Fly-By: London Calling

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Oh, hi there! Yes, I am still here among the living. We’re currently staying in a nice quiet hotel in the Earl’s Court neighborhood of London, and we’ve been doing all sorts of sightseeing, museum visiting, and pub crawling the last few days.

I admit I don’t currently have any new posts at the moment other than this fly-by, but I have some things going in the background that I shall share soon enough. I’ve also been getting a decent amount of page count for the new MU story as of late.  It’s been a busy but fun vacation so far!

Talk to you soon, yeah?

In a Room Other Than One’s Own

Calvin & Hobbes @Bill Watterson
Calvin & Hobbes ©Bill Watterson

I’ve gotten pretty comfy writing back here in Spare Oom.  I’ve got my PC for goofing off online research and music soundtracks.  I’ve got our old love seat back here, which I’ve been using for my longhand writing.  I keep the window slightly ajar and the blinds open to remind me there’s a world outside.  I’m just down the hall from the living room so if A needs me, she only needs to call out.

But what about writing elsewhere?

I’ve worked elsewhere in the apartment over the years.  I restarted the last chapters of The Process of Belief back when my computer was in the living room.  I’d sit next to A on the couch and work on the Bridgetown Trilogy revision while we had something going on the TV.  I’ve worked at the kitchen table while A and one of her friends watched a movie.  And recently I’ve done some longhand out there as well.

Writing elsewhere can definitely be a great exercise, especially if you’re someone who doesn’t want to miss out on deadlines, self-imposed or otherwise.

During our trip to Manhattan a short while ago, I managed a few pages during the flights, and I got a few more at the end of the day in our hotel room.  And over the years, I’ve written in all sorts of places.  There’s a passage in A Division of Souls that was written in a cheap hotel where I decided to stay rather than drive home during a snowstorm.  I’ve worked on the Bridgetown Trilogy revision in hotels in Portland, Cambridge, Seattle, and even Paris.  A number of scenes, notes, and brainstorming ideas for all three Bridgetown books were written during SF cons.  And I almost always get a good portion done during vacations.

writers_on_vacation

It can definitely be done, if you’re willing to work.  That’s not to say that you should abstain from having fun during your vacations.  By all means, go out and see the world!  Do some people-watching.  Pick up on localisms, regional cultures, things otherwise mundane that would actually brighten up your characters.  Listen to how they speak, check out what music they listen to.  But at the same time, feel absolutely free to sit down at that sidewalk café, drink your coffee and eat your beignet, and think about nothing else but being in the moment and enjoying it.

We’ll be heading out to London in a few days, and I plan on getting a lot of writing done while we’re there.  I have notebooks at the ready, my camera for reference shots, a shopping list of books and cds to look for.  But this will also be a continuation of our previous trip there last fall for Worldcon.  That trip turned into a long bucket list of music-related places to visit (Abbey Road, Baker Street, Berwick Street, Savile Row, etc.), historic museums (Tate Modern, Victoria & Albert, Portrait Gallery, etc.), and points of interest (St Paul’s, Waterstone’s, Whitehall/Westminster).  This is going to be the Extended Remix, in which we’ll hit all those places again as well as those we missed the last time, this time at our leisure. [Yes, I just pronounced that as “lezh-err” instead of “lee-zhur” in my head.  I’m totally ready for this trip.]

Point being:  By all means, if you want to get some writing done while on vacation, even and especially if you don’t exactly need to, go nuts!  Go for it!  Write like the mad, crazed weirdo that you are!  It’s well worth it if you decide to make it enjoyable.  Don’t worry about perfection, just have fun with it!  Play with a subplot.  Come up with an outtake that you can share online with your blog followers.  Play around with character development.

Just be sure to balance it with just having fun in the real world!

A Bit More About Day-to-Day Balance of Work, Writing, and Play

Some of us writers tend to think of writing as separate from work and play, like it’s a third piece of the balancing-your-life puzzle rather than filing it under one or the other.  I’m one of those, purely out of semantics.  I think of ‘work’ as my day job.  I think of ‘play’ as goofing around online, watching TV or going somewhere with A., or some form of entertainment.  Writing?

Well, writing, at least for me, is a synergy between the two.  It’s work — hella hard work sometimes — because my brain isn’t just thinking about the part of the story I’m telling at that very moment, but also thinking about the story’s end result so many as-yet-unwritten pages in the future.  At the same time it’s an incredibly fun process, because I’m creating something and I’m proud of my ability to do so, especially after all these years of practice.  To that end, I end up thinking of it almost as a second job, albeit one that I enjoy doing.

The trick, at least lately, is to remind myself not to sit on my ass all day long, sun up to sun down.  There’s a life out there, outside of the nonstop chugging of my mind gears.  That’s why we make it a point to hit the local YMCA a few times a week and take long walks on weekends.  But I also need to remember that not everything on TV is crap.  We’ve been really enjoying Wolf Hall on PBS the last few weeks, there’s always another Attenborough or Burns documentary to watch, and Canada and the UK seem to have a wealth of great mystery shows that we can stream.

Back in the early 00s (aka the Belfry Years), I had to remind myself to put down the writing and go out and play now and again.  This is why I went on road trips to Boston and elsewhere, took the occasional night off to watch The X-Files, check out my current stash of comics, or read that new novel I’d just picked up.  Still a bit sedentary to be sure, and I was still working out plot ideas in the back of my brain, but I made sure I didn’t become a hermit.

Nowadays I’ve made it a point to get up during break times at work; I’ll walk down to the lobby to check the mail or get that load of laundry.  I’ll watch an episode of Murdoch Mysteries with A before heading up back to write for an hour or so.  I’ll listen to my mp3 player and think about plot ideas while walking a half hour on the treadmill at the Y.  I’ll still sneak in some writing whenever I can, but not entirely at the expense of living a life outside of writing.

It’s a tricky balance to maintain, and as always, there’s no set-in-stone way to go about it.  It’s all about whatever works for you personally.

New MU Story Update: Where I Am and Where I’m Going

It’s a silly milestone, but a milestone nonetheless:  I’ve been writing this new story in a wide-ruled three-subject spiral bound notebook, and a short time ago I just hit the first of two subject tabs, which means I’m a third of the way through the notebook already.  With 120 pages in the notebook, this means I’ve used 40 of them so far, which means I’ve written at least 80 pages.  Woo! Go me!

Still no title for it yet, either, which is totally not me.  Usually I give a new project a temporary title soon after starting it — either a borrowed song title or a boring phrase as a placeholder — but at this point it’s still known as “New MU Story.”  And you know what?  I’m okay with that.  It means I’m focusing on the right things.

At this time it’s still longhand as well…I haven’t started with the transcription to Word yet.  I suppose I’ll do that soon, when the time comes for me to expand the initial first draft.  From past experience, that usually ends up being somewhere around halfway through Act II, when things start to get complicated plot-wise.  I do that for two reasons:  one, by that time I have a firmer grasp of the story as a whole and what may need adjustment; and two, the revisiting of the Story So Far gives me a good idea of where I need to go from there.  At this time I’m going to assume that I’ll start on the transcription sometime next month.

Is this going to be a single book, or will it be another trilogy?  That’s a good question, and one I’m not going to answer right away, not even to myself.  It’s definitely one of many in this universe, that’s for sure.  I’m not even sure when I’ll be finished. I’m just happy that it’s still going strong, and that’s good enough for me right now.

On Writing: Point of Viewpoint, Or Different Mindsets for Different Styles

You’ve heard me (and other writers) talk about being ‘in the mood’ or ‘in the right mindset’ to write whatever projects they’re working on.  In the past it’s ended up being a crutch; I’d waste a good twenty minutes digging through my music collection trying to find the perfect album to listen to for a particular writing session.  I used to be really bad with that, but I’ve gotten better.  Most of the time now I listen to whatever newer release I happen to have close at hand, or if a specific album if I want to give that one another listen.

Actually, this post isn’t about that.  It’s about something I was subconsciously aware of for years, but just recently started monitoring, and it’s kind of interesting.  At least to me, anyway.

This one’s about where my mind is while working on whatever project I have in front of me.  At present I’m letting my imagination run rampant within the confines of my created world for the new Mendaihu Universe story…I picture novels as one long story of character evolution, where the the only rules are that nothing remains static and that consequences just as important as the actions.  I tend to let myself get well and truly lost in my created world; that is, ‘lost’ in the sense that if my brain suddenly and unexpectedly comes up with a doozy of a plot twist and I know it’ll work as part of the whole, I’ll let it take center stage and not hold back.  I think of it as writing for an audience of myself, though with full expectation that others will want to read and understand it as well.

Writing nonfiction is somewhat similar, only the boundaries are much tighter…at least that’s been my experience with Walk in Silence.  The focus is on the subject matter’s evolution within the confines of reality…thus imagination is reined in considerably, only given to the prose itself.  This is also true with my blog posts.  Not counting the more personal entries over at my LJ where my writing is more freestyle, I try to give my writing at least a little bit of professionalism.  When I’m writing nonfiction, I’m writing for an audience other than myself.

Poetry and song lyrics are a different beast, where I tend to be more emotional with my style.  I started writing poetry and songs back in my late teens as a release, but also as a playground for words, where I’d let myself come up with odd metaphors and weird imagery.  There’s really no rules here…I just riff it from start to finish.  This stuff is totally a personal indulgence, though I’ve been told by listeners that my Flying Bohemians and jeb! lyrics were pretty cool, so I’m fine with that.

The fascinating thing is that, now that I’m working on the new MU story, writing blog entries and (soon) working on Walk in Silence again, I find myself conscious of how my mind will shift from one style to another.  It can be tricky, especially if you have a lot of disparate writing ideas milling about in your head, but after all these years I’ve managed to make it work.  I think part of it is what I call the ‘going in’ phase of the session.  For instance, if I’m about to write the MU story, even before I put pen to paper I’ll start thinking about the characters, get in their heads and emotions for a few minutes to remember where I was.

[Noted, this is where the writing session soundtrack often comes in, and why I’m often a sucker for a certain mood in the songs.  The music helps me set the tone of the section I’m writing.  This is also true for nonfiction, or at least with Walk in Silence; for that I’m actually listening to the music I’m writing about so I can connect with the subject more clearly and emotionally.]

I think now that I’ve made sense of how my creative mind shifts from project to project, I’ve become better at giving each project a tighter focus.  I know how I’m doing it, so I’m less worried about whether or not I’m doing it right…as long as I’m doing it my own logical way, then that’s all that matters.

On Extremes and Evolution

I’ll note this now: this is not necessarily a post on violent extremism, like the kind we often see in today’s news, but about how far a character will go to hold onto their beliefs, and why.

One of the themes that I’ve been thinking about for this new Mendaihu Universe is extremes.  I used it to some degree in the Bridgetown Trilogy, wherein many characters have their beliefs and emotions tested.  Is what they’ve always felt really the truth?  Is the kind of peace they’re fighting for really what is needed?  And what if what you perceive to be the truth actually is the truth, at least in your own reality?  How far would you go to fight for what you believe to be the right thing to do for everyone?  These were the universal questions, set upon a group of people.  I wanted not only to show how they progressed as their own person, but also as a collective.  Actions do affect everyone involved in one way or another.  It’s not just about the action itself, however…it’s about the consequences.

For the new Mendaihu Universe book, I’m looking at the same themes again, but this time on a personal level.  After the spiritual revolution that took place in the Bridgetown Trilogy, we now see its outcome, some generations down the line.  Without going into too much detail (partly because I’m still pretty much at the beginning of the story anyway), I want to examine how the actions of the past affect the beliefs of the future.  I want to see how these beliefs and rituals have changed, now that they’ve been commonplace for a significant amount of time.

The idea of extremes for this new project came to mind after watching a large number of historical documentaries about Britain, and a lot of Time Team episodes with my wife over the last few months.  Specifically:  today we have believers of various faiths, many of them reinterpretations or reimaginings or revolutionary versions of older ones.  Some faiths raise imagery, idolatry and destination to holy statuses, for instance.  I started pondering about something I’d thought of much earlier in my life, back when I was taking catechism classes.  I started thinking about what life was like when these Biblical stories took place; not just what the stories tell us in description or what’s given to us over the years with tapestries and paintings and whatnot.  This is where the Time Team episodes were coming in:  while watching Phil and Mick and Raksha and all the other Time Teamers troweled their way into the past and tried to reconstruct what ancient buildings may have looked like, I started thinking about the Bridgetown Trilogy from the same point of view.  What we see now, as we’re excavating the past, may be something completely alien from the original idea, changed and mutated by time and evolution.  It’s only when we take the time to not just look but understand what that past moment was about, do we get closer to the truth of that point in history.

First thought of course being: how would Denni Johnson, awakened as the the deity, the One of All Sacred in its last iteration, be viewed by those who follow the One some fifty to a hundred years later?  One of the first mentions of Denni in this new book is when a character sees an eight foot statue of her, complete with angelic wings, hands reaching down to all those who look up at it, near the same corner of the warehouse where she’d ascended to deity status in the first place.  I followed up with a few other ideas: new characters taking the names of those in the trilogy, following in the footsteps of their ancestors.  The human-alien relationship on Earth becoming closer in some respects and more tenuous in others.  And so on.

This is what I think about now when I’m watching a documentary or reading a book about something historic.  I’m not just being told a story about something that happened in the past; I’m also being given an idea of what thoughts, ideas and emotions may have been like as well.  I’m being given context to go with the story.  And this is what’s been going on with this new Mendaihu Universe story; I’m writing about a far future that’s trying to remember what the past was like, in order to learn from it and move forward in the right direction.

Changes in Writing Habit

My writing habits seem to change about every two years.  I’ll find something that fits with what I’m working on perfectly, and I’ll stick with it until it doesn’t work anymore.  Sometimes I’ll retain it for far much longer than I probably should, but I’ll eventually change it up.

I came to the conclusion a few weeks ago that this new change is going to be rather significant.  The whiteboard that I’ve been using for the last few years has suddenly been cleared off, with only the blog post schedules showing.  I’m even putting off continuing the daily 750 Words for the time being (though I may be continuing the ‘secret project’ I’ve been using those words for, using a different format).  In fact, I’m pretty much backing away from the internet for a while, because it’s been a distraction.

It came to me when I first started writing the new Mendaihu Universe project longhand.  I’ve mentioned this over at my LiveJournal, but I’ll mention it here: I felt a need to return to my old writing habits.  And more importantly, I felt a very strong need to back away from the internet, maybe even backing away from writing directly to PC for a while.  I’ll keep the computer on by having some music playing in the background, and I’ll keep it handy for when I need it for research or to check on an older manuscript or something…but I felt the need to create more organically.

I came to this conclusion via many different ways, really.  I think part of it came to me last year when I started writing a personal journal entry almost every day, It also surfaced in October when I’d bought art pens and took part in the Inktober meme.  Interestingly, my ‘secret project’ also had a hand in it, even though I was typing it as part of my daily 750 Words.  The point being:  I was writing swiftly and fluidly, forcing myself not to self-edit, and this included the personal journal.  There’s a few entries here and there in that moleskine where I’ll stop midsentence and write “No, let me reiterate that” instead of crossing it out.

And that’s the key.  In the years working on the Bridgetown Trilogy rewrite/revision, the Walk in Silence project and the aborted Two Thousand, I realized that I’d been stuck in the mode of internal revision as I was writing, and working solely on PC has that effect on me.  That is because it’s always been like that.  I wrote about ninety percent of The Phoenix Effect longhand in two spiral notebooks — no revision, just pantsing it as I go — and transcribing and revising it on the PC in the Belfry in the evenings.  I consider the Bridgetown Trilogy a major revision/rewrite of that same book, even though it contains mostly new passages that were never in TPE.  Pretty much every other project I’ve worked on since then was straight to Word.

I wanted to change that with this new MU story.  I realized that most of those post-trilogy projects were tough slogs because I’d never turned my Internal Editor off.  Plus, now that we’re in the Space Age and can jump online any second of the day if we so choose, that gave me all the reasons to procrastinate.  At first I thought a strict whiteboard schedule would help…and indeed, it has, to some extent.  Because of that schedule I got rid of the ‘out of sight, out of mind’ mentality.  I’m back to the point where I want and need to write something every day, even weekends.  But I felt it wasn’t enough.

That’s why I chose to start this new project completely offline, like I did with TPE.  I wanted to see if I could recapture my old writing habits, without all the distractions and the internal editing.  Just pick up the notebook and the pen and start writing.  No worries if I mess up or make a continuity error; this is not the place to fix it right now.  This is the time to write the story purely as it comes to me.  No focusing on word count or anything else…just let it ramble for however long it would take during that session.  I’ve even taken this “new” old habit to an extreme; instead of writing at my desk, I put some music on my PC and sit across the room on the love seat instead.  It’s a little better for my back (I think?), and I’m able to stretch out a little more.  I can also take it elsewhere: I can write in the living room while A watches a movie.  Or as I did last weekend, I can write at our hotel (both in bed and in one of the chairs) in the middle of New York City, as well as during the flights to and from said city.

Suffice it to say, I was pleasantly surprised when I noticed just how amazingly well this recaptured habit was working out for me over the course of a month.  The story is still evolving and I’m sure I’ll be completely rewriting the beginning at some point (as I always do), but it’s moving at just the speed I like for first drafts.  My average over the last few days has been about two pages in a half hour, which is about right; I used to hit five pages in the hour I used to spend writing TPE back in the late 90s.  Once I become more involved in this new MU story, I’m sure the time spent writing and the page count itself will extend itself.  I haven’t even planned on when I’ll start the transcription, and I’m choosing to leave that wide open.  I’ll start it when I feel I’m ready for it.

Is this for everyone?  Who knows?  Each writer has their own best habits and rituals.  It took me a while to realize it, but I seem to have rediscovered mine.

 

Fly-by: Doing Site Research

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Well, here I am in Midtown Manhattan on a mini vacation. You didn’t think I was going to pass up doing site research, did you?

We’re only here for a few days (visiting coworkers and A’s aunt), but I thought this would also be a perfect time to really get the feel of a bustling city so I can ensure that I’m describing Bridgetown correctly. Pictures are being taken, but more so, I’m paying attention to those surrounding me, how each person interacts with those around them. And it’s been a very interesting and eye-opening experience.

Oh–and I may have also gotten a good number of handwritten pages of the new MU story done whilst in flight. Yay, go me!

Fly-By: Still here, just busy

Hey there!

Sorry I haven’t been able to update at all this week…I’ve had an extremely busy few weeks with Day Jobbery stuff — training, office visits, and whatnot — which has put a bit of a strain on my writing schedule.  You probably know already that I hate it when that happens, but it is what it is.  I was really looking forward to drawing and posting my next character sketches, too!

On the plus side, I’ve been using what writing time I do have on a new Mendaihu Universe story, which I am writing completely via longhand in a trusty 3-subject notebook.  I’ve also been working on a ‘secret project’ on my daily words as well.

[What’s that, you say?  What happened to Walk in Silence and Blogging the Beatles?  Well, long story short, let’s just say I was a bit, er, generous about my assumptions as to where I was in terms of having them finished.  WiS needs a major retooling and BtB is off the table for now, for various reasons I won’t get into at the moment.  The Curse of Announcing Best Laid Plans and all that.  Still–the shopping around of the Bridgetown Trilogy and related projects is moving quite nicely, so it’s not a complete loss.]

ANYWAY.

Due to said Day Jobbery stuff and multiple personal events going on, I will most likely not be able to make any updates here until at least after 7 April.  So hang tight, there’s more coming!   Thanks for waiting!

Look!  New words! Yay!
Look! New words! Yay!

A Division of Souls: More Character Sketches

20150317_190725Please welcome Alec Poe, emha si edha!  Alec looks a little tired here for his mug shot, but that’s because HR took it first thing in the morning, and he’s not a morning person.  More to the point, he’s definitely a night owl.

A little bit about Alec, who’s often referred to as “Poe” at HQ and by his closest friends: he’s half-Meraladian and was given up for adoption when he was an infant, and grew up with the Poe family in the blue collar McCleever South district, where he still lives in the same apartment.  Like his ARU partner Caren his extrasensory abilities are above average (this will be a major plot point later on).  He’s very protective of his friends and extended family.  He’s a semi-habitual smoker who often lights up when he’s under severe stress.  In large crowds he’s more of an observer than a participant, but within his inner circle of friends he’s quite intelligent and chatty.