Keeping Metrics

anime-flipping-pages-notebook-animated-gif

I have a small calendar notebook on my desk that I update on a daily basis; it’s where I log my word counts, blog entries, journal entries, and anything else creative.  It’s something I’ve done off and on for years since the Belfry days.  There’s no real reason for it other than I’m curious to see how much work I’ve done over the course of a certain stretch of time.

I do this because, like most creatives, I feel like I barely get anything done on any given day!  This logging of work actually gives me a little dose of reality to combat that.  I may grouse that I only got four hundred words done on a novel project (I’m not happy unless I get at least 500), but when I look at the day’s progress, I see that I’ve also written 800 words on the 750Words.com site relating to another project, maybe a few hundred words on writing blog post that’s not due until next week (like this one, for instance) plus a few hundred more for a music blog post, and cleaned up emails.  And maybe noodled around on my guitar for a bit as well.

And it all adds up, because I’m pretty consistent about it.  Hitting 500-600 novel words nearly every day for six months got me finishing Meet the Lidwells in record time.  And with all those outtakes and notes on the 750, I’ve got a serious amount of worldbuilding done for the Next Project already.

So yeah.  Sometimes I need a slap upside the head to show that I’m doing a ton of work, it’s just spread out over five or six different things.

What’s in a name?

your name ribbon
Yes, yet another gif from your name. :p

When I start a new story, I don’t really focus too much on character names right away.  I’ll give them a placeholder name that I think fits at least for now.  If it sticks, it sticks.  If it needs changing, well… that’s what Find/Replace is for in MS Word!

I rarely assign a name based on what the name means.  Instead, I go with how their name — and sometimes its spelling — resonates with the character that I’m creating. I’ll at least ensure the name fits the character’s culture, but that’s about as far as I’ll take it.  The character’s name, in my opinion, should fit their family’s dynamic.

For instance, Caren Johnson from my trilogy:  she has a very unexciting, stereotypical last name, as she’s supposed to come from a very blue-collar family that’s been in the police force for ages.  And her first name is deliberately spelled with a C and not a K, even though her Mendaihu name starts with a K, to hint that there’s a bit of a rebel in her.  She’s someone who doesn’t want to stick out, but she doesn’t exactly want to fit in, either.

Now, did I really think that at the time of creation?  To be honest, no.  Her name just sort of popped up when I started the book and it sounded right to me.  It wasn’t until a few chapters in that I realized that the personality I imagined from the name could be imprinted on the character.

Yeah, I do tend to do a lot of things bassackwards, but hey, if it works…!

Anyway…

For the new project, have the names of about a dozen or so characters.  All but one was created in the same way: just a name out of thin air that sounded right to me.  I still do this for the same reason, actually.  I usually have a basic idea of who the character is and what they’re about, so the name becomes a memetic or an anchor for the idea.

Sometimes the original name I came up with no longer fits and I have to change it.  I changed five or six names in the trilogy over the course of writing it, one major change taking place well into the revision period.  And that’s okay too.  Sometimes the name I come up with is just a placeholder, waiting for me to figure the character out a little more before I can assign a much better fit.  I’ve already decided to change the name of one of the main characters in my next project, because I’ve finally figured out his own family background.  Thankfully, the only places I’ll need to change this is in my notes, as I haven’t started the first draft yet.

This process of naming characters might not be for everyone, but it seems to work well for me.  I like the idea of a character’s name not always being a perfect fit; it reveals part of their personal background and fleshes it out.  That background may have nothing to do with the story itself, but it certainly could help reveal why they might act as they do.

Writing the End

the end

The beginnings of my novels and stories usually get the most revision, mainly due to the fact that there’s a bit of flailing involved.  I’m still trying to figure out the voice and the focus of the story, so there’s going to be a lot of dead-ends and extraneous filler that gets cut out, once I find my footing.

The endings, on the other hand, can go either way.  Usually I know exactly where I want to stop; it’s just a matter of laying out how I’m going to get there.  It’s a balancing game at that point…I don’t want to rush it, nor do I want to pad it out with unnecessary rambling.

I’ve made all kinds of errors in my years of learning how to write stories. I’ve written corny cliffhangers, implausible wrap-ups, unimportant ‘where are they now’ passages, and everything in between.  [I can proudly say I have yet to write an ‘…and then he woke up, and it was all a dream” ending.  Even I have my standards!]  I usually spend as much time focusing on nailing the end as I do nailing the most important climactic scenes that come before it.  I want to do it just right.  Or right enough, where it can be fine-tuned in revision.

With Meet the Lidwells — I’m currently writing the last chapter at this time, and I should be done most likely this week or next — the ending has definitely been a tough one.  As this is a story written in the format of a music biography, I can’t give it a nice poetic ending, or a roll-credits ending.  Those books tend to resolve themselves in a slightly different way.  The focus characters go on with their lives and careers, so this ending has to be more of an emotional closure.  That part of their lives is over now, and they’ve moved on.  And that’s been a hell of a tough one to capture just right.

I’m not looking to nail the ending perfectly, at least not right now.  But when revision comes along, hopefully I’ll be able to do it justice.

Anime Nights

A. and I decided to restart our Anime Nights, something we used to do at our old place in North Beach but hadn’t done in ages since.  I’ve always been a huge fan of anime since the mid-90s, though my watching habits always tend to come and go, depending on how much time I can devote to it and when it’s available. I was a huge fan of Cartoon Network’s Toonami back in the ’00s, and it introduced me to some great titles like Naruto (of which I’m still a fan), One Piece and more. We would also rent out anime through Netflix, checking up on some great titles like Haibane Renmei, Ergo Proxy and Trigun.

I kind of let it go for the last few years, mainly due to wanting to focus on finishing and publishing the trilogy, and also needing to get myself back into a consistent writing habit.  But lately I’ve come to realize that maybe I should at least take a night off and watch more of the things that inspire my writing in the first place.  Maybe in the process I’ll be inspired once more by newer, different stories.

Last night’s viewing, courtesy of Funimation, was finally catching up with Yuri!!! on Ice, which I believe all of our otaku friends have already seen when it was first released not that long ago.  It’s a lot of fun to watch (and I now understand the plentiful shipping that went on back then).

I should also point out this was a great example (one of many) of why I love anime so much: it’s a cartoon series about competitive figure skating. It proves you can write a compelling story about pretty much anything, whether it’s about sports or cooking or high school girls starting a rock group. As a writer, it reminds me that no idea is too weird or too corny or too goofy.  It really is the storytelling that counts.

It’s also made me think about finite serial storytelling. For instance, something like Cowboy Bebop. It tells a specific story over the course of its twenty some-odd episodes and its film, but it also has many shorter stories within the span of each episode. That gave me a lot to think about as a writer; it made me rethink how to interweave the main story arc around several smaller subplot arcs.

[I should add that I recently rewatched an episode while on our flight home from Boston, and realized just how great that show really is; I definitely need to watch it again.]

Then of course there’s my favorite movie of this year, hands down: your name.

I’m totally a fanboy for this film, because a) it’s beautifully made with some absolutely stunning shots, and b) its storytelling is amazingly detailed (I pick up more bits the more I watch it) and woven together in a really creative way. On the surface it looks like a girly ‘star-crossed lovers’ story but it’s not. I’ve watched it three times already this year (twice during our UK trip earlier this year) and I’m pretty sure I’ll watch it again before the year is over, just to study the storytelling.

So yeah…I’m looking forward to watching more anime in the coming months again.  It’s not only fun, it almost always inspires me to come up with new story ideas and storytelling styles.

Writing Econo

The great 80s punk band Minutemen from San Pedro, CA had a wonderful motto: “we jam econo.”  Tight playing, minimalist lyrics, dispensing with frivolous musical wankery.  Economical writing, playing and touring, in other words. Their songs rarely hit the two minute mark; many were even under the one minute mark.  [Despite the brevity of their songs, they state their name was actually making fun of the 60s rightwing fringe group of the same name.]

I wrote Meet the Lidwells with the same idea in mind; after the sprawl of the trilogy, I wanted to ‘write econo’ — dispense with as much subplotting as I could, tighter writing, constantly pushing the story along.  As of this post, I’m writing the last chapter of the first draft.  It looks like I may even complete the novel within the next week or so.

I started it on 28 April (not including a few weeks’ worth of outlining on index cards, as well as outtakes on 750 Words), and if I end it by the end of October, that’ll be exactly six months.  Its word count is around 75k, and by the time I revise it, it’ll probably be just a little higher.  If I play my cards right I might even be able to have it up on Smashwords and Amazon by the end of the year.

Those are new records for me, I think.

As I’ve said before, one of the reasons I wanted to try writing econo is to see if I could do it.  And if that worked out, then maybe I could continue with it.  I love writing sprawling genre fiction, don’t get me wrong…just that sprawl doesn’t always work with some of my ideas.  [Another reason of course was that after working on the trilogy for so damn long, I wanted to work on shorter, quicker projects where I could turn it around in a year or less.]  Sure, I did waste some time in between with distraction and procrastination, but still…six months ain’t bad at all.

I still have to revise Meet the Lidwells once I’m done with it, but at this point I’m thrilled that I was able to pull this off as quickly and as smoothly as I have.

 

Let’s Try That Again, Shall We?

high fidelity bruce

Best Laid Plans were once again thwarted, and I’m pretty sure it was because they weren’t Best Laid after all.  I seem to have forgotten to take into account vacation days off, busy Day Job days, and other events.  But that’s okay!  I’m back, we have nothing of import on the schedule for the next few weeks — in fact, I have today off and other than going around the corner to go see Napping Princess at the 4-Star, I have the entire day to get caught up on things.  Sounds good to me!

[Update: My movie plan was not so much thwarted but delayed today.  As you may have heard, there are currently some nasty wildfires burning north of us, and late last night much smoke drifted our way.  This caused me to barely get any sleep, so I wasn’t really up to seeing a film today.  Perhaps next weekend if it’s still there!]

One good thing that’s come out of this sort of thing is that I no longer feel like a failure.  Sure, the frustration of going past deadline and not hitting my goals as quickly as I’d like is still there, but Everything Is Not Ruined Forever.  Just gotta get up, brush myself off, and start again.

I’m nearing the end of the first draft of Meet the Lidwells and I hope to get it done by the end of this month, at which time I’ll start revisions.  I’m not sure how long that’ll be, but hopefully I can give it a quick turnaround (there won’t be nearly as much triage as I had with the trilogy) and get it out by the end of the year.  Here’s to hoping!

Onward and upward.  Only way to go!

On the Road

fall-leaves-autumn-gif-7

I’m writing this a few days in advance, but by the time you read this, I shall be on the other side of the country, back in my old stomping grounds of western Massachusetts, visiting friends and family.  And if we timed it right, I should be there just as the fall foliage is in full bloom.

I’ll be honest, I always lay down Best Laid Plans when it comes to writing while on vacation.  Sometimes I’ll get a goodly amount done, but other times I won’t even touch the notebook or the Word file except on the plane.  I don’t really mind, though.  Sometimes I gotta look up from the page and talk to real people instead of the characters in my head!

I guess it really depends on how much work I’m willing to dedicate to it, where I’m at in the project, and what platform I happen to be using.  I most likely won’t get any work done on the Lidwells project aside from maybe a bit of line reading.  I might do some plotting and note-making for the Next Project, as I’m still in the index card phase there.  And I most likely won’t do any work for Future Project, as that’s not even to the outline phase yet.

I can certainly write while on the road. I’ve always been able to do it.  Thing is, I’m not always at the right spot in the project where it’s feasible.  I can write on a laptop, but I don’t always bring it with.  I’ve done some editing on my tablet, but writing is quite awkward.  I do kind of miss the days of dragging a notebook around and winging it longhand…maybe I’ll start the first draft of the Next Project longhand, just for the fun of it.

That is, if I can find the time in between all the visiting and road tripping!

Schedule Shuffling

shuffling cards a
Just for the record, I have never been able to successfully shuffle a pack of cards like this.

For the first couple of days this week, I’ll be heading into the office across the Bay, as we’ll be rolling out a new platform that should (hopefully) make our work just that little bit easier.  I’m not exactly holding my breath, but we shall see.  And next week (the first week of October) we’ll be on the other side of the country visiting friends and family.

Which means that my writing schedule is going to be all kinds of wonky.

BUT FEAR NOT!  Because this time out I’m attempting something new and unexpected: I’m doing a bit of shuffling to prepare for this time when I’m afk.  One thing I’ve been doing is creating a backlog of blog entries so I won’t be posting fly-bys or skipping it altogether.  I’d like to keep y’all educated and entertained.

Anyway!  My point here is that lately I’ve been looking into how I can get more out of my writing time.  One of my worst habits when I was a teenager was doing my homework the night before it was due.  [And yes, this included writing term papers.  I was an epic procrastinator.]  The downside was that I knew I was a good writer, I just never let myself have enough time for it.  I’ve learned to get better at that in my adult years, but there are still moments when I feel like I’m squeezing out the last drops of creativity at the end of the day after doing a billion other things.

This is where the backlog come in.  I can get away with it because I’m not going out of my way to write blog posts that are up-to-the-minute.  So instead of writing the posts the night before like I’ve been doing, I’ll write them when I have a few spare minutes during the day, and especially when the inspiration hits.  And on top of all that, I can look at the calendar and see that a blog entry is due, and breathe easy knowing that it’s already been done.

Whatever works, right?

shuffling cards b
Also for the record, this is what it looks like when I *do* attempt to shuffle them in that manner.

Is There Any Escape from Noise?

Lately my sinuses have been slightly congested (partly due to the heat and the pollen from that heatwave we had a short while ago, which was followed up by a few rain storms and ridiculous humidity), and my right ear has been blocked up a little bit.  I’m not sure if it’s due to that, or if there’s wax build-up, or if I have tinnitus.  I can still hear, just the some of the treble fine-tuning seems to be muffled ever so slightly, and there is a ringing.  I’m going to keep an eye (ear?) on it and if it doesn’t get better (or indeed gets worse), then I’ll head to the doctor’s.

In the meantime, I’ve been contemplating another stretch of internet detox.  At present I’m only half-heartedly popping into social media, but I’m thinking of maybe doing another temporary unplugging.  It feels like I’m starting to have trouble filtering out all the white noise* again, so it’s time to step away for a little bit.

As you’ve probably guessed, I tend to go through this phase maybe once or twice a year.  It’s usually brought on when I’m getting frustrated with my lack of significant writing progress.  It’s also brought on when opening Twitter starts to feel more like an addictive drug hit than a social connection.  And that’s never a good thing.

SO.  Starting this week I’ve backed away from social media for a little while, and will return most likely mid-October.  I’ve got a few busy weeks ahead of me (both Day Job and vacation back to MA) so I think it’s probably for the best that I get my head quieted down and focus on what needs focusing on.

This won’t bother the Daily Words or the blogs at all…those I’ll still work on.  We shall see what happens upon return.

 

* – This is not meant to have any racial or political connotations; it’s truly white noise I’m talking about. That is, the jumble of all the voices out there, talking about anything and everything.