Sometimes the problem isn’t hiding somewhere deep in the background and avoiding detection, leaving you spending far too much time focusing on where you think it might be rather than where it lies. Why are my characters not doing anything? Is it because they’re boring? Or that I don’t know what I want them to do? Or that I’ve just jumped into this project with a hell of a lot less preparation than I thought?
No, the issue, I find as of late, is my own damn problem. Being afraid to let those characters do what they need to do. I need them to get into trouble. I need them to cause trouble. I need to strip away more of their worries and fears and make them face them all, whether they’re ready for it or not. It’s an issue I’ve had before, really, and it’s usually caused by going from one extreme to another. I’ve reread some of my older work (trunked, private and otherwise) and noticed I go in waves. At some point I’ll have decided my creative outlets will feature as few filters or barriers as possible and those works will have a bit of wildness to them. Then I’ll go the other way, and write characters that work from an area of personal and/or emotional safety.
Now that I think about it, having written Diwa & Kaffi, which is very much the latter, it’s taken me some time to readjust. [Certainly there are a few personal issues at stake too; I wrote that not long before those final extremely stressful months at the Former Day Job. It took me a lot longer than I thought to work my way out of that mental/emotional situation.]
Which I think is why I feel that both Current Projects have finally broken through those barriers. The only way I could do it is to make the decision for both: I shouldn’t give these characters nearly as much protection as I’d been giving them. They need to face more dangers, more uncertainty. Weird things, bad things will happen to them, or to those around them, and they’ll need to process them. It’s what these projects deserve.
That doesn’t mean I won’t write in the ‘safe’ style of Diwa & Kaffi, of course. I just need to remember that each story I write has a different style that needs specific levels of conflict to make them work.