Catching up on reading

My bedside reading pile looks a little less ominous these days as I’ve thinned it out a little bit, finally finishing up some titles and getting rid of others that didn’t quite work for me. Over the last couple of weeks I’ve been rereading a few books by favorite authors in preparation to read a newer title in the same universe that I haven’t gotten to yet.

Recently I’ve finished Karen Lord’s The Best of All Possible Worlds and The Galaxy Game in preparation to start reading the third in the Cygnus Beta series, The Blue, Beautiful World. I’d read them way back in the summer of 2015, and though I clearly remember loving the books, it seems I’d forgotten why, until reading them again. The style is very much in my wheelhouse, and must have inspired or influenced me in some way, as the books’ style is very similar to mine. I read these right about the same time I’d been working on self-publishing the Bridgetown Trilogy, so I must have been looking for something to inspire my future projects.

There’s also the fact that with age and maturity (even within the last decade), I hadn’t noticed just how brilliant the setting is: it’s a story regarding a dying planet that could have been grimdark and dystopian…but wasn’t. It’s about what happens to the survivors, learning to live and adjust to new planets and new cultures, and focuses on a group of people dedicated to ensuring this emigration is successful. It’s actually kind of hopeful without quite being hopepunk.

This, by the way, is similar to the setting of my current WIP Theadia: a story regarding a possible incoming war between galactic sectors…but isn’t merely about the war itself. It’s about what happens to those about to be affected by it, and focuses on a group of people dedicated to ensuring the damage is minimal. Purely coincidental, by the way, considering I hadn’t reread the two books in nearly a decade, but on the other hand, I’m kind of secretly thrilled that I feel like I’m pulling it off. Rereading this series basically said to me, yeah, you can write this kind of thing and get away with it.

My next reread will be Lavie Tidhar’s Central Station which I remember really liking as well, followed up by his recent book Neom, which takes place in the same universe. I was especially drawn to the first book with its origins as separate shorter stories that ended up telling one larger story, and that in itself inspired me to want to someday write a novel with a similar setup. My sometimes-trunked, sometimes-not project Can’t Find My Way Home briefly had a new life back in 2017, partly inspired by that.

So in short, what I’m thinking is this: perhaps it’s time for me to do some more serious catching up on reading, because obviously I’m finally being reminded where my inspirations and influences come from, and maybe find something new in the process!

The Choice Not to Write Longhand

watson typing
No, really, I type fast.  I just don’t know what to write at the moment.  Honest!

Speaking of calling it, I’m putting an end to my ongoing test of whether or not I can write a novel longhand.  It just doesn’t seem to be working out the way I’d like.  I’ve tried it with at least three projects over the past couple of years, and if I’ve learned anything, it’s this:

I write longhand much slower than I type.

I haven’t tested my typing speed, but I know it’s at least 70 wpm, if not faster.  [This doesn’t include my frequent misspellings; apparently the word “available” is the hardest one for me to type fast.  Thanks to my Day Job for pointing that out.]  I’ve never written longhand fast, because if I went any quicker it would be illegible shorthand.

I judge the pace of my novels as I write them.  When I get into a writing flow, I connect with the pace of the story.  I connect with the fast action scenes and the deliberately slow dramatic scenes.  I’ve written novels on the PC for almost twenty years now, so I’ve gotten used to this process.  And because I write longhand so much slower, I have trouble adjusting to the flow of the story.  I’ve attempted this multiple times with a handful of projects, and each time it’s lasted maybe a few months before I give up and restart the whole thing on MS Word.

I’ve been thinking maybe this might be one of the reasons why I’ve been having so much trouble with the Apartment Complex story, and why I’ve been having no trouble at all with In My Blue World.  I started noticing it again when restarted Can’t Find My Way Home the other night.  I was frustrated and straining trying to write it in my notebook, but as soon as I restarted it on Word, everything started flowing seamlessly.

So.  Does this mean I’ll give up longhand?  For novel projects, yes.  I’m still using it for my personal journal and other mini-projects, but for now, my novel writing will remain on the PC or on the laptop.