World building when you’re not an expert

My new project takes place partly on a space waystation, but I will admit that I am certainly no expert in writing hard SF where such things would be normal. I’m pretty sure I’d need to consult a LOT of people just to get all the technical things correct.

But to be honest? That’s the least of my problems, because that’s not what the story is about. Theadia will be told from the point of view of two of its citizens who live on the bustling waystation, which has its own city, suburbs and cultures. They’re just two working class kids who aren’t all that interested in knowing how to fly a station-to-planetside transport because there’s no reason to. It’s just a form of public transportation for them. They’ve got more important things that concern them.

I was partly inspired by the Wayfarers series by Becky Chambers and to a lesser but still influential degree, Ann Leckie’s Ancillary trilogy. There’s also a bit of Cowboy Bebop and Star Wars: Resistance in there as well, among other things. I liked the idea of a local space station/stargate hub being used not so much as a hard sf thriller but mostly as setting. Like Diwa & Kaffi, it’s more about the people within the station rather than the setting itself.

Of course, I do have the usual rules and regulations to follow, even though they won’t be visible in the story itself. For instance, a ship so big and in geosynchronous orbit with its local planet would of course be incapable of reshaping itself and achieving escape velocity as if it was some Robotech warship. There’s also the matter of keeping the balance of on-ship citizenry and visitor count stable, both physically and economically. I came up with similar House Rules when I wrote the trilogy as well; there are some things that can be done, some that can’t, and some that really shouldn’t. These aren’t arbitrary rules, they just make the fictional society, and the story, run a hell of a lot smoother.

Given the few ideas I have for this story so far, I don’t need to worry too much about the technical details. If I need them, well…that’s where additional research and outside assistance will come in. But for now I’m not going to burden myself with it. Right now I’m more interested in creating that on-ship society, its ‘city’ environs and even its traffic infrastructure. Most of the focus will actually be on the two characters and their friends and family anyway.

Theadia might not contain any zero-g chases or bypassing security in air-free cargo holds, but that’s okay…that’s not the story I’m planning on telling anyway. Our heroes are more fiddle-with-the-data anyway when it comes to things like that. Things that you and I might pull off. And that’s the trick, at least for me: sometimes all you really need to do is enough world building to make it realistic for your characters. The rest is just shiny and cool-looking artifice.

Starting a New Project

I’m happy to say that I’ve been consistent on the Daily Words all week so far, and I’m hoping to keep it up until further notice. I’m super excited to return to it! After backing away for a good number of months and for varying reasons (most of which I’ve already explained in previous posts), I felt I was more than ready to get back to what I’d like to think I do best.

What am I writing, you ask? It’s a new-ish project, something I’d been playing around with during the waning days of my Former Day Job. Right now it’s going under the project name of Theadia. It’s about two best friends who find themselves in intrigue much bigger than their immediate surroundings. I’d say it’s a mix of the lighthearted approach of Diwa & Kaffi and the immersive world of the Bridgetown Trilogy. Best of both created worlds! Heh.

This is the second new project of mine where I’m following my new and improved approach to writing. A lot of the processes are still the same — I’m still a bit of a pantser with minimal outlining, and yes there is already a playlist/mixtape in the works — but like D&K, I’m approaching the story organically by letting the characters tell me what the story is. With the Trilogy (and to some degree, both Meet the Lidwells and In My Blue World), there was a set universe and I had to ensure the characters worked within its confines. This time out, I’m letting the two main characters discover themselves as well as the bigger story that surrounds them.

Is this a sane way to write a novel? Sure, if one remembers to set up certain rules and boundaries, as well as a final goal. Yesterday I wrote up some rules and regs of the place where a good portion of the story takes place. I also started building up the framework of The Long Term Plotline. This is the plot that I’ve borrowed from anime shows for the last few projects: the one that’s only hinted at near the beginning (which, on the other hand, focuses mostly on character development and single episode arcs) but grows and expands as the overall story goes on, until it becomes the main plot that drives the rest of the novel.

Am I worried it’ll crash and burn? Sure, I always feel that way at the start of every project. It’s either that, or I’m so excited by it that I crash and burn before it’s finished. But if I have faith in the story, I’m willing to see it through. I’ll know if it’s a success once I’m done.

Sometime to Return

I ran away I walked a fine line
Wasting time only to find
You were callin’ I think finally
To remind me I am fine

Whoof. It’s been HOW LONG since I posted here? At least a couple of months. What the hell have I been doing all this time? A bit of this, a bit of that. Going at my own pace for once. Figuring a lot of personal shit out. Cleaning out the attic and the cupboards and rewiring the circuits, so to speak. I haven’t been nearly as productive as I’d like, but I have to remind myself I’d taken this hiatus precisely to break myself out of that mindset.

And now I’m back. Hell, I’ve even built up my whiteboard schedule again! It was a much-needed vacation, but now I need to get back to work. I’ve only got the barest of plans (which to be honest is kind of par for the course for me anyway), but I have the drive and the goals again. And that’s enough for now. That’s all that’s needed.

I don’t know what I’ll be working on next, other than doing the non-creative parts of Getting a Novel Out Into the World for Diwa & Kaffi, but as soon as I know, you’ll most likely be hearing about it here. In the meantime, I’m returning to the blogosphere with both Welcome to Bridgetown and Walk in Silence — same schedules for both — and I’m really looking forward to it all.

Doing the best I can
With or without a plan, I’m taking what I can get
I haven’t seen nothing yet
If one day you wake up and find what you make up
Come and get me, come and take me there