rebellion

I’ve been thinking over the last few days that while Theadia focuses on a set number of main characters, the world building has grown enough that I can definitely see some minor side stories cropping up over time. And given that Theadia is about protest and rebellion of different sorts and flavors, writing short fiction about those affected by the events within the novel sounds like a lot of fun.

One, of course, came to mind: a young teenager hearing the sounds of rebellion for the first time. What if their reaction to hearing that sort of thing was a parallel to, say, me discovering college radio in the mid 80s? Two different levels of mental and emotional awakening, sure, but it’s hard to resist when the outcome is the same: getting your mind blown for the first time by the idea that there’s a much bigger and better universe out there than what you’ve experienced in your own small regimented world. And that someone’s out there, boldly telling you that you’re not bound by the rules that stifle you — be that rebel if you have to be.

There’s more ideas out there, sure. After all, a lot of this novel is inspired partly by what’s going on in the real world here and now, and how it’s being handled (or not handled) (or handled terribly) by certain people. Everyone’s got that kind of story out there, waiting to be told. And I’d like to know what some of them are.

I am coming ever closer to the final act of Theadia, which means that I have to craft what I think is the perfect ending for the story. Mind you, I’m not looking for perfection per se, as that would just be madness. Like the third act of The Balance of Light, I have to work out an ending that both wraps up what I’ve been trying to say with the story, and also gives it a sense of proper closure, and I have to do that using several moving parts of my own creation. It can be tough and daunting, but it’s doable.

Thing is, the cast of Theadia is not your typical group of uber-savvy tech nerds, nor are they artillery-laden soldiers or maverick pilots. (Well, one of them is a maverick pilot, but his flashiness is only used once, and for a good reason.) Those aren’t the characters I wanted to write, and that’s not the kind of novel I wanted to write either. The point here is that I don’t want the ending to be a Winner Take All, Honor Saves The Day sort of thing.

I’d said previously that I’d been thinking a lot about nonconformity lately, and I think that works here in Theadia as well. The book’s cast might hold jobs that require they follow the rules for the greater good, but their story is about not following the rules for the greater good. The repeated mantra in the story is a single question: if you could…would you do the right thing? Every character asks themselves that at one point or another, and often when they have to question authority. Their decisions are never about rebellion for the sake of it…they are about going against norms because it’s the right thing to do.

Will it make a difference, though? That’s another question I’ve been asking myself, and I’d like to think that it will. Maybe not in the grander scheme of things; their actions won’t be universe-altering, but they certainly might affect things on the local levels, and that’s what matters. They’re well aware that it could cause all kinds of trouble after the fact, but it’s still worth it.

I’d like to think there’s a little bit of real life truth in that as well.

Tag: rebellion

Theadia: Side stories…?