It’s been a crazy couple of months.
Between the trips to New York City and London, the weekend plans, multiple work-related issues and everything else, I’ve been so full up that I’d made the decision to clear the whiteboard schedule, temporarily stop work on a lot of creative projects, and focus only on the most important ones. That meant that I focused almost all my creative juices on the new Mendaihu Universe story. Little by little, I let a few things in as time permitted, such as guitar practice and photography.
Now that all the major events are out of the way for the time being, it’s time to get back to the grind and open up the floodgates a bit more. I’ve replanned the whiteboard schedule again; I’m not filling it up too much just yet, but I’ve added art, music and work on the Walk in Silence book back into the mix, and moved the updating of the WtBT blog to Mondays. I may revisit the daily 750 Words if time permits. And musically, I have a few ideas I’d like to record in demo form as part of the Drunken Owl project.
The temporary hiatus did have its positives, as I was able to provide better focus on what needed it, and still have time to relax. I was also able to recalibrate how I viewed my writing — not just the output but the style, and looking at what can be adjusted — to the point that I should also be able to do the same with my other writing projects that I put aside. Long story short, I’ve realized that the best practice (to borrow an annoying work-related phrase) for me is to do most of my writing longhand and use my PC time for revision and rewriting, and that’s how I plan to work from here on in.
These last few months have been a relaxing reprieve, but I’ll say this: it’s great to be back on schedule again.