A Positive Outlook

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Not gonna lie, when I first started working on this writing gig with some serious effort, I was just like every other n00b writer: I’m gonna shake up the literary world with my unconventional ideas!  All my stories are going to be accepted by agents!  They’re gonna love my stuff!

Of course, age, maturity, knowledge and perhaps a bit of bitter reality has thankfully made me think otherwise.  I’m a writer just like anyone else, and the chances of my writing being a smashing success are just about the same as any other writer’s:  a complete crap shoot.  Luck, a bit of sales smarts and a decent story are the only constants in this job.  The rest depends on getting the right agent or editor and whether or not they think they can do something with your work.

This popped into my head the other day, while thinking about the fact that I’m on the back end of an extremely long-term writing project.  Lately I’ve been comparing how I viewed the Bridgetown Trilogy during its Phoenix Effect years, how I viewed it during the trilogy rewrite, and how I view it now that I’ve self-published two of the three books.

The pre-Belfry years (the True Faith era) was when I was the cockiest, that was for sure.  I knew I wasn’t the best of writers, but that didn’t matter — I had an awesome story that I wanted to tell, and it was going to sell tons (once I finally finished it)!   The Phoenix Effect era was a little more down to earth in terms of outlook; I knew I was far from professional, but I was doing all the required homework and revising it the best I knew how.  It was that era when I wasn’t exactly sure where I stood in terms of heading towards being a professional writer.  I was stuck in that phase for a long time.

Now I’m at the point where I’m looking at the trilogy and accepting where I may have gone wrong over the years.  Doing major rewrites was one part of that; deciding to take control of the entire production was another.  I don’t think the trilogy is a failure, far from it.  No book is completely one hundred percent perfect.  Are there things in the trilogy I think might still need fixing?  Of course.  All writers think that about their own books, and I’d be surprised if a writer didn’t feel that way about their precious projects once they’ve signed off on them.

There are many reasons why I’m self-releasing the trilogy, and that’s one of them: the ability to learn from my mistakes, fix them, and re-release the end result.  Self-publishing is great for things like that, if you look past the ‘but it’s out in the world already so it’s ruined forever!’ irrational fears.  Maybe I released the book too early; I can always sit on it for a few years, do an overhaul maybe five years from now, and re-release it.  There will always be a new potential reader who’ll be willing to give it a chance.

One of the biggest things I’ve learned about the entire trilogy project is to accept that I should not strive for excellence in writing, but to do my best at it.  Being professional doesn’t exactly mean ‘being famous’, it just means knowing what steps one needs to take to create a positive end result.  Perseverance, knowledge, and maturity.  And having a good solid goal (other than I’m want to be famous!, of course) does help significantly, whether it’s to be professionally published or to self-release.

I don’t need to be Phillip K Dick or William Gibson or Neil Gaiman or Ray Bradbury or whoever.  I just need to be me, to the best of my ability.

Coming Soon

Not too much to report on this slightly cloudy Friday afternoon here in Spare Oom.  Just waiting for the Day Job to end and for the weekend to start!  I’ve been all kinds of busy the last few days.  I’m still neck deep in the edit for The Balance of Light; the Walk in Silence entries are coming along at a good clip, and will be hitting a multi-entry ‘interlude’ before continuing with the story; I’ve been hitting my daily practice words almost without fail; and I’ve been making slow but consistent plans for the next non-MU project I’ll be writing.

But!

I will say, however, that I have a few fun announcements to make pretty soon, regarding the Bridgetown Trilogy, as well as with the business end of my writing projects!

Let’s just say that it’s going to be an interesting ‘release’.

Stay tuned! 🙂

I’m not sure what to write next.

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courtesy Portlandia

Yes, I’ve blogged about this before.  I have a bunch of ‘maybe’ projects simmering on the back burner, waiting to be picked up and worked on, or trunked and forgotten.  It’s not going to take center stage until I finish and release The Balance of Light, so it’s going to be a while, but that doesn’t mean I can’t start with the pre-production.  I can certainly start playing around with outlines, character sheets, timelines and whatnot.  Just that the bulk of the project won’t begin until at least sometime this autumn.

But I’ve been thinking a lot lately about the process of starting a new project.  As I’ve said before, it’s been so long since I’ve come up with a completely new idea that sometimes I wonder if I’ve forgotten how to do it.  [I don’t always think this, though…one of the ‘maybes’ came out of nowhere during my 750 Words exercises, so I know I can do it.]

I know I sometimes overthink this part of the process; it’s the most stereotypical of writer’s blocks: what should I write?  We focus too much on wanting/needing to start something.  It’s like when you need to start that term paper for English class, but you have no idea what to write about…and that’s when you start stressing, because you’re focusing too much on getting it done before deadline and not enough on the writing itself.

I try to keep my mind open when new ideas come to me; more to the point, I try not to rely mainly on chance and random inspiration, because that almost never works.  The trick is to sow some kind of seed of an idea and work with it for a bit, see if you can make something out of it.  I tend to be a pantser in terms of writing, so what I consider my best ideas usually come from something only distantly related to it: one of the ‘maybes’ I have on tap came to me out of someone else mentioning the Osmonds in passing on their blog.  Out of that came the idea of writing a fictional music biography.

I have an idea jar here in Spare Oom, a long narrow glass jar with a plastic stopper that I bought for a dollar-something at the kitchenware store up the street.  I haven’t used it in some time, but there’s a few years’ worth of scrap paper in there of passing ideas.  Thoughts that came to mind that I didn’t have time to follow up on.  Just images, scenes, or characters that popped into my head while I was doing something else.  I haven’t even looked at these notes for some time, so now I’m curious as to what’s listed.  I used a few of them for my daily practice words a year or so ago.  Perhaps it’s time to do that again.

I’m not sure what I’m going to write after the Bridgetown Trilogy is done, but at least I’m going to be somewhat prepared.

Reading and Writing Other Genres

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Combo TBR and Have Read Pile.  I’m currently working on that lower shelf.

I’ve been reading a lot of non-fantasy/SF books lately.  It’s partly because I have quite the To Be Read pile next to my bed, and I figured it was high time to dig through some of the titles that have been there for quite some time.  There’s a goodly amount of SFF in there, but there’s also a lot of non-genre, and I felt it was time to take a different path for a bit.

I mean, isn’t that what they always say?  Read anything and everything.  In among the SF I see in that picture, there’s also a Love and Rockets collection, a collection of Chinese Literature, a few mystery novels, some poetry, and a lot of Japanese literature as well.

Recently I finished reading Karen Joy Fowler’s We Are All Completely Beside Ourselves, which I adored, but also fascinated me due to Fowler’s wonderful use of language.  And currently I’m reading Xiaolu Guo’s I Am China.   Then there’s the various mangas, the music biographies, and the couple of history books (Alwyn Turner has a great triad of books about Britain from the 70s through to the 90s, if you’re interested) that seem to make their way to my TBR pile.  Such is the fate of living down the street from Green Apple Books and their excellent selection!

I don’t think I’ve burned myself out on genre fiction as much as I think I’ve oversaturated myself with it.  I can usually tell when I get to that point when a few things happen: the plot points start crossing over to different novels, I start comparing the characters and personality traits between different books far too much, and I start guessing the ending of the story way too early.   That’s when it’s time to back away and do something different for a bit.

My usual go-to with this is Asian literature.  I love how the pace and voice of the novel is equally as important as the plot itself.  I love reading characters whose motives are often culturally different from my own.  It makes me think about my own writing, how to approach storylines from different perspectives.

I admit I don’t enjoy too much litfic out there, but there are a few mainstream fiction authors I’ll pick up regardless.  Douglas Coupland and Mark Danielewski are two of them.  And of course I’ll pick up any music biography that catches my eye, especially if it’s a well-researched history of a particular genre.  I’ll pick up anything by Mark Lewisohn, Greil Marcus or Simon Reynolds.

Point being…as a writer, I have to remind myself that I need to read as often as I write, if not more, and I need to keep the scope of the material pretty wide if I’m going to learn from it.  I may read things simply for the pleasure of it, but even with those silly graphic novels and manga tankobon, I’m still picking up on the different ways to tell a story.

Writer’s Block: Yeah, it’s real

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See?  I have it right here!

It is kind of interesting to see the various articles and blogs out there, stating that writer’s block doesn’t exist.  I get where they’re coming from.  For some, writer’s block is what I call the Don’t Wannas: the feeling that I’d rather be doing anything else fun.  For others, it’s the realization that they’ve written themselves into a corner and they’re not sure what to do about it.  For still others, it’s the fear that they’re doing it wrong that freezes any inspiration or creativity.

What I think these people are trying to say is that writer’s block doesn’t, or shouldn’t, exist, because there’s always a way to work around it.  They’re saying it as an affirmation, not as a truth.  That might work for some, and it may have worked for me in the past, but at this point I have to call it for what it is:  it’s blocking me from getting my work done, so ergo…

Writer’s block comes in all shapes and sizes, but however it looks, it’s a big pain in the ass.  The important thing is to learn how to work past it the best you can.

Fly-By: Setting up the new computer!

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This may take a few days, but I hope to be up and running early this week.  I’ve got most of it done and ready to go, I just need to adjust all the settings and I’m good to go.  Right now I’m doing all the important stuff:  setting up MS Word, Dropbox, and of course Media Monkey so I can have my tunage.

This week’s Welcome to Bridgetown post will be a few days late, but I should have one up by mid-week.

Thanks for your patience!

 

Computer Blue

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I really dislike the fact that my computers never last more than about three years.  I really wish they would last a lot longer.  I don’t mind a bit of a slowdown as it gets older, and I’m okay with what software I have…it’s okay if it’s not up to date, as long as it works correctly.

It’s been just about three years to the week since I bought this PC.  My previous one (another Gateway), which I probably had since…(checks LJ entries)…January of 2010.  Which means I bought that one not long after we moved to our present apartment.  And I know the one before that (a Gateway, natch) was bought sometime late 2006 or so, and that one replaced the Dell I’d bought in 2003 back in the old Belfry days.  [I don’t count the various Hewlett-Packards I had before that, because they were all hand-me-downs and lasted a few years at most.]

So yeah, that averages to about three years.

I say this, as it’s May 2016, and this current PC has started acting funky as well.  It hasn’t crashed and burned, at least not like the previous one, but it’s bluescreened at least five or six times over the past two months due to bad overwriting errors.  There’s also been an uptick of sluggishness, especially when I’m multitasking.  It’s also had a few startup issues lately, which is why I’ve been powering down via Hibernate rather than Shut Down.  I’ve already made it a habit of saving everything important on my external drives, and having my documents on Dropbox.

So as you may well imagine, I am grudgingly going computer shopping soon.  Here is my wishlist in terms of what I want it to have or be able to do:

  • High processing speed.  I’m not a gamer or a high-level programmer that needs a crapton of processing power, but I’d like something that will let me have multiple things going without slowdown.  Something that can handle MS Word, Photoshop, Media Monkey, and various art and audio software, sometimes all at the same time.
  • Lots of disk space.  I like having a buffer where I can save things straight to the PC and have the externals as backup.
  • USB slots.  Lots and lots of USB slots.  I don’t mind if they’re USBs, USB2s or USB3s, as long as I got ’em.  I gotta plug my externals and other toys in somewhere!
  • A CD/DVD RW drive.  Yes, even in this day and age, I still want/need this drive, mainly so I can rip new cds, as well as watch DVDs if I so choose.  [Hell, if it has BluRay capability I’m all for that, but I’m okay if it doesn’t.]
  • Wireless keyboard and mouse.  It’s not essential, but it would help clear up clutter and the way I work/sit at my desk.  Quality speakers might be nice too, but those aren’t a necessity either.

I actually do not need a new monitor at this time — I’m actually still using the widescreen monitor from the previous Gateway.  The power button might be a bit wonky and loose, but it works just fine and hasn’t given me any trouble at all.

So I’m thinking, in the next couple of weeks or so, I may be taking a trip to Best Buy on Geary, or Fry’s down in Palo Alto, just to see what’s available.  I’m willing to put some money into this, considering it’s a unit I’ll be using on a daily basis, sometimes for hours at a time.

And if it lasts more than three years before I run it into the ground, all the better!

 

[Noted: For those of you who give thanks to the iGods, I have no issues with iThingies in general.  I just never got around to getting on board with them, and see no reason to do so now when PCs work just fine for what I want/need them to do.]

On Writing: Who Am I Writing For?

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I’ll admit, that’s not a question I often thought about when I first started writing, because the answer was most likely going to be: well, ME, of course.  What a silly question!

I’ve tried in the past to write for a specific audience, and it never quite panned out the way I wanted it to.  Love Like Blood was me trying to write to the urban fantasy crowd.  Two Thousand was me trying to write for the litfic crowd.  True Faith was me trying to write for the sf/virtual reality crowd of the mid 90s.  All three projects have since been trunked, as I found them to be some of my worst work.  Paved with good intentions, but let’s face it: I was pandering.  I was trying to write for an easy buck.

Recently I’ve been thinking about who I’m writing for, and each time, I’ve come to the conclusion that I’m still writing for who I want to write for:  just your regular blue-collar joe who likes to read.  Yes, I’m still writing for me, but I’ve noticed the biggest response I get from readers is not always the avid science fiction/fantasy reader, but those I know who like to read a little (or a lot) of everything.  Someone who might read the latest George RR Martin but follow it up with, say, a history of 60s counterculture.  Or maybe not even that: someone who just likes reading what they like reading, and don’t necessarily fit into the definition of ‘avid fan’.

That’s not to say I find avid genre fans beneath my stature, far from it.  I just know that I’m not a hard sf writer or a military sf writer or even a high fantasy writer.  I just write what comes to mind, and I try to fill my created worlds with people and ideas that my readers will connect with.

The Mendaihu Universe might be chock full of spirituality, but I try not to write religious/spiritual fiction, which is its own genre.  The characters in this universe of mine have the same issues as readers: frustration, fear, indecision, confusion, irritation.  I put the characters into an everyday situation that just happens to have a supernatual/spiritual setting.  And for the most part, I think I pull it off, because nearly all my readers so far have commented on that as a definite plus to the worldbuilding.

I’ve been thinking about this in part because I’ve been trying to figure out how to sell my trilogy now that two-thirds of it is already out there.  It’s one thing to self-publish and release it, but it’s quite another to get it out there and advertise it.  As much as I dislike sales, I do need to think about who my target audience would be.  I know, I should probably think of this WHILE I’m writing the stories, but that can’t always happen.  Again: if I write to order, I write horribly.   I can only write what I know I can write.

But what about my other projects?  The non-MU stories?  Who am I writing for then?  I probably won’t know until the project starts.  I have some non-genre stories in mind that could easily be quirky litfic.  I have some genre stories that would fit nicely in the urban fantasy mold.

For me, I guess the only way I’ll know is when I start writing the damned things!

Ouch!

Your personal reminder, from one writer to another:

  1. Don’t forget to get up from your chair every now and again to stretch.  Your lower half will thank you.
  2. Try not to slouch in your chair.  Straighten that back as soon as you suddenly find yourself hunkered over like Quasimodo over the keyboard!  Your back will thank you.  And it will surely let you know (as mine did today) if you don’t follow up.
  3. For the love of pie, turn the chair!  Don’t swivel at your waist like that, because your sciatic nerve is going to make some noise soon enough if you keep that up.  Face your whole body in the direction you’re looking in.
  4. Walking is always a good thing.  Even if it’s across the house to check up on your kids/cat/significant other and let them know you’re still one of the living.
  5. And yes, I know it’s tempting to spend all your waking hours writing everything you love to write.  But it’s not that healthy to be sedentary for so long.  Change it up every now and again.  It’s healthy!
  6. And this is mostly for myself: drink a lot of fluids. And by fluids, I mean water, tea, and other healthy things.  A sufficiently hydrated writer is a happy, healthy writer!

This is brought to you by Jonc’s Sciatic Nerve and Its Attending Back Pains.

Thank you and (ouch) good night.

On Editing: When to Murder Your Darlings

Last night, for the first time, I deleted a complete chapter from a manuscript.  Sure, I’ve deleted or cropped whole scenes before, or shuffled them around to different sections of the novel, but never have I just said to hell with it, highlighted the entire chapter and cut the entire thing.  And just to drive the point home, I went through the rest of the manuscript and adjusted the chapter numbers.

I’d always had issues with the beginning of The Balance of Light, I’ll be honest.  There’s a lot of great stuff in Book 3, but it gave me a hell of a lot of trouble.  I think it was partly due to not giving myself a break.  Back in late 2003, I’d gone straight from finishing The Persistence of Memories to starting TBoL without downtime in between.  I was on a roll and didn’t want to stop just yet, and that didn’t give me enough time to fully plan out the book’s main plot.

Chapter One, in retrospect, felt a lot more like an unneeded prologue or pre-credits opening scene than a good novel opening.  It had a few interesting ideas, but not enough for it to hold the reader’s interest. It served very little purpose other than to set a mood, and while that might work with some novels, it certainly did not work here.  The action actually starts in the next chapter — in fact, Chapter Two (now the current Chapter One) starts in medias res.  This works a hell of a lot better for the novel as a whole, because TBoL is all about the tension.

How did it feel to delete an entire ten pages’ worth of work?  Well, me being the writer packrat that I am, I didn’t delete it outright; I cut it from the working file and saved it to a ‘deleted scenes’ document.  I’ve done that numerous times for my various writing projects, for a few reasons: one, because I usually don’t like to completely destroy my work, and two, I never know if I might want to use it in a different context elsewhere.

But it was a move I didn’t take lightly.  In fact, it took me a few days to finally make the final decision.  I wasn’t happy with the prose, either…it’s painfully obvious that I was trying way too damn hard.

There’s two things to question with this kind of decision:

  1. Is it worth keeping?  This is the obvious question, the one everyone arrives at first.  Is there a point to it remaining in the book, or is it just filler?  Even if it’s one of your favorite passages, does it help drive the plot in some way?
  2. Will it affect the rest of the plot if I take it out?  This is the less obvious question, one that isn’t always hit upon, but in a way it’s the more important of the two.  If I take out this scene, will it disrupt the evolution of any other scenes?  Is there pertinent information here that is integral to a scene much later on?

In the case of question 1, no.  Maybe a ‘shot’ or two, a short bit of character interaction that I works well, but it’s not important enough to keep it.  I can always insert those shots somewhere else and achieve the same response.

In the case of question 2, yes, but it’s easily fixable.  The chapter starts out with Denni sensing a recently awakened Mendaihu from across the city, before the action ‘pulls back’ (to continue the film references here) to the Warehouse.  This same Mendaihu shows up again about three-quarters of the way through the book* but their two minor scenes can easily be revised or rewritten.

Even more interesting is how this decision affects the mood of the book.  I knew deleting Chapter 1 was going to affect two future scenes, but I was also conscious of how starting with Chapter 2 would do the same.  Instead of starting on a quiet but tense moment, I’m starting with a punch to the head.  Which is good, because now it’s given me something to aim for in terms of dramatic arcs.

And that, my friends, is my One Weird Trick I use when editing: know your story.  And I mean that in the context of knowing it like you know your own life: inside and out, how everything interconnects, how each event affects other events.  This is precisely why I did about a year’s worth of rereading the three books: so I could know it intimately enough that, if I made a decision on one thing, I’d know how it would affect everything else.

 

*I will totally admit I was flailing at that point.  I was having some serious writers’ block and thought reintroducing an extremely minor character would shake things up.  I’d thought about having this character join Vigil at one point, but it never panned out.  The end result reads as one would expect: an obvious shoehorning of a character for no other reason than ‘oops, I forgot about them, better squeeze them in somewhere.’