Back from vacation

After a change in plans, A and I decided to head up north to Bodega Bay for a few days for some quiet relaxation. For those of you familiar with that town name, it’s where Hitchcock filmed most of The Birds (some of it was also filmed in the super tiny village of Bodega a few miles inland as well), and let me tell you, we saw a LOT of birds during that trip. Not to mention a lot of dairy farmland along the way. It’s actually not as far as I’d expected; it’s about an hour and a half north of us and super easy to get to, which means we may do this again as a day trip in the future.

It’s definitely not a huge ocean resort location; rather, it’s a place for RVs, fishing, road tripping, eating tasty seafood, and hiking. [And visiting some of the more infamous Birds locations.] And for us, a few days of sitting around reading, going for nature walks and driving up the coast to see what’s there. I didn’t do much other than take a lot of pictures, eat great food and catch up on my Bridgetown Trilogy reread. I did bring a few notebooks with me, but as expected, I did not make a single mark in any of them.

After all, that’s what vacations are for, yeah? To take time off from doing stuff you do on the daily? Heh.

Anyhoo…we’re back home with the cats (thanks much to Carter, who cat-sat for us and kept Jules and Cali busy with play, kitty food and lots of pettins) and enjoying the last of the week off by not doing much of anything at all…except more reading.

See you on Monday!

Weekend plans

Tomorrow we’re going around the corner to the 4 Star Theater to see a movie I saw and fell in love with when I was nine. It’s a roller disco movie that features Olivia Newton-John, Michael Beck and Gene Kelly. And yes, it’s the one that features Electric Light Orchestra on the soundtrack.

Yes, we’re going to go see Xanadu, the movie that I was obsessed with in fourth grade. I even had the Marvel comic book (which you can see here in all its 80s glory) and can still remember my teacher’s voice telling me to put it away whenever I had it out in class during free time. And years later it was one of the inspirations for my novel In My Blue World.

So why do I love it so? Even though it’s got terrible dialogue, the weakest of plots, special effects and costumes very much of their time, many of the Berkeley-esque dance sequences were shot wrong, and a prime example of ‘too many producers and writers wanting different things out of it’? Oh, and apparently it inspired the Golden Raspberry Awards?

I think it’s partly because for all its problems, it mimics the style of the classic musicals a hell of a lot better than you’d expect. It’s supposed to be corny. There aren’t too many deep emotions going on other than goggle-eyed love at first sight and wistful melancholia of the past. It’s a silly feel-good movie. It even has a Don Bluth animation sequence! And it has a damn fine soundtrack after all. [I mean, where else will you hear a duet between Olivia and…The Tubes?]

And hey, in 2007 they even made it into a successful Broadway hit musical!

PC Stuff

It’s been a bit of time since I got my new PC, and for the most part it’s been behaving pretty well. I’m still running the cleaners on a sort-of-weekly basis and keeping it healthy. I’m still having the occasional weird issue but I think that’s more on the wonky internet in Spare Oom. That’s most likely due to running too many internetty things at the same time and causing a bottleneck, which ends up causing a disconnect. I’ve always had that issue back here, mainly because we use a Powerline adapter back there. [Short version, it’s using the power outlets instead of an ethernet cable, which we don’t have set up back there.] It would be nice to get properly wired up back there, but it would require either some ridiculous wiring straight from the router (which we had back in Jersey) or rewiring with the landlady involved, and I don’t think I really need to go that far.

I suppose this would be a problem if I was, say, a gamer or a coder or doing something tech related, which I’m not. I’m just someone that’s streaming KEXP online while looking at email while downloading new music releases and saving things to Dropbox. It’s not a big problem at all when I’m working straight to Word, but it can be a problem when I’m working at the 750Words site, or writing a blog here. An internet drop-out can cause drafts not to be properly saved.

It’s not a consistent problem, just one when I’m multitasking too much. It’s merely an occasional setback I can work around. And perhaps I don’t really need to have five different internetty things running at the same time just then…?

Your name is…?

In going through a bunch of my new and old writing projects these past couple of months, I’ve noticed an interesting and consistent trend through my writing career: my by-line.

In nearly all of my rough drafts, the title page wouldn’t say “by Jon Chaisson”, but “by j chaisson”. A single letter (no period) for the first name and lower case for both. Maybe it’s that I always felt a bit odd writing my own full name on my drafts, or maybe I just liked the looks of it. It’s my handle on Bluesky. I’ve also been using it at work lately. As part of my bookkeeping duties I have to sign off on a few forms and slips and I’ve been signing them the same way. I’d only change it to my full name upon uploading it to Smashwords.

So now I’m wondering…perhaps I’d like to use ‘j chaisson’ as my pen name from here on in. This will mean making a few changes at my Smashwords site. I’ll need to do some changing around with the e-books I have available, and not just the author page; I’ll need to change the cover images and the edition information as well. Thankfully I do my own covers and have the originals so it’s just a matter of making the changes and reupping them. Changing the Amazon paperbacks might be more of a hassle, but I’ve been thinking of taking them down anyway.

So why make this change now? That’s a good question, and the main answer is why the hell not? One reason is because it resonates with me. I’ve used it many times in many places and I like how it looks and feels. Another reason, a more professional one, is that it gives me a bit of leeway for when I want to write out of genre. I’ve been thinking about doing this for a while, but it feels like this is a good a time as any to start.

Getting started…eventually

It’s occurred to me that one of the reasons I haven’t been doing any writing work lately — I mean, aside from focusing on the blogs and some Walk in Silence (the book) work — is that I’ve been working on rewiring my head a bit.

I’ve written here before, many times, that I’ve been too easily and willingly distracted by online things: social media, videos, comics, music, and so on. Over the course of this year I’ve been working on fixing that, and I think I’m finally at the point where I have it all under control. I’m not really giving any of it up, I’m just no longer being passive about it. I’ve been here before, I just want to make it last longer this time out.

So what about these new projects that are just…sitting there, doing nothing? Well, that’s a good question. And I have a plan that I hope will work. It might be a Best Laid Plan or it might actually work, but hey, at least it’s a plan: continue with the compartmentalization strategy.

I’m not assigning myself work here, which is the trap I’ve fallen into before. No, this is merely part of the job of being a writer. So for instance, say I have my first ten minute break of the day at work: my current habit is to head to the break room, have a snack, and screw around on my phone for a few minutes reading social media until it’s time to go back. Sure, it might be just fine on its own…it’s a bit of mental relaxation during a busy day, right?

I’m trying to break myself out of that. Mainly because I’m personally bored with the habit. It doesn’t do much for me anymore. [I mean, unless A texts me a picture of one of our cats. That’s always worth it.] I think about my other coworkers: some of them head outside to the upper parking deck. Some of them do a bit of reading or texting or chat with friends who are also on break.

My plan before was to change it up and go straight into writing something longhand. Hell, I even have a small notebook that fits perfectly in my jacket pocket! But once I’m on break….? Nothing comes. I’m right back there, futzing around online. Which means that I haven’t quite mastered the approach. What I need to do is prepare myself for that ten minute writing session! So how about this: let’s say I’m scheduled for that ten minute break at 10am. So to prepare for that, I can think about what I want to write at that time by, say, 9:45. A fifteen-minute prep time while I’m ringing up customers. I can definitely think about my writing while at the register, I’ve done it loads of times. So by the time I do go on break, I’m ready and prepared to pull out that notebook and do a bit of work!

To change it up, why not change the setting as well? Go up on the roof, head outside, go somewhere for that ten minutes. And I’m sure that by the time I get this preparation down, I can use all that extra time during my half-hour lunch using the same process to add to the word count.

Will it work? Well, who knows? But it’s worth a shot, right?

Reading…or lack thereof

I’m allowing myself a good reason for not reading anything new for quite some time: I’ve been mostly rereading my active WIPs and reacquainting myself with them for future work. But to be perfectly honest, I haven’t done any major reading in quite some time.

It could be that working through the 1,700-page, two-hardcover version of Mark Lewisohn’s Tune In might have fried my brain earlier in the year, but I just don’t find myself wanting to actively read these last couple of months other than the occasional manga or my own stuff. I’m not even overly excited about all that many recent genre books lately, which is a bit of a surprise. No fault of the authors or their novels, mind you — I’m just assuming this is just a temporary literary burnout. I’m still buying some titles of my favorite authors or books that intrigue me and saving them for later. Supporting the authors and my local indie bookstore and all that.

When am I going to return back to reading for the enjoyment of it? Good question. I’m not going to let it worry me too much because I’ve gone through this before in the past. It’s just a phase. I’m just going to continue focusing on my own writing for a bit, and once that’s finished I’ll see where I go from there. My bedside TBR pile will be dusted off and ready to go when I’m ready myself.

What Your Soul Sings

Massive Attack’s 100th Window came out in early 2003 when I was writing The Persistence of Memories, and the track “What Your Soul Sings” was the standout track for me; it was the first time I’d heard Sinéad O’Connor’s voice in some time, even though she’d been dropping albums here and there.

The message of the song — listen to and trust your inner self, it knows what it needs and wants — resonated deeply for me, and it became one of the most important central themes of not just TPoM but the entire trilogy. It’s what keeps Denni from faltering and doubting herself. It’s what keeps Caren moving even when she feels lost. It’s what keeps Poe focused on what he truly believes in. Every character learns that their true anchor, what keeps them from spiraling into chaos and doubt, is the calm soul within.

Even today I keep it as a sort of personal mantra, one I occasionally need to remind myself of: follow what makes your soul sing.

Thank you for the music and the vision, Sinéad.

Don’t be afraid
Open your mouth to say
Say what your soul sings to you

Juvenilia and Poetry

It’s a trick I learned from working on music history chronology: sometimes things just make a bit more sense when you put it all in the correct order. How one thing ties in with another, perhaps influences something else, all while putting it in a clearer context.

Not counting that bit of extracurricular fun I had in fifth grade, my poetry and lyric writing started sometime in the early months of 1988. The IWN had been completed and its sequel started, and I’d also just finished a very silly John Hughes-influenced screenplay (also my first completed one) in the fall of 1987, and to top it off, I’d just bought myself a cheap bass guitar for $25 downtown and was about to teach myself how to play it. [There were two to choose from, and the other one was shaped like an Uzi submachine gun — no, I’m not kidding — so I grabbed the headstockless one instead.]

I kind of fell into writing poetry because I wanted to try something different. I also wanted to start a band and would be doing so at the start of 1988. With that plan in mind, I figured I’d also need to start writing some song lyrics as well. I latched onto my favorite influences at the time: the goth wordplay of The Sisters of Mercy, the oblique artiness of Wire, the doom and gloom of The Cure and the quirky love songs of Depeche Mode.

The first couple of attempts weren’t all that serious, but I wasn’t taking my assignment all that serious to begin with. I wanted to have fun with it! Most of it would be written in notebooks and on scraps of paper, written in my bedroom. By late summer of 1988, however, I came up with an idea: what if I take one of these numerous notebooks I have in my room — say, this Mead composition book that I rarely used for school to begin with — and started writing in it?

But that was still a few weeks away. Right now I had more pressing things on my mind: my best friends from high school — the ones who were all one year ahead of me and had graduated that May — were about to head out of town and off to college. That hit me pretty hard, and not just because they were all going away…I’d always been the ‘last’ in one way or another. The youngest sibling, the youngest in my extended relations of numerous cousins, one of the last kids of my age in the neighborhood. Usually last picked in gym class as well, of course. It was not so much a sense of abandonment as it was a profound sense of being left behind because I wasn’t allowed to catch up. That would haunt me for quite a number of years.

And it would be the impetus of a lot of my poetry, lyrics and fiction writing around that time. I found solace in listening to music and losing myself in my creativity for a few hours. That composition book would be where I’d bleed out whatever was going on in my head. And I’d also given myself one rule: no boundaries here on the page. If I felt safe in writing something heartbreaking, or horrifying, weird or embarrassing or even hilarious, then I wouldn’t hold myself back at all. My first attempts were sketchy and slight at best, but by the winter of 1988 I’d found the voice I’d needed. I just needed to keep going.

Revisiting these poems now, so many years later, I’ve been able to put this all to rest and in its proper order. I can look at these with emotional distance and appreciation. Putting these in their proper order and context, without holding back on any memories or subsequent clarity that might arise, has indeed brought on both in abundance. Answers finally given, clarity finally achieved.

More on Rereading…and Transcribing

All this rereading of my finished novels, WIPs and backburner projects has also kicked off more rereading, this time of my early longhand writing. Right now I’m going through some of my old chapbook poetry and lyrics, transcribing some of them and making personal notes. Why? Well, why not?

One of the reasons for doing this now is that I’m conducting a writing experiment. I’m assigning myself to work on something every day, without fail. I’m assigning myself simple things like doing some fun Walk in Silence (the book) work on 750Words and this poetry transcription. Easy writing that would take less than an hour out of my day. That was the impetus: I wanted to see if I could do a full month in a row. I started on June 1, kept on going, and I haven’t missed a day yet, so that’s nearly two months right there. Not bad at all, really. I see no reason why I should stop now.

I’ve mentioned before that I’d assigned myself a transcription project back in the summer of 1995 and into spring of 1996. I’d done it then as I’d finally had access to a computer and wanted a digital copy of my juvenilia for safe-keeping as well as for easier access. [There was also the fact that I’d done it as a distraction to avoid falling into a self-loathing spiral due to my failure at staying in Boston, but that’s another story.] That was the last time I’d done it to any considerable extent. This has become a bit of a problem in the present time, because a lot of that work was written using the MS Write program which no longer exists, and WRI files don’t translate well at all to Word or Notepad. I have the printouts…but I’d really like to have the digital versions once more.

Why am I doing this instead of writing novels, you ask? Well, I’m getting there. The rereads of the current work are preparing me for the novel projects. Refreshing my memory of the novel projects I’d like to work on next. And I still have a ways to go before I’m fully ready. It’s prep work.

It’s also interesting to read words I’ve written that I haven’t reread to any serious extent for nearly three decades. While there’s a lot in there at my most inexperienced, there are also smaller gems: unique ideas and impressive passages that merely needed the work of a much better writer. I had to start somewhere, and I wasn’t afraid to start at the bottom just like everyone else. I’m also finding elements of myself then that explain who I am now.

That’s what’s making it worthwhile: looking back in order to move forward.