On Being a Writer: Document Retention

cat copier
Thats…not how it works, kitty.

I’ve been meaning to scan my longhand writing for quite some time.  For one reason or another, however, I’ve barely gotten around to it.  The Great Trilogy Revision Project took up a hell of a lot of my time, enough where I couldn’t squeeze any of that in.  Now that my work volume isn’t nearly as large as it once was, I believe I should be able to squeeze a little bit in now and again.

I used to be a pack rat with my writing, to the point where I had multiple copies of the same printed documents.  I also had a lot of spiral notebooks that only contained maybe a few dozen pages’ worth of work.  One of my first projects when we moved out here to San Francisco in late 2005 — mainly to keep myself busy while I waited for job openings — was to go through these countless printouts and shred what wasn’t needed.  I had two large storage tubs, a few milk crates and two wooden boxes full of stuff when I started.  As of today, I have everything in manila folders on two shelves of the bookshelf next to my desk, plus a few straggler folders elsewhere.

Over the years I’ve been meaning to create pdfs or something similar so I at least have a digital image of my work.  The most obvious reasons are the security and the ease of access: I save all my writing-related things on a cloud already, so this would put everything in one place for reference, and so I wouldn’t have to worry about losing it.  And if the apartment went up in smoke, the only thing I’d have to grab is my external drives where my music collection is!

I’ve attempted it a few times in the past, of course.  The only failure those times was due to a low-end scanning device that took one look at the amount I wanted to scan, LOL’d at me, and decided not to work anymore.  I now have a much higher-grade printer/scanner/copier — not to mention a lot more time to work with — so I have no excuse to put it off any longer.

So is any of this writing worth the work?  On a personal note, sure.  I have mostly fond memories of writing most of this stuff, even if I did end up trunking a high percentage of it.  It’s part of what made me the writer I am now.  You can definitely see the evolution of my writing style, the themes I often revisit, the imagery I like to use to tell my stories.  My own writing also shows where my mind and emotions were at the time, and my attempts to make sense of them.  I’ve even come back to a few of these trunked works to steal a scene or two for one of my successful books and stories.

Is any of it worth saving on a ‘donate my papers to a public/college library’ level?  Maybe not, but it’s worth saving for my own reasons.  It’s not just my stories, it’s the story of me as well.

Out on the fringe

abitw

I still think about that bit of graffiti we used to see in the back parking lot down in Northampton in the 80s, spray-painted impossibly high up on a brick wall and perfectly visible from Main Street if you looked directly down Cracker Barrel Alley, just around the corner from Main Street Music.   It was just one word, deliberately spelled:  ANARCY.

For some people, it was pure collegiate thinking so typical of the Pioneer Valley — next-level meta tagging against The Man as well as against the Rebellion.  For others it was simply a bit of clever smartassery.  For me it was a bit of both.  I liked the idea that not only were they rebelling against the mainstream, they were also rebelling against the ‘alternative’ mainstream, so to speak.  It made me think about what it means to be a nonconformist:  there’s more to it than just being the opposite of whatever the prevailing crowd is doing, even if that particular crowd is full of alternative-minded people.  I also loved that it made you look twice and say “Heyyy, wait a minute…”

I’ll be honest, I wish I’d taken a picture of it at the time, because it’s one of my fondest memories of the 80s.

Why this ongoing fascination with nonconformity lately, you ask?  Good question, and I think I have more than a single answer for it.

First, it’s a part of my revisiting some of my old ideas that worked out really well that I’d put aside for a while, for one reason or another.  It’s not just reminiscing about my teen years of listening to college radio and wearing weird tee shirts and ugly duster jackets and being a weirdo.  I’m not trying to recapture that.  It’s me thinking about why I was like that, how I felt when I gave myself that sense of emotional, intellectual and social freedom.  Thinking about it thirty years on, it’s less about trying to recreate that mood — an error I made countless times over the years — and more about following up on the philosophy behind it all.  Maybe there’s some truth to what I was thinking back then, that I can finally act upon, now that I have the knowledge and experience and a different setting.

Second, it’s part of coming to terms with why I didn’t completely follow up with it all.  I had reasons for holding back how far I could go with it.  It clashed with my instinct for wanting to please others before myself (which would get the best of me more often than I care to admit).  I didn’t necessarily want to make waves within my own family, not when I really had no reason to in the first place.  And it’s kind of hard to rebel against a mainstream when the social cliques of a small New England town in the 80s couldn’t be bothered either way.  They just call you a weirdo, make fun of you for a few moments,  and leave you alone.  In the end, sometimes you just wanted to be a normal kid and leave it at that.

Third, it’s part of figuring out who I am now, within the context of the society we live in at this time.  I’m now seeing a lot of parallels between my past and present, what with all the talk about a popular idiot I can’t stand, who delights in ruining the days of others because it makes him feel better about himself, pretending that he’s the alpha.  There’s also the parallel of the incurious, unquestioning followers of said alpha, who’ll just join in on the fun of punching down.  My instinctive emotional reaction wants to take over, now as then, only this time take it to the white noise of social media, and I would not be alone in taking that route.  But I no longer want to take that route.  As I keep saying — I’d only be adding to the noise that’s already there.  [I’m not dismissing this soapboxing as a valid step here…I’m just saying it’s something I no longer want to do.]  I could hide behind my notebooks (or go online) and bleed out my emotions just like I did thirty years ago, but I no longer want to do that.  It’s therapy, but it’s not entirely productive for me.

So where am I now?  Where I am is relearning my intellectual instincts. I’ve had those in the past, I just didn’t always follow them, often to my own annoyance or misery.  I’ve cleared the road of as many distractions and pathetic reasonings as I could, and the path is a hell of a lot clearer than it was in the past.  Owning up to who I am and what I want to be, and doing my best to stick to it.  And most importantly, any response I have to events and situations has become thought-out and processed instead of reactionary.

And how does this tie in with my writing, you ask?  Another good question. I’ve been thinking about that a lot lately as well.  As I’ve said, it’s one of the main reasons I chose to self-publish; a lot of my stories are interstitial, meaning that they don’t quite fit perfectly into the expectations of more mainstream stories.  I don’t mind that I don’t quite fit in; in fact, just like my personal life, I embrace that.  The few times I have tried writing mainstream, it was disastrous.  I’m a fringe writer.  Not necessarily writing about the fringes, but being a writer whose style doesn’t quite fit in to the mold of mainstream publishing.

It wasn’t a path I chose lightly, but it was the one that was available to me, and the one that made the most sense to me.  It’s not exactly a harder road to take, but it’s a lot of work and I have to be up for it.  There’s a lot to learn and remember.  I’m still learning to this day.  It’s a strange balance of figuring out how the mainstream pros do it and implementing that into your own production.  It’s okay to imitate the cool kids if it gets you were you need to be, you just don’t have to be one of the cool kids in the process.

A bit of anarcy never hurt anyone, when used correctly.

More on World Building

makoto shinkai yn
Still from the anime Your Name, which you should definitely watch.

Yes, yes, I know.  I love talking about world building.  It’s one of my favorite parts of the whole process.  And one of the reasons I love it is because it’s always ongoing.  Rarely do writers come up with a complete history of the characters and the world they live in.  And conversely, quite often writers are thrown for a loop when an unplanned but much needed figment of a character’s personality shines through.

Recently while doing some work on the Secret Next Project, one of my main characters suddenly decided to change from snarky and a bit wild, to moody, highly intelligent and deeply caring.  Part of this was due to a later outtake where I had him working with another main character (specifically a moment where they had to trust each other completely) and instead of trying to shoehorn him into my original idea of him, I ran with the new idea instead.  Their connection with each other suddenly became an extremely important plot point, especially as it mirrors their fathers’ history.

I love it when a major plot line pops out of nowhere like that.  It’s that moment where the larger story as a whole suddenly starts falling into place.  [Mind you, my reaction to this is usually not an emphatic “YES!” but more of a smile, a nod, and a thoughtful yes, that should do nicely.  Then I’ll spend the rest of the evening secretly squeeing on the inside.]

One rule I’ve given myself for Secret Next Project is to not dismiss ideas out of hand.  If I come up with an unexpected leftfield idea, I’ll think it through and see if it’ll fit within the context of the larger picture.  So far it’s worked quite nicely, as the story has taken at least four unexpected turns and has evolved into something much deeper and more complex than I expected.  More to the point, it surprised me that it happened so quickly; I’ve only worked on this for less than a month and already I’ve got almost a full storyline idea.  That never happens that quickly for me.

This also means that it’s clearer and more complete quite early on in the game; another thing that almost never happens for me.  The same thing happened for Meet the Lidwells, to be honest; I already had a pretty solid idea of the entire story by the time I actually started writing it.  I’m not feeling my way in the dark nearly as often as I did with the trilogy.  With the Secret Next Project, I’m yet to work out the complete plot, but I’ve got nearly all the important beats I have to hit already.

To be honest, world building really is a game of balances.  Elaborating versus using what you already have; choosing which fate works best for the character; creating enough to make it realistic but not getting bogged down with details.

There’s more to come, of course, but learning how to balance it all is the best part.  That’s what makes the story, and the storytelling process, interesting.

 

 

 

HEY LOOK IT’S A BOOKSALE!

btown trilogy halfpage ad front b2

STARTING TOMORROW!

For all of July, all three books in the Bridgetown Trilogy will be on sale!

Book 1, A Division of Souls is, as always, FREE to download!

Books 2 and 3, The Persistence of Memories and The Balance of Light, will be 50% off!  This means that you can get ALL THREE BOOKS FOR THE PRICE OF ONE.

It’s MADNESS, I tell you!

So starting tomorrow, head on over to this here page at Smashwords, scroll down to the bottom, and have at it!

lokimadness

Lazy

sleepy cat

It wasn’t as if I’d had an energy-draining day at the Day Job on Friday.  In fact, it was smooth sailing for most of the afternoon.  I kept myself busy by catching up on personal emails and listening to some new release tunage.  After work we went for a walk to the Legion of Honor Museum up on the hill (it’s just a little over a mile from our house by foot, uphill 98% of the way) for a sneak preview of their Degas, Impressionism and the Paris Millenery Trade exhibit.  A bit tired from the walk but otherwise just fine.

Did I get any writing work done, though?  Not a word.

Nor did I get any work done Saturday, when we went to see a movie at the Opera Plaza (the documentary Letters from Baghdad) and afterwards stopped by Green Apple to buy a few books I’d been looking for.  I did turn on the PC to update a few drivers and software, but spent the rest of the day catching up on webcomics that I’d been backed up on.  [I’m a big fan of webcomics for multiple reasons and will most likely have a future post on them at some point!]

Sunday was shopping day, so hopefully some time tonight I’ll be able to squeeze in some Lidwells work.  If I’m not distracted by other things!  Heh.

It’s not all that often that I’ll take a day or two off without feeling some sort of guilt.  I’m at that point in my writing career where I’m once again comfortable with my processes, that I don’t feel the need to rush to get things done.  [I’ll still kick myself for procrastinating, but that’s more about getting my daily processes started in the first place.]  I can afford a few days off where I’m living a normal life, watching TV and going out into the world and whatnot.

It’s a struggle of many writers, considering many of them are like me, juggling their writing career with their Day Job.  You can’t really decide ‘I’m gonna play hooky from my Day Job, I deserve to do it now and again’, at least not without consequences and/or lost pay.  On the same token, you don’t want to do that with your writing either, because a) that’s admitting your writing is less important (which you do NOT want to admit), and b) that’s one less day you’re moving forward, one more day your story is just sitting there, doing nothing.  It’s also why, when writers do take a day off from writing AND their Day Job, it’s usually for vacation purposes and purposely doing nothing, and STILL feel guilty about it.

Still, it’s a struggle I’ve gotten under control.  I’ve been hitting over 2000 words daily, between blog posts, personal journalling and occasional poetry writing, the 750 practice words on Secret Next Project, and Lidwells.  My deadline stress is light.  My near-future plans are clear.  The docket is a hell of a lot clearer than it was just a few years earlier.  I can afford to take a writing day off…especially if that day is spent reading and watching other people’s creations with an eye on what their own processes were!  [See what I mean about Writer Brain never being completely turned off?]

I can afford to be lazy every now and again, and not feel the least bit guilty.  I just need to remember to enjoy it!

A product of my generation

1984
courtesy of 1984, Michael Radford 1984 version

Somehow I found myself listening to 1984 the last few days.  It may have been sparked by hearing my favorite song by The Fixx, “Deeper and Deeper” (the end credits song to the movie Streets of Fire from that year) on an 80s Sirius XM channel.  This in turn influenced yesterday’s Walk in Silence, with the various songs that I was listening to at the time.  And as is my wont, I’ve gone down the rabbit hole and am listening to various songs and albums from oh so long ago.

I was thirteen at the time, seeing the back end of junior high and entering high school as a freshman, hoping that life would be a bit more exciting and less drama-filled.  [Seriously, what is it about middle school and everything in life sucking?]  I’d just started focusing seriously on writing, to the point where I probably spent more time on the Infamous War Novel project than I did on my homework.  It just seemed a hell of a lot more exciting to me.

Thinking about it now, I’m fascinated by the parallels between then and now.  A resurgence of ultra-conservatism, American exceptionalism, international terrorism, sexism, ism ism ism.  I’m even a bit weirded out that we could fit Russia into this equation again.

With the current administration doing whatever it thinks it’s doing, I’ve been sort of preparing myself mentally to get through it.  I could easily fall down the other rabbit hole — the one where I fall prey to the doom and gloom and feel like shit until it’s over and done with — or I can learn from the past and know that there will indeed be a light at the end of this tunnel soon enough.  [Granted, this tunnel is a detour that we really truly did NOT need to take and it’s a big pain in the ass for all involved.]

Personal point being — to get through the troubles and frustrations of today, I’m thankful to have a decent memory of the past.  It helps me to stay one step ahead of the beast.

In the context of writing: this is part of why world-building is so important to me, and it’s also why I’ve been working on future projects with the 750 over the last few years.  When I was first starting out way back in the 80s, figuring out how it all works, I just sort of made up the scenes as I went along, with a somewhat vague overall plot line being nudged ever so slowly forward.  The end result was patchy and inconsistent at best.  Writing these practice words for a project I haven’t even started yet gives me just enough of a world and a plot to base it all in.  It helps me to stay one step ahead of that beast.

It’s tricky, and you really need to know yourself and your own thought processes, but it’s worth it in the end.  It’ll keep you sane, that’s for sure.

 

 

 

 

“I am sick when I do look on thee.”

Hiddleston Henry V a
Tom Hiddleston as Henry V

I’ve said it before: I really don’t want to wax politic here, I really don’t.  This blog is about writing.  It’s about my love of writing, the things I’ve learned that I want to pass on.  It’s a part of my lifelong career.  I don’t want to wax politic because a) that’s not what this blog is about, b) I don’t want to bore you/chase you away, and c) I try to avoid said waxing as much as possible these days for health reasons.

So I’m just going to say this about Shakespeare in the Park’s recent interpretation of Julius Caesar:  to be honest, when Shakespeare is reworked and set in a more current context, quite often it’s bloody fantastic.  We saw a recent version of Hamlet that took place during an extremely paranoid Cold War that worked perfectly.  West Side Story (aka Romeo and Juliet, of course) is one of the best musicals ever made.  The Globe Theatre’s version of A Midsummer Night’s Dream set in present time that we saw last year was absolutely hilarious.  So a version of Julius Caesar in which JC is a very clear interpretation of Donald Trump?  Totally makes sense to me.  [And yes, it is true that the same troupe did a version some time ago using Obama, to little or no controversy.]

The issue here is not using a sitting President (a term I presently use with a bitter taste in my mouth, natch) in a play in which a major plot point is that he snuffs it.  I mean, come on — remember Primary Colors (the book and the movie), which was supposed to make Bill Clinton look like a moron?  LOLs for days from the right wing, as I recall.  I saw the movie myself — it was pretty bad quality, but its ham-fisted attempts at cleverness didn’t give me the vapors.

The issue here, at least for me, is the willingness to be so incurious, so impassive, so willing to blindly idolize a person to the point that logic flies out the window.  Or as Darrin Bell’s comic strip Candorville put it so wonderfully yesterday, “I’m starting to think you’ll say anything just to win an argument.”  The vocal backlash was boggling.  Blessedly short, but boggling.

On the plus side, it’s ridiculous situations like this that empower me even more to keep on writing.  I don’t need to fight against pointless agruments like this.  These voices may be loud and have a network megaphone, but they’re also a shrinking base.  The longer this play goes on, the less comedic it becomes.  There’s the unfortunate byproduct of all this, in which certain people will find this claptrap as God’s Truth and hurt someone, and I do sometimes fear that will escalate if this keeps up.

BUT — I refuse to lay down my quill because of it.  More to the point, I want to pick it up more often.  To keep sanity alive and kicking.

Trying a little something new

hanks-aol

With my Sort of Secret Next Project taking up my daily practice words, I’ve been tearing down some of the boundaries I’ve had set up for ages.  I suppose you could say it’s part of the ‘own it’ mantra I’ve been using lately…instead of trying to find reasons not to write a certain scene for whatever reason, I’m forging ahead and writing it anyway.

These are passages that work within the context of Secret Next Project, of course.  It’s not so much about pantsing the writing as I’m letting myself come up with things that I would normally not write.  Here’s the thing: when I’m writing a character, I have to have at least some connection with them, whether mentally or emotionally.  I get inside their head and see how they tick.  This is all well and good, but there is the tendency to write samey characters, or worse, write Jonc Personality #483.

I tried (and I think mostly succeeded) writing this way for the trilogy, especially when I had to get inside the head of characters like Denni and Amna, who were major players with a hell of a lot of stressful issues going on.  I think this is also partly why I trunked some of my earlier novels, because I’d failed.

The Secret Next Project involves quite the menagerie of characters, so I definitely need to stretch my boundaries there.  In writing my daily practice words, I’ve been doing my best to set as few boundaries as possible.  In the process, over the last couple of days I found myself writing some passages that surprised even me!  And I like that feeling.  It means I’m doing something right.

 

…That said, it also means I still need to focus mostly on Meet the Lidwells.  Which means the Secret Next Project is currently also the I’d Rather Be Working On This Fun New Project Instead Project.

As is typical of any writer, of course.

Why I self-publish

dead poets society
from Dead Poets Society

Well, that’s a good question.

It’s a question that came to me the other day when I received an email response to an agent submission that I’d completely forgotten about.  I’d forgotten about it because I’d sent it out early in March of 2015, over two years previous, for A Division of Souls.  One of the last times I’d submitted a manuscript before deciding to self-publish the trilogy.  The response was a rejection, but a nice one…they explained why they felt they couldn’t connect with my book.

I’m totally fine with that.  In fact, I’m totally fine that it was rejected, and that it took two years for them to respond.  I’m actually kind of touched that they not only took the time to finally respond, but they read my submission and gave a reason why they didn’t accept it.  That doesn’t always happen.

I thought about it some over the weekend, and realized that if I had heard back from the few agents I’d submitted to then, and if, in a stroke of luck, my manuscript had been accepted, then I’d have most likely gone a different route in my writing career altogether.

Instead, I’d given them all three months to respond — a generous amount of time to be honest — and after a no-response from a fly-by follow up, that’s when I chose to self-publish the books.  A Division of Souls would be self-released that September, and I’ve stayed on that course ever since.

Over the course of the last two years, I’ve come to the conclusion that there’s multiple reasons why I self-publish.

  1. Quick turnaround.  Let me be clear on this: I totally get that it takes a long time to go from submission to finished product.  I’ve done my homework; I completely understand what goes into releasing product via an established company.  Self-publishing on the other hand means that it’s all on me, which means I don’t need to worry about my release conflicting with someone else’s.  It also means that the wait for the end result is all on me; I assign my own deadlines and schedule my production work and release dates.
  2. The DIY attitude.  In the process of learning the ropes from the pros, I’ve also learned a secret: I can take those same steps on my own.  As I’ve stated before, I’ve treated all my books as if I were a punk band self-releasing my new single.  It won’t have the high gloss or the artful editing, but it’ll be something I think is pretty darn cool (and from what I’ve heard from readers, I think others feel the same way).  This has become one of my favorite reasons for self-publishing.  It’s a lot of hard work, but it’s work I absolutely love doing.
  3. I’m a loner, Dottie.  A rebel.  This is the reason for self-publishing that I’ve been thinking about lately.  I know that my stories don’t exactly fit into a specific mold.  I know of professionally published authors who have this issue, where they are unable or unwilling to work on a project due to its possible inability to sell commercially.  Some of them have even stopped writing altogether, or have written in a completely different genre (and even written under a new pen name) to circumvent the failure of their chosen career path.  This in particular caused me to think about how that would play out, had I gone the professional route.  To be quite honest, I’m sure it would have frustrated the fuck out of me and might have even caused me to rethink what the hell I’d done with my life.  [And on a personal note, it most likely would have thrown me into a long and deep funk.  Definitely something I prefer not to deal with again in my lifetime.]  I’m not a commercial writer; I’m not the best at that style, and mainly because it doesn’t interest me.   As soon as I’d self-released A Division of Souls, I knew I’d chosen the right path.  I can write what I want and not have to worry whether or not the publisher will be able to market it.  Again, that’s all on me, and I love being creative about stuff like that.

Self-publishing is a hard (and sometimes expensive) road, but it’s the road I’m best suited for.  It excites me on almost every level, from the writing to the editing to the cover art, and even to the release.  My only constraints are of my own making.  I may not be pulling in the dough, but I’m putting my work out into the world, and I love getting responses about it.  Plus I’m paying it forward by telling you about the process here at my blog, and now at a growing number of conventions.

It’s a hard road, but it’s the one I chose, and I’m glad I chose it.

Yoiks and away!

daffy yoiks and away
This is what being a writer feels like sometimes, folks.

Another thing about perseverance, especially when you want to be a writer, is knowing full well that you’re going to face-plant into that next tree, but you go ahead anyway, scream “Yoiks, and away!” and make the jump.

It took me a long time to figure that out.  I’d say most of my 90s output was really just about fostering the writing habit, getting used to it, getting better at it, little by little.  Sure, I had delusions of grandeur that I’d be able to sell what I was writing, but there was always a small part of me that knew those delusions were exactly that.  My attempts at submission then were during a time when I had no idea if I was any good.  If they’d get accepted, then I’d figure I was on the right path and doing something right.  If they didn’t, well…at least I knew that I still had some ways to go.

I still metaphorically face-plant into trees on a regular basis, of course.  This time it’s less about quality or submission success, and more about dedication and time management.  On Wednesday I wasted too much time doing other things that I didn’t give myself enough time for my daily practice words.  I only got a few hundred down before I had to log off of that and get some Lidwells work done.   I made up for it Thursday by avoiding Twitter* and making a point to get the practice words (and a few other creative things) out of the way early.

(* – Well, given that it was filled with comments, hot takes and livetweeting of the James Comey hearing, I had good reason.)

That’s the thing, really…despite the face-plants, I still have to shake it off and jump again at the next opportunity.  Maybe one of these days I’ll clear all those obstacles.