laimora where they would lay him to rest, giving him up to the open skies.

But tonight, he stayed with Diwa. He cried and rumbled and hummed and howled until he felt so utterly empty, yet so full of the love and joy and compassion that the estate had given him. So full of the love that created the bond between himself and his ride. He leaned heavily up against Diwa and let all the sorrow and pain out until there was no more.

And then he strapped on his blanket and saddle, and together they drop-launched off the roof of Building C. They caught a fast current of air and swooped back up at almost stomach-churning speed, and continued in a spiral until they were high, high above the estate. Soon they were high enough that they could see the entire neighborhood expanse. Their estate was small compared to some of the others nearby, but it was the one they knew to be theirs. It was their home. It was their community. It was linked to the other communities by the street grids and the light rails and the buses and other transports, and they were linked by the flight paths of the tintrite and their rides. This, however, was the home he knew. This was where he felt the deepest connections, both with his ride and with everyone else there.

He felt Diwa rest his hand on his back, right between his wings. It was warmth. It was their bond. And it would never be broken.

*

Ai, Kaffi… he thought. I wish I could be with you right now.

Diwa remained quiet and sullen for most of the train ride to Mount Laimora, his eyes constantly returning to the window. He knew he should be looking over his father right now, but Samuel refused to be fussed over – very much like Graymar, come to think of it – and held his own with a quiet grace. He held Dari’s hand tightly, his other hand covering their connection. His mother leaned into him, talking quietly, making him smile and laugh. Maricel and Aldrine sat nearby, comforting each other. And in the seats and cars beyond, so many of their neighbors dressed in mourning…yet thinking warm thoughts and fond memories of Graymar.

Their flight last night had been one of release and healing. He would always be there for Kaffi whenever he was at his most fragile. Not that he could ever imagine his friend being helpless, far from it! Kaffi needed friendship and connection at that time to calm his fears and pain.

He glanced out the window again, wondering where Kaffi was just then. The tintrite procession would be flying in a straight line across the bay towards Mount Laimora. They’d left earlier than the others, so they must be halfway there already. This train was almost at the next to last station, so by the time the coaches reached the top of the mountain, the tintrite procession would just be arriving.

He thought of Graymar. He had childhood memories of being afraid of him, both due to his size and his incessant grouchiness, but he also had many recent memories of having interesting conversations with him about being bonded to Samuel, and the things they would get up to. Once he’d bonded with Kaffi, Graymar would always have a quick talk with him whenever he was over their apartment. And Kaffi would always smile at that, he realized, as it meant his paddir had accepted their bond without question or concern. Graymar was indeed one of the grouchiest tenants on their estate, but Diwa had learned early on, especially when he watched him work with his father, that he was fiercely dedicated to his work and his neighbors. He truly did love everyone in the community. Especially his father. Graymar and Samuel’s bond may not have always been easily visible, but it was there, and it was strong.

He reached out, took a hold of his father’s hand, and squeezed it tight. Samuel glanced at him in surprise, then flashed him a teary smile as he squeezed it back.

*

Diwa stood on the lip of the caldera, the rocky surface worn smooth by weather and time, and kept watch for the tintrite procession. He’d taken the first transport coach up here along with his family and Kaffi’s, and the others were still on their way. Nearly all the tenants had taken personal time off, even those with shifts at the co-op, to see him off. The weather was clear with only a few high clouds far to the north. Graymar would be laid to rest under a gorgeous blue sky, and his spirit would be lifted and given back to the air.

He finally caught sight of them a mile or so out, and let Samuel know. His father nodded and started preparing for the start of the final ritual. He’d insisted on doing this job with Kaffi’s family as a final gesture of respect to his friend. Diwa let him go on his way and continued to stand watch. He wanted to see everyone land safely and the container set to rest on even ground.

Kaffi was taking up the rear with Iliah. The six tintrite held the container aloft until it hovered above the final resting place. Samuel guided them closer until it dropped safely to the ground. Diwa moved closer and watched reverentially until the tow lines were released and the tintrite landed. Samuel and the rest of Diwa’s family joined Iliah and Shahney at the side of the casket.

It was only then that Diwa noticed that Kaffi was the only one of the six wearing a saddle.

Once the procession was complete, Diwa moved to Kaffi’s side and laid a hand on Kaffi’s shoulder. Kaffi lifted his head in response, looking at him and humming. “I’m here,” Diwa said quietly.

“Maianni-naahsah, Diwa,” he said in return, and bowed his head towards his father’s body.

The ritual began with Shahney and Iliah stepping up to the casket, wings at half-span. They stood at either end of the box and pushed hidden hatch releases.  The container hummed quietly as it lifted slowly, depositing Samuel’s body to the ground. When it was complete, Kaffi’s uncles moved in and carried the casket away.

He was laid out on all fours with his head resting on his right paw. Shahney and Iliah unfurled each wing to full span. And in a final gesture, Samuel took a small courier bag containing a few objects they had shared within their bond and laid it around Graymar’s neck. Then everyone backed away and stood in silence for a good long while.

No further words were said. None were needed.

The ritual ended with every single attendant taking a deep breath and letting out an extended and sonorous humming, initiated by Kaffi, singing harmonic and light. Reverence.

Graymar would return to the air, where all tintrite were the happiest.

*

Anna-Nassi walked a few paces behind Diwa and Kaffi after the ritual was complete and everyone began making their way back down the mountain. Ai, but that was such a touching send-off for such a well-loved tintrite! She sensed so much love emanating from each and every one of them! She wanted to cry and howl but she held her composure, with Cole close to her side to keep her calm. This would be a deeply vivid memory that would stay with her forever.

The four of them stopped at the ridge of the caldera, seeing everyone else off. They wanted to be the last ones here, to make sure everyone was accounted for. Shahney and Iliah would be taking the transit back, as would Samuel and the rest of Diwa’s family and all the tenants that had come.

Diwa and Kaffi would fly.

“Eiyah…” she exhaled as she stood aside them, her voice still shaking. “The two of you are holding up well?”

Diwa nodded, but he was fretting with a pair of goggles in his gloved hands. She could feel his sorrow, both for the loss of Graymar and the pain Samuel felt at the loss of his bonded ride. But she also sensed his steel resolve. He would feel the pain and sorrow like everyone else, but he refused to let it destroy his soul.

Kaffi snorted and held his head up the best he could. Anna-Nassi leaned over and nuzzled the top of Kaffi’s head and hummed. Light and melodic; friendship. He grinned and hummed in return, his heart lifted by her empathy. “Eiyah, Annie…thank you for coming. You too, Cole.”

“Of course,” Cole said. “Graymar was an inspiration for all of us, Kaff. We’ll make him proud.”

Kaffi snorted again and bowed deeply. He wanted to say more, but he couldn’t quite find the words. She wasn’t going to rush him. His heart would heal in time. And with Diwa at his side, it wouldn’t take that long at all.

“We’re staying up here to see everyone off,” Diwa said, still fiddling with his goggles. “We’ll be flying back. Don’t miss the last bus, Annie, it’s a long walk down.”

She smiled and nodded, fluttering her wings in response. “Don’t worry about me. We’ll get there in time, one way or another.” She turned and glanced at the burial site; everyone had dispersed, leaving Graymar’s body lying in state. He looked so peaceful there, wings out and head resting on his hands, as if he were taking a nap out in the sun. This was indeed a fine resting place for him.

She felt Cole’s soft hand in hers, calming her.

She sniffled and turned back to her friends. “We’ll see you back at the estate, yeah?”

Diwa and Kaffi both nodded at the same time. “We’ll meet you there,” Diwa said.

She started to walk away, only to stop where the path met the edge of the caldera. She nudged Cole on to join the others, but he remained at her side. Together they turned and watched their friends one more time. Those two crazy lovebirds, those two amazing best friends. Diwa had put on his goggles, resting them on his forehead, and zipped up his jacket. Kaffi was standing three-quarters straight, checking and rechecking the straps on his saddle. They mumbled back and forth, just out of earshot, going through their pre-flight check list. They were aware they were being watched, but they didn’t seem to mind. Kaffi dropped down into a crouch on all fours, allowing Diwa to climb into the saddle. They spent a few more minutes going through their final checks, and then moved into position at the lip of the caldera.

Kaffi unfurled his wings to full span with a mighty whoosh, ready to take off. The glanced over in her direction briefly; Diwa gave her a wave, and Kaffi nodded.

Diwa placed his hand on Kaffi’s shoulder, right between the wings, and whispered something. Kaffi snorted and bobbed his snout, giving him a slight grin in response.

They pushed off into the air, Kaffi’s enormous wings pushing at full strength and speed, sending waves of air in their direction. She felt its vibrant energy wash over her body, sending chills down her spine and her mane in all directions. She trembled again, watching them pushing harder, harder, never giving up, ever higher into the sky. A tintrite and his bonded human ride, working in tandem with each other, pushing against the boundaries of life and winning. She cheered and sang for them, for their vibrant lives, the strength of their bond, the love they shared. Now they were so high up, still rising, circling in a convection to gain even more altitude, until they finally caught the wind they needed. They swooped in a wide and graceful arc, both Diwa and Kaffi waving to them one last time before they headed westward back to the estate.

Anna-Nassi cried openly, but these were no tears of sorrow. These were tears of pride, of love. Diwa and Kaffi were an unbreakable duo. They were so strong in their hearts and in their souls. She was proud to be working alongside them at their estate, taking care of the lives of those she knew and loved.

They had committed themselves to one thing: to follow in their fathers’ path of taking care of their community as best as they could. They’d wanted this position for as long as Anna-Nassi could remember. They didn’t want it handed to them; they wanted to work for it, to earn it. And they wanted to give it all back to the estate they loved. It was hard not to be inspired by it all.

Cole took her hand. She gripped it tight and, wiping the remaining tears from her eyes, let him lead her back down the mountain, back towards home.