There’s something to be said about finishing a novel project. 🙂
Author: Jon Chaisson
Author, blogger, music collector, cat wrangler. May contain trace amounts of sugar and caffeine. Books available at Smashwords!
Writing the End
The beginnings of my novels and stories usually get the most revision, mainly due to the fact that there’s a bit of flailing involved. I’m still trying to figure out the voice and the focus of the story, so there’s going to be a lot of dead-ends and extraneous filler that gets cut out, once I find my footing.
The endings, on the other hand, can go either way. Usually I know exactly where I want to stop; it’s just a matter of laying out how I’m going to get there. It’s a balancing game at that point…I don’t want to rush it, nor do I want to pad it out with unnecessary rambling.
I’ve made all kinds of errors in my years of learning how to write stories. I’ve written corny cliffhangers, implausible wrap-ups, unimportant ‘where are they now’ passages, and everything in between. [I can proudly say I have yet to write an ‘…and then he woke up, and it was all a dream” ending. Even I have my standards!] I usually spend as much time focusing on nailing the end as I do nailing the most important climactic scenes that come before it. I want to do it just right. Or right enough, where it can be fine-tuned in revision.
With Meet the Lidwells — I’m currently writing the last chapter at this time, and I should be done most likely this week or next — the ending has definitely been a tough one. As this is a story written in the format of a music biography, I can’t give it a nice poetic ending, or a roll-credits ending. Those books tend to resolve themselves in a slightly different way. The focus characters go on with their lives and careers, so this ending has to be more of an emotional closure. That part of their lives is over now, and they’ve moved on. And that’s been a hell of a tough one to capture just right.
I’m not looking to nail the ending perfectly, at least not right now. But when revision comes along, hopefully I’ll be able to do it justice.
Anime Nights
A. and I decided to restart our Anime Nights, something we used to do at our old place in North Beach but hadn’t done in ages since. I’ve always been a huge fan of anime since the mid-90s, though my watching habits always tend to come and go, depending on how much time I can devote to it and when it’s available. I was a huge fan of Cartoon Network’s Toonami back in the ’00s, and it introduced me to some great titles like Naruto (of which I’m still a fan), One Piece and more. We would also rent out anime through Netflix, checking up on some great titles like Haibane Renmei, Ergo Proxy and Trigun.
I kind of let it go for the last few years, mainly due to wanting to focus on finishing and publishing the trilogy, and also needing to get myself back into a consistent writing habit. But lately I’ve come to realize that maybe I should at least take a night off and watch more of the things that inspire my writing in the first place. Maybe in the process I’ll be inspired once more by newer, different stories.
Last night’s viewing, courtesy of Funimation, was finally catching up with Yuri!!! on Ice, which I believe all of our otaku friends have already seen when it was first released not that long ago. It’s a lot of fun to watch (and I now understand the plentiful shipping that went on back then).
I should also point out this was a great example (one of many) of why I love anime so much: it’s a cartoon series about competitive figure skating. It proves you can write a compelling story about pretty much anything, whether it’s about sports or cooking or high school girls starting a rock group. As a writer, it reminds me that no idea is too weird or too corny or too goofy. It really is the storytelling that counts.
It’s also made me think about finite serial storytelling. For instance, something like Cowboy Bebop. It tells a specific story over the course of its twenty some-odd episodes and its film, but it also has many shorter stories within the span of each episode. That gave me a lot to think about as a writer; it made me rethink how to interweave the main story arc around several smaller subplot arcs.
[I should add that I recently rewatched an episode while on our flight home from Boston, and realized just how great that show really is; I definitely need to watch it again.]
Then of course there’s my favorite movie of this year, hands down: your name.
I’m totally a fanboy for this film, because a) it’s beautifully made with some absolutely stunning shots, and b) its storytelling is amazingly detailed (I pick up more bits the more I watch it) and woven together in a really creative way. On the surface it looks like a girly ‘star-crossed lovers’ story but it’s not. I’ve watched it three times already this year (twice during our UK trip earlier this year) and I’m pretty sure I’ll watch it again before the year is over, just to study the storytelling.
So yeah…I’m looking forward to watching more anime in the coming months again. It’s not only fun, it almost always inspires me to come up with new story ideas and storytelling styles.
Writing Econo
The great 80s punk band Minutemen from San Pedro, CA had a wonderful motto: “we jam econo.” Tight playing, minimalist lyrics, dispensing with frivolous musical wankery. Economical writing, playing and touring, in other words. Their songs rarely hit the two minute mark; many were even under the one minute mark. [Despite the brevity of their songs, they state their name was actually making fun of the 60s rightwing fringe group of the same name.]
I wrote Meet the Lidwells with the same idea in mind; after the sprawl of the trilogy, I wanted to ‘write econo’ — dispense with as much subplotting as I could, tighter writing, constantly pushing the story along. As of this post, I’m writing the last chapter of the first draft. It looks like I may even complete the novel within the next week or so.
I started it on 28 April (not including a few weeks’ worth of outlining on index cards, as well as outtakes on 750 Words), and if I end it by the end of October, that’ll be exactly six months. Its word count is around 75k, and by the time I revise it, it’ll probably be just a little higher. If I play my cards right I might even be able to have it up on Smashwords and Amazon by the end of the year.
Those are new records for me, I think.
As I’ve said before, one of the reasons I wanted to try writing econo is to see if I could do it. And if that worked out, then maybe I could continue with it. I love writing sprawling genre fiction, don’t get me wrong…just that sprawl doesn’t always work with some of my ideas. [Another reason of course was that after working on the trilogy for so damn long, I wanted to work on shorter, quicker projects where I could turn it around in a year or less.] Sure, I did waste some time in between with distraction and procrastination, but still…six months ain’t bad at all.
I still have to revise Meet the Lidwells once I’m done with it, but at this point I’m thrilled that I was able to pull this off as quickly and as smoothly as I have.
Behind the Scenes
Every now and again I think of how fans see their favorite writers or musicians or performers when they’re not center stage with a new project. I get to thinking, this band has finished their tour, they’ve already released all the singles from their latest album, and they’re out of the limelight. So what are they doing at that point?
Well, the 80s told us that all the bands were hanging out on the Sunset Strip and getting completely shitfaced and taking an apothecary full of drugs and partying until it was time to start the whole album-tour rollercoaster again. Or something other ridiculous, overblown stereotype of some sort.
The era of social media shows it differently. Nowadays, we find that artists are working at their day job or completing freelance projects and selling their own wares at conventions. Musicians are bringing up a family or helping out a friend at a recording session. Writers are slogging away, trying to make deadlines and heading out on book tours and conventions. Any one of them might be taking a breather so they can just be regular non-famous people.
I think about something Paul McCartney once said about the length of time it took for the Beatles to record Sgt Pepper’s Lonely Hearts Club Band: “Because we were done touring, people in the media were starting to sense that there was too much of a lull, which created a vacuum, so they could bitch about us now. They’d say, ‘Oh, they’ve dried up.'”
I sometimes also think about the time it takes from a writer saying ‘I’m working on a new project’, maybe giving out vague details about it, to the time they tweet ‘YAY! It’s done! Off to my agent/editor!’, to the time they announce that it’s being released. Back in the internet age you were never sure how long it took, especially when some writers like Stephen King could have multiple books and stories out within the span of a year, while other writers might not see publication until a decade after their last release. Nowadays you can follow your favorite author In Real Time.
I think this might be one of the reasons why some writers are always pleasantly surprised when their book gets a positive response. They’ve lived with that book for anywhere from six months to a few years, and it’s all their own creation. They wrote the score, they built the sets, they sang the arias endlessly to get them just right. Perhaps maybe a few lucky backstage friends got to beta read. They or their production crew (their agent and/or publisher) may have even done the artwork for the program. They put it in the hands of their agent, in hopes that someone will be interested. For all intents and purposes, it’s a one-person show almost all the way to the end. And when they get there, they’re so immersed in their story that they’re really not entirely sure how the public will react.
It’s one of the most interesting paradoxes in the creative arts; you create something for the public to enjoy, and yet you’re never completely certain if you’ve done it right until they see it. But if you’re lucky, you have, and all that work will have been worth it.
Despite the distractions
The Day Job has been kicking my ass these last few weeks. The fallout from a new system roll-out that suffered a few growing pains, a ridiculously large workload, and everything in between. On the one hand, it all makes the day go by ridiculously quickly, but on the other hand, it leaves me hardly any breathing room. Last week’s vacation was a short respite from that, but alas, I’m still getting my butt handed to me at the end of the day.
Over the last few days I’ve been tempted to lighten the load: stop drawing my Inktober entries, take a hiatus from the blogs and the daily 750 Words, and focus only on finishing Meet the Lidwells. Or maybe even take a break from that as well.
And then it occurred to me: That’s how they win.
The last thing I ever want to do is give up my creativity for frustrating reasons. Yes, I know, this is my Day Job, the one that brings in the money. But really — do I want to put my lifelong career goals aside because of it? Hell to the fucking NO. It aggravates the hell out of me when that happens.
Even if it’s something insignificant like the blogs or the daily words or the Inktober drawings? Yes, even those. It’s part of who I am and what I want to do with my life. They’re the practice that makes me better at what I do, and I can’t give that up. I won’t give that up.
I was greatly tempted to put up a ‘fly-by’ post a few times over the last few days and say ‘I’ll be back when things quiet down’, but the more I thought about it, the more it made me angry. I did not want to do that. It felt like I’d be slacking off, or worse, not taking my writing career seriously.
Don’t get me wrong. Sometimes it’s hard as hell to balance my Day Job life with my writing life. I get that. A hell of a lot of creative people have to contend with that. We all take time off to recharge, or to regain sanity, or finish a Day Job project, or whatever. I’ve done it myself plenty of times. [Hell, I did nothing during my vacation last week except take pictures and do the Inktober entries.] But I don’t really think I’ve hit that point just yet.
I don’t want to call it. Not just yet.
Let’s Try That Again, Shall We?
Best Laid Plans were once again thwarted, and I’m pretty sure it was because they weren’t Best Laid after all. I seem to have forgotten to take into account vacation days off, busy Day Job days, and other events. But that’s okay! I’m back, we have nothing of import on the schedule for the next few weeks — in fact, I have today off and other than going around the corner to go see Napping Princess at the 4-Star, I have the entire day to get caught up on things. Sounds good to me!
[Update: My movie plan was not so much thwarted but delayed today. As you may have heard, there are currently some nasty wildfires burning north of us, and late last night much smoke drifted our way. This caused me to barely get any sleep, so I wasn’t really up to seeing a film today. Perhaps next weekend if it’s still there!]
One good thing that’s come out of this sort of thing is that I no longer feel like a failure. Sure, the frustration of going past deadline and not hitting my goals as quickly as I’d like is still there, but Everything Is Not Ruined Forever. Just gotta get up, brush myself off, and start again.
I’m nearing the end of the first draft of Meet the Lidwells and I hope to get it done by the end of this month, at which time I’ll start revisions. I’m not sure how long that’ll be, but hopefully I can give it a quick turnaround (there won’t be nearly as much triage as I had with the trilogy) and get it out by the end of the year. Here’s to hoping!
Onward and upward. Only way to go!
Fly-By: Vacation Laziness
So did I get any writing done this week?
Not a thing, other than the Inktober entries. No big surprise. Ah well.
In the meantime, have a picture of my sister’s dog, who was very happy to see us!
See you on Monday!
On the Road
I’m writing this a few days in advance, but by the time you read this, I shall be on the other side of the country, back in my old stomping grounds of western Massachusetts, visiting friends and family. And if we timed it right, I should be there just as the fall foliage is in full bloom.
I’ll be honest, I always lay down Best Laid Plans when it comes to writing while on vacation. Sometimes I’ll get a goodly amount done, but other times I won’t even touch the notebook or the Word file except on the plane. I don’t really mind, though. Sometimes I gotta look up from the page and talk to real people instead of the characters in my head!
I guess it really depends on how much work I’m willing to dedicate to it, where I’m at in the project, and what platform I happen to be using. I most likely won’t get any work done on the Lidwells project aside from maybe a bit of line reading. I might do some plotting and note-making for the Next Project, as I’m still in the index card phase there. And I most likely won’t do any work for Future Project, as that’s not even to the outline phase yet.
I can certainly write while on the road. I’ve always been able to do it. Thing is, I’m not always at the right spot in the project where it’s feasible. I can write on a laptop, but I don’t always bring it with. I’ve done some editing on my tablet, but writing is quite awkward. I do kind of miss the days of dragging a notebook around and winging it longhand…maybe I’ll start the first draft of the Next Project longhand, just for the fun of it.
That is, if I can find the time in between all the visiting and road tripping!
Inktober Again
It’s nearly October already, and my thoughts surprisingly aren’t in the realm of hokey smokes where did the time go I’m still not done with the Lidwells project! I kind of knew I’d be running a little late. I’m still on track and roughly at the point I’d thought I’d be at, so all told I’m cool with its schedule.
No, my thoughts are with the fact that after a few years, I can FINALLY take part in Inktober again! I’ve been busy with more pressing projects and Day Job stuff, but this month I find I have the time to grab my art supplies and do a bit of doodling. Which is a good thing, considering I’ve been itching to do that for a long while now. I’ve even saved the Official Inktober 2017 Prompt List to get me going.
What I’m hoping is that this will get me back into the drawing habit. I’m not forcing myself into it. It’s just like my writing and music; I just need to shut the hell up and do it already. Drawing something every day for a month, even if it’s a map or a Murph doodle or something else, should in turn remind me to make time for it.
I’ll be posting them over at my Twitter feed, but I may post some of them here as well.
Looking forward to it!
