Time is Against Me Now

This always happens, damn it.  I give myself a reasonable, decent timeframe to finish the line edit for The Persistence of Memories, and something comes along and says “OH HEY You need to get this done first, there’s a couple of errands you also need to do outside the house, and oh, by the way, Day Jobbery has been busier than usual, so chances of you sneaking any writing in during the day is slim to nil.  Oh, and remember those blogs that you ignored all weekend because you were too busy shopping and doing housework, and watching the new X-Files episodes?”

Grumble grumble whine whine.

But you know, I’m not going to let it get to me.  This has happened enough times that the most I can do is work around it.  I’ve read too many blog writers and webcomic artists that have this same issue, and that’s all you can do:  soldier on the best way you can.  I say this, as it seems my original schedule has gone a bit wonky.  I’m pushing the release of The Persistence of Memories out a few more weeks, mainly because after this line edit is done, I’m going to need to give it another surgery.  It’s great as it is, but it’s still far too long at nearly 169k words.  That’s actually about 15k more than A Division of Souls.  The response to that book, by the way, has been quite positive, except for the words no writer really wants to hear: it’s too long.  And Book 3 is even longer than Book 2, which is not a good sign at all.

But!  But!  It’s a piece of art!  You’re supposed to savor the pace both when it’s fast and slow!  Why does no one understand my genius?

Heh.  Yeah, right.  More like, “….Oh.  Yeah.  Huh.  You’re right, that bit’s pretty sluggish.  I should definitely speed it up.”

The thing with self-publishing is that you’re going to see it, warts and all.  The original 150k version of ADoS is still out there as an e-book and a trade until I get around to re-editing that.  On the one hand, as a writer, I feel like a failure because I put the book out there well before it was completely ready, and now No One Will Ever Trust Me as an Author Ever Again.

On the other hand, I can just get back on the horse, fix what needs fixing, present it again, and move on.

Whatever works, kids.

 

Granted, I’m also giving myself quite a lot to do in the next six months.  Editing and revising books 2 and 3 in the trilogy, as well as writing Walk in Silence.  My original plan for WiS was to have it released in April, but due to the trilogy editing and re-editing, work has been embarrassingly slow on it (about 2 handwritten pages a day, which really isn’t much).  I’m thinking that one will end up being released during the fall semester.  I’m okay with that…as long as it’s done by some point this year.

And then, maybe, finally, I’ll be able to work on new stuff.  Maybe.

Busy, but productive!

Hiya!

Thanks for your patience…I’ve been all kinds of busy doing too many things as of late, but thankfully a handful of said things have been writing related!  To wit:

The line edit of The Persistence of Memories is about halfway done.  This one’s taking a bit longer than expected, but I hope to get this one out sometime early in the new year.  It’s a bit longer than ADoS, but it’s actually shorter than it once was thanks to some heavy editing.

The cover for The Persistence of Memories is still in debate phase.  So many cover ideas, but none are gelling just yet!  The three books have a color theme:  ADoS was to indicate late evening, thus the city glow.  TPoM is to have a much darker cover, signifying past-midnight; The Balance of Light is to be brighter than the other two, signifying morning.  I’ll have a few outtakes for you in the new year once I have more of a solid idea!

The physical book for A Division of Souls should be ready by January.  This one’s been tough, as I had to wait for A. to finish reading and suggest any edits, plus there’s a lot of weird formatting bits that I had to work my way through.  Thankfully I’ve figured them out, so at this point it’s a matter of doing the edits and uploading to KDP.  As an aside, the new (non-format) edits will also make their way to the e-book as well for consistency.

Longhand work on Walk in Silence continues apace, a few pages at a time.  Okay, this one has morphed so many times since its inception quite some years ago, but I’ve finally got it anchored.  This version is most likely the latest and last version.  It’s not exactly the nonfic book about 80s college radio that I’d originally envisioned (that may be a future book), but that music is still the main backbone.  It’s now become a memoir of sorts.

The new (still as yet untitled) Mendaihu Universe story got a reread recently.  It’s got some really good ideas, but it’s still very spotty.  Once I’m caught up with all my other projects, this one gets shotgun.

 

So yeah…all this on top of the usual fourth quarter Day Job silliness and other personal events going on.  It’s slow going, but I’m getting there! 🙂

Post-Release: Remastered Edition

One aspect of writing and publishing (self, professional or otherwise) that doesn’t always get talked about is the subject of editions.  To tell the truth, it’s kind of a boring subject, not to mention it’s one that the writer and publisher doesn’t always want to talk about, for various reasons.  With professional publishing, the idea of a second edition is sometimes seen as a distant hope; the publishing house only goes into multiple editions once it’s seen that the book is a big seller, and that the original run of however-many copies has been accounted for.  This happens with much less frequency than one expects; this is also why writers are often super-paranoid about possible errors before it has its first print.

With the self-published writer, especially for one like myself that’s just starting out, one might not want to tell one and all, “Hey, I have a new edition of my book/e-book available!”, for the reason that it could be read as “hey, I just uploaded the latest version of my book, which doesn’t have bad formatting and other embarrassing mistakes!”  It’s better just upload the new version and just keep it on the QT, and hope no one noticed.

 

But new editions of your self-published e-book don’t necessarily have to be a bad, embarrassing thing.  Well — for the first edition of the physical book you should at least make sure that the formatting is tight and there’s no weird errors, but that’s another post entirely.  [This is the main reasons A Division of Souls is still e-book only at this time.  I’m about to start in with the Big Galley Fix starting today, so hopefully within the next few weeks it will finally be available at Amazon.]  But future uploaded versions of your already-released book doesn’t always have to be a bad thing.

So many ellipses, so little time...
So many ellipses, so little time…

Upon finishing her reading of the ADoS galley, my wife stated that I have to go on a strict diet of NO ELLIPSES.  I will totally cop to using that punctuation WAY too much (that, em dashes, and italics), to the point that I’ve trained myself to cut them nearly 99% of the time in future editing projects.  The Persistence of Memories doesn’t have nearly as many as ADoS did, but I’ve managed to quash nearly all of them.  Most of them are hiding in dialogue, where I want the client to…well…you know…kind of avoid having to reveal something they need to reveal, but it can also slow down the flow considerably.  I’ve learned to use when and where necessary, and only then.

She also mentioned that, since it contains a large cast, some of which are mentioned early on but not mentioned again for some time.  I’d been on the fence on this one, to tell the truth.  Luckily, among all the notes and outtakes for the Mendaihu Universe is a solid dramatis personae that I can add before the main text.

The next edition of ADoS will contain a few formatting errors I missed (such as the Case of the Curiously Vanishing Pilcrow), some minor edits, a dramatis personae, as well as the deletion of a number of said ellipses.  The cover will remain the same for the e-book, but still want to toy around with the spine for the physical book, as I’m still not happy with it.

Will this lessen the worth of the book?  In terms of self-publishing: not entirely.  The mistake made here is the belief that once you have the book out there, for good or ill, it’s out in publish and any mistakes will be points off your credibility.  I made peace with that some time ago; I still find glaring formatting and editing errors in professionally published books, which just goes to prove we’re never dead-on perfect the first time out.  While it’s great to want your best work out there, focus on the story and the execution mostly, and do your best with the editing and formatting.  We readers will forgive you if your character’s name is spelled Rbfrit instead of Robert in exactly one place on page 276.  It happens.

Again with the music parallel:  you’re re-releasing your album because it’s been remastered, not because you hated your vocals on a few tracks and chose to completely rerecord them.  You’re reuploading the album because Jimmy hit a bum bass note on Track 8 and a quick ProTools edit made it go away.  In short, you’ve already uploaded some of your best work to date; you’re just making it even better this time out.  [And believe you me, there are some fans out there who will buy the ‘remastered’ version — and I’m talking books now, not music.  If they enjoy the story that much, they’ll have your back.]

So yes — don’t be afraid if you see a minor error in your self-published book.  Go right ahead and make those fixes and reupload the file to whatever platform you’re using.  It’s totally up to you if you want to make it publicly known that it’s a new edition, but don’t fear it.  Use it to your advantage.

Current Status: Forward! [Plus Sneak Preview!]

So!  It’s been two months and change since I released A Division of Souls, and it’s been quite an interesting road so far. The movement of ADoS has been fascinating.  I’ll be adjusting the price again pretty soon, and looking for more avenues in which to advertise or share it.  We shall see.  On the plus side, my decision to make it available at NoiseTrade Books has come up trumps!  It’s leveled off a bit, but I’m still getting maybe one or two downloads daily.  Go me!

Meanwhile, I’m about a third of the way through this final edit and it’s taking a little bit longer than expected, but I’m getting there.  Most of the fixes have been in deleting a lot of extraneous words and revising a few others.  No major issues…yet!  (knock wood)  I’m still aiming for early 2016 for the release of this one.  I shall of course keep you all updated!

So!  In the meantime, I’ve decided to let you take a peek at the first chapter of The Persistence of Memories while you wait, hiding just below the jump. It takes place just a few days after the finale of ADoS.  I hope you like it!

And again…thank you all for checking out the book. Y’all are still awesome!  [And a special shout-out to those from my hometown who may have seen my pasty face in the local paper a few days ago.  Hi there to you too!  And thanks for the well-wishes!]

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Keep Reading!

Hidden Stories

Ann Leckie's Ancillary Mercy, book 3 in the Imperial Radch series.
Ann Leckie’s Ancillary Mercy, book 3 in the Imperial Radch series.

A. and I were talking about Ann Leckie’s Ancillary Mercy last night (she’d read it the day it came out, I’m about three-quarters finished), specifically about how we really enjoyed the many and varying characters in the series. One thing that came up was that we were both fascinated by a specific twenty-year gap in the lead character’s history that happens early on in the first book (Ancillary Justice). What happened between the fade-out and the fade-in?  Where did she acquire the certain things she now owned?  Do we ever find out?  Is it important to the main story arc, or is it simply a passage of time between important moments?

I’ll tell you a writer’s secret:  us authors love doing that.

There are many and varied reasons for it.  Sometimes a rose is just a rose:  the character lived their life doing things that had no important bearing on the story. Maybe they just needed to lie low for a while.  Sometimes it’s a big secret: it’s a specific gap of time that the narrative will return to much later on, when it’s important to the story.  Sometimes we never find out exactly why.

Me?  I love doing it because it’s part of my world building process.  For me, it gives the character space to breathe in their own privacy for a bit.  In A Division of Souls, there’s a space of five years between the time Caren and Denni’s parents are killed in action and the present time of the book itself.  I did this for two reasons: for the two sisters to come to terms with what happened, and to show that the current events actually started manifesting themselves a lot earlier than anyone thought.

I call these gaps hidden stories.  The main arc doesn’t focus on these events, doesn’t need to.  But just the same, they’re part of the framework of the whole.  There’s usually a solid reason for this time gap (such as in Ancillary Justice, where Breq is basically keeping off someone’s radar), and it can be extremely useful and malleable.  This is where the writer can say “this is what happened between [Novel X] and [Novel Y].”  Another good example of that is the previous Naruto movie The Last, which takes place between the time gap between the final chapters of the series, 699 and 700.  We find that there’s a gap of time that we can use as a bit of a playground for new and/or related stories if we so choose to write them.

Which, of course, means that the seventy years between The Balance of Light and the new (and still untitled) Mendaihu Universe story is chock full of mystery!  A lot could happen in an average human life span.  I’ve given myself quite a bit of space for hidden stories in that stretch of time.

Maybe sometime down the road I’ll tell you a few. 🙂

Onward and Upward!

*barely contains squee*
*barely contains squee*

I’ll be honest, just the mere fact that I’ve already got over two hundred downloads at NoiseTrade Books makes me an incredibly happy writer.  Thanks to each and every one of you!  I went into this gig knowing I had a good book that I think people would enjoy, but had little to no idea how well it would go over.  Seeing that many downloads over the course of one week confirms that whatever I did with the book, it looks like I did it right!

So, where to go from here?  Well, the subject line has been a bit of a mantra over the last few weeks for me.  The behind-the-scenes work for a writer (and especially for a self-published one) has been that there’s no downtime at all.  We’re constantly moving forward.  We’re juggling the writing with the promotion with the Day Job with the other mundane yet important things in life.  And let me tell you, the schedule has been rather busy as of late!

Fear not, dear readers, I am working hard on editing the book’s sequel, The Persistence of Memories, and hope to have it released via the same channels by the beginning of next year.  I hope you’ll enjoy the second book; it’s my favorite of the three, and there’s a lot of interesting and surprising stuff that goes on within.  Heck, I may even give you some spoilers once I’m further along!

What else do I have on tap?  Well, I do have my music book/personal memoir Walk in Silence, and I’m aiming for a late April 2016 release date for that one.  There’s quite a bit of work to be done on that one, so it’s going to need some serious TLC this winter.  [For those of you unfamiliar, WiS is about my love for college radio and how alternative music shaped me over the last thirty years.  I talk more about it on my other blog of the same name.]  I’m also working on the next Mendaihu Universe story in my spare time.  That’s been put on a brief hiatus while I work on self-releasing the Bridgetown trilogy, but it hasn’t left my mind!  I will definitely return to it once I’m caught up with the production end of things.

So yes…onward and upward!  I’m busy, but in an awesomely good way. 🙂

HOLY CATS! I didn’t expect that!

So here I am on vacation at my old New England stomping grounds, and only just now have I been able to pull out my laptop and let you all know some nifty news!  As of today, A Division of Souls is a New and Notable Book on NoiseTrade Books.  I thought that was kinda neat that the lovely people at that site contacted me to ask if I’d be interested in such placement, so how could I turn it down?

[For those unfamiliar, NoiseTrade is a website that features e-books and music as a name-your-price setup.  I’ve used the site over the last few years for some great tunage and readage.  They’re also an excellent avenue for your self-published books.  You can find it here if you are so interested.]

So yeah, the unexpected moment?  Logging on to see how many hits and downloads.  Here I was, thinking that I’d get maybe a dozen or so people interested…maybe twenty or so at most.

As of about ten minutes ago, the download count is at 114.

Seriously, I had no idea it was going to get that much interest.  Granted, it got a flashy moment on the top graphic of the site, so the very first thing you see on the page is ADoS, in all its mysterious blue glory.  Which basically means I’m an impulse buy!  Hee!

Seriously, folks.  All of you who downloaded the book and are now checking out this here blog, y’all are too cool, and I thank all of you.  Once I am back from my vacation, I will do my best to keep you all informed and entertained with the upcoming newsletter (which I promise won’t have the frequency of, say, the Guided by Voices discography).

Thank you again.  I’m literally full of squee right now. 🙂

Is This the Future?

This morning I was listening to a compilation I’d made back in January of 1994 called Nocturne.  At that time I’d originally planned on completely rewriting the Infamous War Novel, re-envisioning it as a far-future SF novel, less as a Cold War-inspired story and more as a Future War one.  For inspiration I latched onto a lot of familiar genre tropes at that time –revisiting Blade Runner, reading space operas, picking up a lot of interesting anime, and so on — while at the same time briefly returning to my music collection as well, just as I had with the original.  This little gem from Sigue Sigue Sputnik, found on the back end of their sophomore album Dress for Excess, seemed to fit the post-apocalyptic mood of my story perfectly.

Granted, this too was an unfinished draft, for various reasons.  One was that I’d had trouble fleshing out the idea.  I knew I could do something with it, but I couldn’t quite figure out what.  [The other was that I was not in the best of places emotionally at the time.  Being broke and alone just out of college and working at jobs that had nothing to do with my college studies was probably a worse time for me than high school was, come to think of it.  Writing came to me, but in frustrating fits and starts.  There are a lot of trunked ideas from that era.]  Nonetheless, it sowed the seeds of another story, True Faith, which I started later that summer, and a much more successful writing career was finally born.

The compilation is just shy of 45 minutes long, taking up one side of a cassette — the other side was my 1989 compilation for Belief in Fate, another writing project dating back to high school.  I’m fascinated by the mix, as it’s definitely heavy on the atmospherics.  Starting off with Curve (“Faît Accompli”) and Inspiral Carpets (“Two Worlds Collide”) and ending with the above track, it’s a dark and somber affair.  I think what I was aiming for was a feeling of frustration and uselessness within a larger, less tolerating society, which my characters would fight to transcend through the course of the story.  That theme continued into True Faith to a degree.  In retrospect, it’s probably for the best that I trunked that story as well, because I was emotionally and mentally too close to it at the time.  I would start fresh in 1997 with The Phoenix Effect, and the rest is history.

It’s kind of interesting, comparing the original ideas of the early 90s with the present version of the Mendaihu Universe.  There are a few bits and pieces that have survived throughout the entire process — the Vigil group, for one — but the pessimism of the original is nowhere to be seen.  I see now (and I knew even then) that I was not only teaching myself how to write a novel correctly, but I was also using it as a cathartic release.  I’ve given myself a bunch of different avenues for those sorts of things, leaving the personal out of it for the most part.

Did I know that twenty years later I’d be happily married and living in a much larger city on the opposite coast, self-releasing the first of three novels that came out of all that?  Hell, back in 1994 I had no idea if I was going to make next month’s rent, let alone what my future would be.  Sure, I had dreams and ideas and a hazy optimism that I’d get there one day.  I knew it would be tough, but I was willing to work for it, however long it took. That was where I first fostered that stubborn commitment to keep going, despite it all.

And that’s why I’m content with this future me, why my reaction to seeing my book listed on e-book shopping sites has been one of a deep relief and happiness.  That stubborn will took me to this point, and that made all the difference.

All Kinds of Time

[One of the best songs about football, hands down.]

The problem with Football Season is that it gives me one more reason to be distracted from my writerly duties. Not that I need more distractions…I already have the music, the social media, the Day Job, and everything else! Still, it’s a pleasurable distraction; as with music, I have it on in the background while I’m working on something else, glancing up at the screen every now and again when someone scores or executes a brilliant play.

Time can be tricky, especially when you’re attempting to balance the finite amount we’re allotted with the infinite number of things you want to use it for.  I dedicate eight hours a day to my Day Job (I try to avoid overtime, and for the most part it’s never needed anyway), but during my breaks, I will sneak a few writing things in.  During my 9:30am break, I’ll sit on the loveseat across the room and write an entry in my daily personal journal.  During lunch I’ll read my writing magazines.  During the afternoon break I’ll catch up on emails and whatnot.  And on the rare occasion that I have a slow day, I may even work on a blog post.  After we both log off, we head to the YMCA and work out on the treadmills for a bit, and have dinner soon after.  This gives me a few hours at the end of each day, purely dedicated to my writing.

As said, the tricky part is what I should be working on, and when.

The thing about being a writer is that you most likely have about three or four different projects going on at the same time, each at various levels of completion.  My current status involves the following:  A Division of Souls is out in the world (yes, even at Amazon now — the physical copies are coming soon!), I’m currently working on the final edit of The Persistence of Memories, I’m writing the new Mendaihu Universe novel longhand, I’m carving out weekend time to pick Walk in Silence up again, and I have a few other fiction and non-fiction projects simmering on low heat in the back of my brain.  And that doesn’t include my daily personal journal, weekly blog posting, popping up on social media now and again, and other non-writing things such as guitar noodling and songwriting.  And there are things that keep getting put on hold, such as doing the daily 750 Words, my artwork and the Drunken Owl music recording project.  So much to do, so little time.

See, this is why I have the whiteboard schedule.  I haven’t been following it as of late due to the massive editing sessions for the Bridgetown Trilogy, and I think that’s a fair enough reason for putting everything on hold as of late.  I don’t mind, because releasing the trilogy myself demands a lot of time and dedication, and I’m not about to do any of it half-assed.  But now that the Big Release date has come and gone and that I’m letting it slow-simmer a bit while I figure out different ways to have fun with its promotion, I find myself with a bit more time on my hands.  Which means my week or so of relaxation and mucking about online must come to a close.  It’s time to refocus and dedicate the time that I have to what I want to get done.

Still, that’s not to say I’m not about to miss out on watching some football this season!  I may be busy, but I’m not about to let that get in the way of having fun as well!

On Writing: Entr’acte

doot doot doot...
doot doot doot…

I’ve said it before, I’ll say it again.  When a writer purposely decides to take time off and not write, it definitely feels weird.  On the one hand you’re enjoying some mental time off, watching movies or catching up on tv shows, or reading that book you put aside a few months previous, or maybe even just goofing off on the internet for hours at a time.  On the other hand, you’re itching to get back to work as soon as possible and work on that next project.

So what have I been doing all week?  I mean, aside from goofing off on the internets?

A lot of offline stuff, really.  Cleaning the apartment.  Doing some shopping.  Practicing a bit of guitar playing.  Continuing on my daily personal journal.  In short, living life outside the Next Book.  I even skipped out on updating this blog.  Okay, I may have browsed over at Shutterstock to decide on my next cover, but no real work was done.  I purposely gave myself a week off to unwind from that crazy five-week blitz of line editing and doing all the backstage work for A Division of Souls, before I jumped in on the probably-longer blitz of line editing and backstage work for The Persistence of Memories.  [And there’s also the fact that I will need to continue paying attention to the release of ADoS so I can figure out various ways to promote it.]

It’s not to say I never take an evening off…I definitely have, here and there.  A day where I’m feeling under the weather, or just had a shitty day at the Day Job, or whatever.  I’m not chained to the writing, I’ve just turned it into a healthy addiction.  When I first wrote TPoM back in 2002-3, I was dedicating two hours daily (including weekends, when I’d dedicate more) to writing at least a thousand pages a day.  The words just flowed, I was in a good frame of mind, and I wasn’t about to let that pass me by.  But I did take a few days off here and there, either to sickness or personal plans, or just plain wanting to take a day off and read comics instead.  Sure, it felt odd, but I wasn’t feeling guilty about it.

That said…I’m going to be jumping back into the fire tomorrow.  TPoM is nagging at me to be edited (this current version clocks in at 180k words, so I’m sure there’s going to be some serious deletion going on).  Added to the ADoS promotion, the cover art, this blog, the Day Job, and maybe even other non-Mendaihu Universe related writing work, I’m going to be a busy little worker bee for the next few months.

Wish me luck!